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Crisis? What Crisis?

Interview | Electronics & Music Maker, Feb 1984

From humble beginnings CC have grown into a major force in 80s music. Here, they explain their approach to writing and performing, and their rise to chart success.

Polyphonic Synthesizers

Feature | Topic: Vintage Instruments | Electronic Soundmaker & Computer Music, Dec 1983

A survey of trendsetters

Concert Review

Music Review | Electronics & Music Maker, May 1983

10 CC, LGT, Mainframe, Ian Boddy

Made in Japan - Part 3

Feature Series | Topic: Design, Development & Manufacture | Music Technology, Jan 1988
Eastern Intrigue

A last visit to the land of micro-chips and rice crackers. Simon Trask pays an enquiring visit to the Yamaha organisation before waving a fond farewell to the rising sun.

Up and Running

Feature | Topic: Music Business | Electronics & Music Maker, Nov 1985
The Nightcatchers

First of an occasional series on the twilight zone between recording first demos and collecting that first gold disc. Birmingham's Nightcatchers talk to Tim Goodyer about tight budgets and big-name producers.

Analogue Synths

Feature | Topic: Vintage Instruments | Sound On Sound, Aug 1991
In The Digital Age

The digital revolution has not quite killed off the analogue synthesizer, and vintage or vintage-style instruments have an enduring appeal. Julian Colbeck looks at why this should be so.

Siel DK80 Polysynth

Review | Electronics & Music Maker, Apr 1985
Dynamic Bitimbric Polysynth

It boasts a list of features as long as your arm and a price tag that makes it one of the most accessible MIDI polysynths, but does the musical reality fulfil the paper promises? Trish McGrath reports.

Paul Cobbold: Producer/Engineer

Interview | Home & Studio Recording, Jul 1985

...is a bassist turned producer/engineer who has worked with many artists in both Europe and America. In this article he gives his opinions on the techniques and equipment he uses.

Hip Hop... Don't Stop

Feature | Electronic Soundmaker & Computer Music, Nov 1984

An in-depth dissection of electro-pop; how to create it, how to adapt it but not how to dance to it.

 

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