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Intelligent MusicReview | Sound On Sound, Aug 1988Intelligent Music's M SoftwareHere's a program that will banish your lack of inspiration forever! Version 2.0 of Intelligent Music's 'M' (for Macintosh and Atari computers) is considerably more than an isochronic pulse sequencer. Ed Jones puts on his thinking cap and delves deeper... |
Creative GatingFeature | Topic: Effects Processing | Sound On Sound, Jul 1993Masterclass - Noise Gates |
Read the Small PrintFeature | Topic: Music Business | Phaze 1, Jan 1989"There's No Need to Read the Small Print so Just Sign Here, Ok?"the ins and outs of music-biz contracts |
A Selective Survey of Lead Line SynthesizersFeature | Topic: Vintage Instruments | Electronic Soundmaker & Computer Music, Sep 1983Roland, Yamaha, OSCar, Syrinx, Teisco and Moog |
Shape of Things to ComeNews | Sound On Sound, Nov 1988A look at some forthcoming products from the world of hi-tech music and recording. |
Recording Techniques - Part 1Feature Series | Topic: Recording | Sound On Sound, Dec 1989What makes one recording engineer better than another, and how can you improve your recording engineering skills? In this introduction to a new series on recording techniques, David Mellor outlines an engineer's role in the studio, and explains why a good engineer is so important. |
Kawai K4 & K4RReview | Music Technology, Dec 1989Kawai's latest synth comes complete with their latest approach to sound creation: Digital Multi Spectrum synthesis. Ian Waugh checks out some serious competition for FM and LA. |
Tantek Master MatrixReview | Home & Studio Recording, May 1987ELECTRONIC PATCHBAYTantek enters the professional market with a patchbay par excellence. |
Copyrights & Wrongs - Part 2Feature Series | Topic: Copyright, Sampling | Music Technology, Nov 1992Ignore them at your peril! |
Making the Most of... - Part 14Feature Series | Topic: Arranging / Songwriting, Effects Processing, Mixing, Sampling, Tape, Vinyl, CD, DAT | Home & Studio Recording, Jun 1986Your Paul Hardcastle Aspirations!Steve Howell takes up his razor blade once again and explains the basis for extended remixes. |
Tubular StealReview | Recording Musician, Apr 1993Drawmer 1960 Dual Valve CompressorValves and chips combine to produce a compressor that is flexible, flattering and very friendly. But then it's built in Yorkshire, so it should be. |
The Compleat RecordistFeature | Topic: Recording | Sound International, Jun 1979Dave Hastilow fishes around for some new angles on recording technique — in the field or at home. Or in the river. |
Keyboard LifeFeature | Topic: Live | Sound On Sound, Jun 1990in Anderson Bruford Wakeman HoweSession player Julian Colbeck tells the tale of how he got the gig as support keyboard player for Rick Wakeman on the recent Anderson, Bruford, Wakeman, Howe world tour, and runs through the instrumentation he and Rick used on stage. |
Cactus MkII Electronic DrumsReview | Electronics & Music Maker, Sep 1984A revised version of ex-E&MM staffer Pete Kershaw's electronic percussion system: it uses a hybrid of analogue and digital technology. Review by Paul White. |
Alesis QuadraverbReview | Home & Studio Recording, Mar 1989The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects. |
The ProfessionalsFeature | Topic: Music Business | Sound On Sound, Mar 1987PRS - The Performing Right SocietyThe first of an occasional series in which David Mellor takes a look at the organisations that help musicians and composers earn an honest crust in this hard world. This month: the Performing Right Society. |
Korg PSS50 Programmable Super SectionReview | Electronics & Music Maker, Jul 1984A novel 'backing band in a box' comes under Paul White's critical gaze. |
All About Additive - Part 1Feature Series | Topic: Synthesis & Sound Design | Music Technology, Apr 1988In the first of a two-part series, Chris Meyer looks into the workings of additive synthesis and how it can be used to accurately mimic naturally-occurring sounds. |
Digisound Voice Card - Part 1Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Feb 1985Detailed notes on the design and construction of a complete synthesiser voice card you can build yourself, by the team that put it all together in the first place. |
Keynote ChameleonReview | Music Technology, Dec 1989Patch LibrarianTired of swapping Atari disks to edit parameters on different synths - or of paying for a variety of editors? Send for a universal synth editor. Ian "Mr Universe" Waugh flexes Chameleon's muscles. |
Nuclear VisionGroup: Control RoomOpcode Studio VisionIntegrated sequencing/d-t-d recording |
Sequential Circuits MAXReview | In Tune, Apr 1985 |