Phil Brammer finds time for RealTime for the ST

Software for the Atari ST

If you're looking for a visual aid to drum pattern editing or a means of turning your Akai S900 sampler into a drum machine this Atari software could be the answer. Chris Jenkins investigates.

The release of Jason Rebello's first LP shows him to be more than the tasteful performer the jazz circuit already recognises. Simon Trask talks to one of Britain's leading jazz keyboardsmen.

System Exclusive Orchestrator

If you have a large number of disorganised patches and an unruly MIDI network, then Xor is made for you. It is designed to make sound management and working with MIDI instruments easier. Martin Russ finds out if the claims are true.

A Practical FM Editing Solution?

Martin Russ explores the merits of Desk Accessory programs with a look at this Atari-based 'pop-up' DX editor from Pandora Technology.

(But Were Too Afraid To Ask!)

PART 12: Martin Russ concludes this 12-part series designed to demystify one of MIDI's most important and useful messages.

obtaining the best from MIDI sequencers

MIDI controller data can have many uses such as adding "feel" to music after it's been recorded into a sequencer. Vic "Megalomaniac" Lennard explores this and many other applications.

In this lengthy article, Craig Anderton explains all the features found on sequencers, from the simple to the esoteric. It is intended for those who are trying to make an intelligent purchasing decision about a sequencer and don't fully understand all the options that are available.

Korg MS20

This month's trip down memory lane takes us to Korg's MS20. Greg Truckell reacquaints himself with an analogue synth that may be better suited to use in 1989 than 1979.

could your instruments stand Jam Science?

When fractal mathematics first emerged, it caused an uproar in the scientific world. Expecting the worst, Steve Wright examines its appearance in music software.

MIDI Processors

An interactive drum sequencer and a keyboard to guitar chord convertor are the first new products to emerge from revitalised synth pioneers Oberheim Electronics. Kendall Wrightson gets on the case.

Software for the Atari ST

Another sequencing package for the Atari ST, but this one has a companion that will help compose and arrange your music. Ian Waugh strikes up the band.

More news of forthcoming new products to tempt you to dig deeper into your pockets.

MIDI Processor

This American MIDI processor is possibly the most sophisticated processor currently on the market. Matt Isaacson tries out its bewildering array of facilities.

Nicholas Rowland guides us through the tricky process of choosing the best sequencer for our money

Atari ST Software

The latest sequencer from the Dr T's stable takes interactive composition by the horns. Ian Waugh examines the software and the merits of mathematical music making.

In part four of this series Bob O'Donnell deals with rhythm by linking a drum machine into the expanding MIDI system.

From providing the backbone of Santana's Latin beat, Michael Shrieve has moved into electronic percussion and out again. John Diliberto listens to the drummer's tale.

Software for the Atari ST

Continuing the theme of computers and composition, Ludwig is Hybrid Arts' contribution to the growing selection of algorithmic composers currently available. Ian Waugh walks the dog.

The second and final part of this series on computer composition examines the differences between human composers and their electronic counterparts. Ian Waugh keeps the score.

Who says you can't use those hi-fi DIN cables to connect all your MIDI gear together? This month, Jay Chapman takes a logical look at the hardware side of the Musical Instrument Digital Interface.

Steinberg's flagship sequencer, Cubase, has seen two major revisions since we first reviewed it. David Hughes looks at what's new.

(But Were Too Afraid To Ask!)

PART 5: Martin Russ delves into the reasons why MIDI Controller messages are able to do what they can do and provides some practical examples.