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HB Engraver

Review | Music Technology, Jul 1989
Macintosh Notation Software

Desktop music publishing becomes a serious proposition with this sophisticated notation software for the Apple Mac. Dan Goldstein notates his way around the dots.

Alesis 1622 Mixing Desk

Review | Music Technology, Jul 1990

Already renowned for producing high-quality budget equipment, Alesis have introduced a new 16-channel mixer. Ian Waugh discovers Monolithic Circuit Technology is behind the 1622's amazing performance.

Casio DA7

Review | Music Technology, Feb 1991
Portable DAT Recorder

Casio's DA1 and DA2 Digital Audio Tape machines have helped put DAT into many budget studios. Tim Goodyer suggests that the DA7 will see it in a few more.

The New Wave

Review | Sound On Sound, Feb 1992
Korg Wavestation A/D

Korg add new samples, a vocoder and a pair of audio inputs to their highly acclaimed Advanced Vector synthesizer, and put the result in a rack. Kendall Wrightson says the Wavestation A/D is a TV/film composer's dream machine.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Mar 1993
Hints, Tips & News From The World Of Music Software

MixMastery

Feature | Topic: Mixing | Phaze 1, May 1989

a novice engineer's guide to what all the knobs and switches on a mixing-desk do

A Handful Of Aces

Review | Home & Studio Recording, Apr 1986
Aces B1816

A cost effective in-line mixing console aimed at the budget 16-track user.

Hybrid Technology Music 2000 System

Review | Sound On Sound, Oct 1988

In terms of sheer numbers, Hybrid Technology’s computer music system for the BBC micro outsells any other music software package on the market. Ian Waugh finds out why.

What's New

News | Home & Studio Recording, Apr 1985

A rundown of the new products shown at the recent Frankfurt Music Fair.

Daisy: 2 - Part 2

Feature Series | Topic: Electronics / Build | International Musician & Recording World, Sep 1975

Stephen Delft improves his guitar routing box

Interactive Music

Feature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jan 1989

Ever since the invention of the wax cylinder, listening to recorded music has been a passive experience; now CDs are capable of holding MIDI and other performance data. Bob O'Donnell looks at the changing face of music.

Simmons MTM

Review | Sound On Sound, Jun 1986

'Can you benefit from something that doesn't make a noise?' asks Paul Gilby in his in-depth review of this interesting MIDI trigger device from the pioneers of the electronic drum. It might not generate sounds of its own but this unit certainly makes possible some marvellous effects when MIDI'd up to synthesizers. Check it out.

An Ultra VCO From The 4720

Feature | Topic: Electronics / Build | Polyphony, Feb 1978

49 Hot Signal Processing Tips

Feature | Topic: Effects Processing | Sound On Sound, Jun 1989

The more imagination you apply to signal processors, the more you can get out of them. Craig Anderton presents 49 tips that take you beyond stock effects and into new ways of creating your own sonic signature.

New Reality

Feature | Topic: Composing / Art | Sound On Sound, Nov 1989
The story of a CD

Not many people would have the courage to give up a lucrative career in the jingles business in order to record and release their own CD. But that's precisely what Simon Renouf has done, and this is his story...

Yamaha SY77 - Part 1

Review Series | Sound On Sound, Jan 1990
RCM Synthesizer

The DX7 captured musicians’ imaginations like no other synthesizer before or since. But the legacy of releasing endless variations on the DX theme has turned some musicians away from FM synthesis and into the waiting arms of a new generation of 'sample plus synth' keyboards. Now Yamaha are back with a vengeance, an even more powerful method of synthesis (Real-time Convolution and Modulation), and a spanking new flagship synth. But has the SY77 got what it takes to regain the hi-tech musician's vote? Martin Russ finds out.

Powertran MCS-1 Sound Sampler & Delay Line

Review | Home & Studio Recording, Apr 1985

Space... The Final Frontier

Review | Sound On Sound, Aug 1993
Roland SRV330 Dimensional Space Reverb

Can Roland's latest gizmo really add another dimension to your recordings?

E-mu SP1200

Review | Sound On Sound, Oct 1987
Sampling Percussion System

Not just a sampling drum machine, more a solid state tape recorder! As things start to heat up at the top end of the drum machine market, David Mellor gives E-mu's successor to their popular SP-12 a thorough pounding.

Michael Nyman

Interview | One Two Testing, Oct 1985

Milton Keynes adman draws up Draughtsman's Contract

Live Wires

Feature | Topic: Live, Performing | Electronic Soundmaker & Computer Music, Aug 1985
Playing Live

Electronic music live - a special focus

Balanced Microphone Preamp Project

Feature | Topic: Electronics / Build | Home & Studio Recording, Aug 1984

Full circuit design for this very high quality, low-noise preamplifier.

The Myths Of MIDI

Feature | Topic: MIDI | Sound On Sound, Oct 1991

MIDI has been with us for almost a decade, yet most users still labour under Misconceptions about what it actually can and cannot do. Paul D. Lehrman explodes some of the more common myths about MIDI.

Christian Acts

Interview | Music Technology, Sep 1992

Henry Priestman: the word

Sampling The Japanese Way

Review | Sound On Sound, Dec 1985
Akai S612 MIDI Sampler

A reduction in price and the introduction of their Quick Disk make Akai's S612 MIDI Sampler an even more attractive investment. Paul Gilby was suitably impressed.

 

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