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Alesis 1622 Mixing DeskReview | Music Technology, Jul 1990Already renowned for producing high-quality budget equipment, Alesis have introduced a new 16-channel mixer. Ian Waugh discovers Monolithic Circuit Technology is behind the 1622's amazing performance. |
Casio DA7Review | Music Technology, Feb 1991Portable DAT RecorderCasio's DA1 and DA2 Digital Audio Tape machines have helped put DAT into many budget studios. Tim Goodyer suggests that the DA7 will see it in a few more. |
The New WaveReview | Sound On Sound, Feb 1992Korg Wavestation A/DKorg add new samples, a vocoder and a pair of audio inputs to their highly acclaimed Advanced Vector synthesizer, and put the result in a rack. Kendall Wrightson says the Wavestation A/D is a TV/film composer's dream machine. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Mar 1993Hints, Tips & News From The World Of Music Software |
MixMasteryFeature | Topic: Mixing | Phaze 1, May 1989a novice engineer's guide to what all the knobs and switches on a mixing-desk do |
A Handful Of AcesReview | Home & Studio Recording, Apr 1986Aces B1816A cost effective in-line mixing console aimed at the budget 16-track user. |
Hybrid Technology Music 2000 SystemReview | Sound On Sound, Oct 1988In terms of sheer numbers, Hybrid Technology’s computer music system for the BBC micro outsells any other music software package on the market. Ian Waugh finds out why. |
Recording Techniques - Part 8Feature Series | Topic: Recording | Sound On Sound, Jul 1990Recording DrumsPart 8: David Mellor explains several techniques for taming that most difficult of instruments to record - the drum kit. |
Interactive MusicFeature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jan 1989Ever since the invention of the wax cylinder, listening to recorded music has been a passive experience; now CDs are capable of holding MIDI and other performance data. Bob O'Donnell looks at the changing face of music. |
Simmons MTMReview | Sound On Sound, Jun 1986'Can you benefit from something that doesn't make a noise?' asks Paul Gilby in his in-depth review of this interesting MIDI trigger device from the pioneers of the electronic drum. It might not generate sounds of its own but this unit certainly makes possible some marvellous effects when MIDI'd up to synthesizers. Check it out. |
An Ultra VCO From The 4720Feature | Topic: Electronics / Build | Polyphony, Feb 1978 |
49 Hot Signal Processing TipsFeature | Topic: Effects Processing | Sound On Sound, Jun 1989The more imagination you apply to signal processors, the more you can get out of them. Craig Anderton presents 49 tips that take you beyond stock effects and into new ways of creating your own sonic signature. |
What's NewNews | Home & Studio Recording, Apr 1985A rundown of the new products shown at the recent Frankfurt Music Fair. |
Daisy: 2 - Part 2Feature Series | Topic: Electronics / Build | International Musician & Recording World, Sep 1975Stephen Delft improves his guitar routing box |
Space... The Final FrontierReview | Sound On Sound, Aug 1993Roland SRV330 Dimensional Space ReverbCan Roland's latest gizmo really add another dimension to your recordings? |
E-mu SP1200Review | Sound On Sound, Oct 1987Sampling Percussion SystemNot just a sampling drum machine, more a solid state tape recorder! As things start to heat up at the top end of the drum machine market, David Mellor gives E-mu's successor to their popular SP-12 a thorough pounding. |
Michael NymanInterview | One Two Testing, Oct 1985Milton Keynes adman draws up Draughtsman's Contract |
Live WiresFeature | Topic: Live, Performing | Electronic Soundmaker & Computer Music, Aug 1985Playing LiveElectronic music live - a special focus |
Balanced Microphone Preamp ProjectFeature | Topic: Electronics / Build | Home & Studio Recording, Aug 1984Full circuit design for this very high quality, low-noise preamplifier. |
New RealityFeature | Topic: Composing / Art | Sound On Sound, Nov 1989The story of a CDNot many people would have the courage to give up a lucrative career in the jingles business in order to record and release their own CD. But that's precisely what Simon Renouf has done, and this is his story... |
Yamaha SY77 - Part 1Review Series | Sound On Sound, Jan 1990RCM SynthesizerThe DX7 captured musicians’ imaginations like no other synthesizer before or since. But the legacy of releasing endless variations on the DX theme has turned some musicians away from FM synthesis and into the waiting arms of a new generation of 'sample plus synth' keyboards. Now Yamaha are back with a vengeance, an even more powerful method of synthesis (Real-time Convolution and Modulation), and a spanking new flagship synth. But has the SY77 got what it takes to regain the hi-tech musician's vote? Martin Russ finds out. |
Powertran MCS-1 Sound Sampler & Delay LineReview | Home & Studio Recording, Apr 1985 |
The Myths Of MIDIFeature | Topic: MIDI | Sound On Sound, Oct 1991MIDI has been with us for almost a decade, yet most users still labour under Misconceptions about what it actually can and cannot do. Paul D. Lehrman explodes some of the more common myths about MIDI. |
Sampling The Japanese WayReview | Sound On Sound, Dec 1985Akai S612 MIDI SamplerA reduction in price and the introduction of their Quick Disk make Akai's S612 MIDI Sampler an even more attractive investment. Paul Gilby was suitably impressed. |