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Sample + SynthesisFeature | Topic: Synthesis & Sound Design | Sound On Sound, Nov 1991Programming ClinicMost of the current generation of digital synthesizers use a blend of sampling and synthesis techniques to produce their sounds — a powerful combination, but perhaps less easily understood than analogue synthesis. Synth guru Craig Anderton offers some hints and tips on how to get the best out of 'S+S' instruments. |
Graveyard raveGroup: Sound AdviceCriminal Justice BillLessons in law for ravers |
Sync ExplainedFeature | Topic: Syncronisation | Home & Studio Recording, Mar 1989The title says it all... |
ART Multiverb AlphaReview | Music Technology, Jun 1992Multi-fx ProcessorIn their efforts to establish their signal processors as strongly in the UK as they have in the States, ART can't seem to bring out enough effects units. Nigel Lord evaluates the ART with aspirations to be number one. |
Wilmslow Audio/Wharfedale E70 Speaker KitFeature | Home & Studio Recording, Jan 1984Speakercraft Flat Pack Kit AssemblyHints and tips on assembly |
Speech Synthesis - Jabberwocky!Feature | Topic: Sound Fundamentals, Synthesis & Sound Design | Electronics & Music Maker, Nov 1981Advanced Music SynthesisAlan Davies discusses electronic speech production and its applications. |
MIDI Sequencer ProjectFeature | Topic: Computing, Electronics / Build | Electronic Soundmaker & Computer Music, Jun 1985Detailed Instructions on how to build your own ES&CM MIDI sequencer. (Software on tape). |
Recording Techniques - Part 8Feature Series | Topic: Recording | Sound On Sound, Jul 1990Recording DrumsPart 8: David Mellor explains several techniques for taming that most difficult of instruments to record - the drum kit. |
HB EngraverReview | Music Technology, Jul 1989Macintosh Notation SoftwareDesktop music publishing becomes a serious proposition with this sophisticated notation software for the Apple Mac. Dan Goldstein notates his way around the dots. |
Alesis 1622 Mixing DeskReview | Music Technology, Jul 1990Already renowned for producing high-quality budget equipment, Alesis have introduced a new 16-channel mixer. Ian Waugh discovers Monolithic Circuit Technology is behind the 1622's amazing performance. |
Casio DA7Review | Music Technology, Feb 1991Portable DAT RecorderCasio's DA1 and DA2 Digital Audio Tape machines have helped put DAT into many budget studios. Tim Goodyer suggests that the DA7 will see it in a few more. |
The New WaveReview | Sound On Sound, Feb 1992Korg Wavestation A/DKorg add new samples, a vocoder and a pair of audio inputs to their highly acclaimed Advanced Vector synthesizer, and put the result in a rack. Kendall Wrightson says the Wavestation A/D is a TV/film composer's dream machine. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Mar 1993Hints, Tips & News From The World Of Music Software |
MixMasteryFeature | Topic: Mixing | Phaze 1, May 1989a novice engineer's guide to what all the knobs and switches on a mixing-desk do |
A Handful Of AcesReview | Home & Studio Recording, Apr 1986Aces B1816A cost effective in-line mixing console aimed at the budget 16-track user. |
Hybrid Technology Music 2000 SystemReview | Sound On Sound, Oct 1988In terms of sheer numbers, Hybrid Technology’s computer music system for the BBC micro outsells any other music software package on the market. Ian Waugh finds out why. |
What's NewNews | Home & Studio Recording, Apr 1985A rundown of the new products shown at the recent Frankfurt Music Fair. |
Daisy: 2 - Part 2Feature Series | Topic: Electronics / Build | International Musician & Recording World, Sep 1975Stephen Delft improves his guitar routing box |
Interactive MusicFeature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jan 1989Ever since the invention of the wax cylinder, listening to recorded music has been a passive experience; now CDs are capable of holding MIDI and other performance data. Bob O'Donnell looks at the changing face of music. |
Simmons MTMReview | Sound On Sound, Jun 1986'Can you benefit from something that doesn't make a noise?' asks Paul Gilby in his in-depth review of this interesting MIDI trigger device from the pioneers of the electronic drum. It might not generate sounds of its own but this unit certainly makes possible some marvellous effects when MIDI'd up to synthesizers. Check it out. |
An Ultra VCO From The 4720Feature | Topic: Electronics / Build | Polyphony, Feb 1978 |
49 Hot Signal Processing TipsFeature | Topic: Effects Processing | Sound On Sound, Jun 1989The more imagination you apply to signal processors, the more you can get out of them. Craig Anderton presents 49 tips that take you beyond stock effects and into new ways of creating your own sonic signature. |
New RealityFeature | Topic: Composing / Art | Sound On Sound, Nov 1989The story of a CDNot many people would have the courage to give up a lucrative career in the jingles business in order to record and release their own CD. But that's precisely what Simon Renouf has done, and this is his story... |
Yamaha SY77 - Part 1Review Series | Sound On Sound, Jan 1990RCM SynthesizerThe DX7 captured musicians’ imaginations like no other synthesizer before or since. But the legacy of releasing endless variations on the DX theme has turned some musicians away from FM synthesis and into the waiting arms of a new generation of 'sample plus synth' keyboards. Now Yamaha are back with a vengeance, an even more powerful method of synthesis (Real-time Convolution and Modulation), and a spanking new flagship synth. But has the SY77 got what it takes to regain the hi-tech musician's vote? Martin Russ finds out. |
Powertran MCS-1 Sound Sampler & Delay LineReview | Home & Studio Recording, Apr 1985 |