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Intelligent Music

Review | Sound On Sound, Aug 1988
Intelligent Music's M Software

Here's a program that will banish your lack of inspiration forever! Version 2.0 of Intelligent Music's 'M' (for Macintosh and Atari computers) is considerably more than an isochronic pulse sequencer. Ed Jones puts on his thinking cap and delves deeper...

Intelligent Music M

Review | Music Technology, Mar 1988
Software for the Atari ST

Previously exclusive to Mac owners, Intelligent Music's M compositional software is now available for the Atari ST. Intelligent Ian Waugh investigates its application to a variety of musical styles.

Intelligent Music UpBeat

Review | Music Technology, Sep 1987
Software for Apple Macintosh

This Mac program from New York sets out to bring the flexibility of computer programming techniques to drum programming. Jim Burgess drums up his enthusiasm.

Intelligent Music Jam Factory

Review | Music Technology, Feb 1987
Software for Apple Macintosh

If you're lucky enough to have an Apple Macintosh computer, you can now take advantage of a revolutionary new program that improvises its own music based on the data you feed it. Review by Jim Burgess.

Intelligent Music

Review | Music Technology, Mar 1987
Software for Apple Macintosh

After the Jam Factory comes "M", an advanced music composition and manipulation system for the Mac. Jim Burgess investigates a variation on the theme of MIDI recording.

Intelligent Music Realtime 1.1

Review | Music Technology, Apr 1989
Software for the Atari ST

If the usual approach to computer sequencing is unappealing or uninspiring to you, you may find the approach offered by this Atari ST program more to your liking. Chris Meyer finds time for Real Time.

Intelligent Music MIDIDraw

Review | Music Technology, Jan 1989
Software for the Atari ST

As well as being a communications standard, MIDI has encouraged the development of new forms of musical expression - like this graphic music program. Ian Waugh draws his own conclusions.

RealTime Intelligent Sequencer

Review | Sound On Sound, Aug 1989

Offering 256 tracks, direct screen manipulation of events, and the facility to alter any type of data whilst your sequence keeps playing, RealTime looks set to make a big name for itself very quickly. Martin Russ took a real shine to it - will you?

Welcome

Editorial | Sound On Sound, Sep 1988
Music Software At The PC Show

Music By Design - Part 1

Feature Series | Topic: Algorythmic Composition | Music Technology, Aug 1989

With algorithmic composition sotware finding commercial use at last, the question has to be asked "will it write a tune?". Greg Truckell takes a close look at the applications of M.

Interactive Music

Feature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jan 1989

Ever since the invention of the wax cylinder, listening to recorded music has been a passive experience; now CDs are capable of holding MIDI and other performance data. Bob O'Donnell looks at the changing face of music.

Music at City University

Feature Audio | Topic: Education | Electronics & Music Maker, Oct 1981

Computer music and electro-acoustic education in London.

Music X

Review | Sound On Sound, Oct 1989

The most talked about Amiga software ever is finally in the shops. Was Microillusion's program worth the wait? Phil South waxes lyrical about the first professional integrated music sequencing and editing program to take full advantage of the Commodore Amiga's powerful multitasking features.

In Praise Of Music

Interview | Music Technology, Jul 1988

Q: When is a guitar not a guitar? A: When it's part of David Sylvian's music. Taking time out from a hectic schedule David Torn talks guitar textures and musical crossovers with Tim "pretentious, moi?" Goodyer.

Music By Design - Part 2

Feature Series | Topic: Algorythmic Composition | Music Technology, Sep 1989
PART 2: SEQUENCING AND NOTATION

In the concluding part of this investigation into computer-assisted composition, Greg Truckell cells on Dr T's KCS to compose a tune.

Istanbul Music Expo

Show Report | Music Technology, Apr 1987

For the first time, a UK magazine gives coverage to the fair that follows NAMM and Frankfurt. It may not be as big, but it's growing in importance all the time. Dan Goldstein reports from the Bosphorus.

Choosing A Personal Computer For Music

Feature | Topic: Computing | Sound On Sound, Mar 1988

Having made your decision to opt for a software-based MIDI music system, which computer do you choose? Which is best? Are they all the same? Mark Badger considers the three prime contenders.

SOS Guide to Music Software

Feature | Topic: Buyer's Guide | Sound On Sound, Apr 1988

Last month we gave you advice on choosing a computer for musical applications; as a follow on, this month Mike Barnes provides a comprehensive rundown of available music software for the Atari, Macintosh, IBM PC, and Amiga computers.

Choosing A Computer For Music - Part 2

Feature Series | Topic: Buyer's Guide, Computing | Sound On Sound, Jun 1991
Atari ST & Commodore Amiga

Part 2. Concluding our look at the relative merits of the big four music computers, Martin Russ puts the case for the Atari ST and its variants, and Paul Overaa explains why his heart belongs to the Commodore Amiga.

Fair Affairs

Show Report | Music Technology, Sep 1987

Britain's biggest, busiest and noisiest music fair is over for another year. So what did we get for our money and our aching feet? Report by Simon Trask.

Welcome

Editorial | Sound On Sound, Feb 1991
Revolution Or Evolution?

MIDI Draw

Review | Micro Music, Apr/May 1989

A novel little program for ST owners with a leaning towards pictures and music

Shape of Things to Come

News | Sound On Sound, Dec 1988

Forthcoming new products from the hi-tech music recording field.

Doctor Jurgenbuster's Casebook

Feature | Sound On Sound, Apr 1990
How To Obtain Extra Drum Sounds For Free!

Bored with the sounds your drum machine makes? Martin Russ provides a bunch of tips to help you perk up your percussion.

Dr.T’s Software Page

Feature | Topic: Computing, Sequencing | Sound On Sound, Oct 1988

More useful hints and tips for Dr.T’s music programs, written and compiled exclusively for SOS by Dr.T themselves.

 

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