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Electronic Piano/Gnome Interface

Feedback | Polyphony, Oct 1976

Microlink ML-1 Interface

Review | Electronics & Music Maker, Mar 1984
For Casio CT-1000P

Keyboard Matrix Interface For EK-3

Feature | Topic: Electronics / Build, Maintenance / Repair / Modification | Polyphony, Nov 1977

Jellinghaus MIDI Synchroniser & Interface

Review | One Two Testing, Mar 1986

Links and syncs for synths

The User Interface

Feedback | Topic: Computing | Sound On Sound, Aug 1988

Martin Russ explores how the user interface influences the 'feel' of a program.

Mark Of The Unicorn MIDI Express

Group: Quality Control

Review | Music Technology, Feb 1994
interface for the Macintosh

This new interface could be just the ticket for Mac users.

Interface the Music

Feature | Topic: MIDI | Phaze 1, Aug 1989

explaining what MIDI can do for you

Micromusic

Feature | Topic: Computing | Electronics & Music Maker, Apr 1982
TRS80 Analogue/Digital Interface

Universal Trigger Interface

Feature | Topic: Electronics / Build | Electronics & Music Maker, Jul 1982

A unique E&MM design which allows interfacing between all commercially available synthesisers, sequencers and micros.

Cision MCV20

Review | Music Technology, Oct 1988
MIDI to CV/Gate Interface

The missing link between the powerful MIDI instruments of today and the characterful analogue synths of yesterday is the MIDI/CV interface. Tim Goodyer looks at a budget converter.

Digi-Atom 4800

Review | One Two Testing, Aug 1984
MIDI interface

MIDI to analogue converter

Workbench

Feature | Topic: Electronics / Build, Lighting | International Musician & Recording World, Dec 1985
STAGE LIGHTING INTERFACE BOARDS

Phil Walsh shines his guiding light

Equipment Update

Feature | Electronics & Music Maker, Mar 1983
The Chroma/Apple interface

Vesta Kozo MDI-1

Review | Home & Studio Recording, Jun 1986
MIDI to CV Interface

MIDI to CV conversion made simple.

Jl Cooper Sync-Link

Review | Music Technology, Sep 1991
Macintosh MIDI Interface

The new line of cheap Apple Macs sees them Ending more music applications; now the search is on for a cost-effective MIDI interface. Vic Lennard checks out a strong contender.

Opcode Studio 5

Review | Sound On Sound, Apr 1992
Macintosh Midi Interface

For those with large MIDI setups, 16 channels just isn't enough; Opcode's Studio 5 offers the Mac muso up to 240 independent channels, plus MIDI patchbay and processing facilities. Mike Collins approves.

Gnome Instrument Interface

Feature | Topic: Electronics / Build, Maintenance / Repair / Modification | Polyphony, Oct 1976
Using the 2720-11 Envelope Follower

IVL Steelrider

Review | Music Technology, Apr 1991
MIDI Interface

Famed for playing its part in the MIDI Chapman Stick, IVL's pitch-to-MIDI system is now opening the world of MIDI to the pedal steel player. Vic Lennard picks his words.

Oberheim Performance System.

Preview | Electronics & Music Maker, Jan 1984
Synthesiser, Sequencer and Drum Machine Interface

An overview of the synthesiser, sequencer and drum machine interface, based around the DSX.

Quality Control

Review | Sound On Sound, Jul 1992
DDA Interface Console

Yet another stratospheric studio name finds its way into the more modest recording setup; Paul White appreciates DDA's design for mixing.

The Numbers Game

Review | Electronics & Music Maker, Feb 1986
Dynacord MCC1 Interface

The world has been waiting for an interface box that solves all its MIDI routing problems at a single stroke. Simon Trask reckons the wait is now over.

Jellinghaus Music Systems

Group: Computer Musician

Review | Electronics & Music Maker, Jul 1984
MIDI Computer Interface and Software

German company Jellinghaus have been producing some interesting-looking MIDI software for some while. Now Rosetti are bringing it into the UK, and David Ellis has managed to get his hands on a few review samples.

The Programmable Digital Sound Generator - Part 3

Group: Computer Musician

Feature Series | Topic: Computing, Electronics / Build | Electronics & Music Maker, Jul 1984
Part 3: The Detailed Program Interface

Our analysis of the Programmable Digital Sound Generator enters its third phase. Your guide: Alan Boothman.

Sound on Stage

Feature | Topic: Live | Electronics & Music Maker, Aug 1983
Interface 3: Front end Razzmatazz

Front End Razzmatazz — stage mixers under the spotlights

C-Lab Unitor 2

Review | Music Technology, Mar 1992
Atari ST SMPTE Synchroniser/MIDI Interface

Synchronisation made easy - for Creator/Notator users, at least. Tim Goodyer locks into C-Lab's integrated SMPTE synchroniser and MIDI expander for the Atari ST.

 

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