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Drum Programming - Part 11Feature Series | Topic: Drum Programming, Syncronisation | Sound On Sound, Mar 1993A Series By Warren Cann. |
Fast ForwardNews | Home & Studio Recording, Apr 1986All the Fun of the FairWhat's new in the way of equipment including the latest from the Frankfurt show. |
Music In Our SchoolsFeature | Topic: Education | Recording Musician, Nov 1992Studio NecessitiesLeads, connectors, tapes and floppy disks might seem pretty mundane, but even the most modest studio is stuck without them. |
To Phase or to FlangeFeature | Topic: Effects Processing, Electronics / Build | Polyphony, Apr/May 1978Or To Each His Own |
Working with Video - Part 2Feature Series | Topic: Video / Film / Picture | Electronics & Music Maker, Aug 1982Studio setting up |
Getting into Video - Part 2Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Oct 1989PART 2: Timecode - much talked about but little understood - is of increasing importance to musicians and recording engineers. Whether you are synchronising audio to video, or MIDI to multitrack, at least a working knowledge of SMPTE/EBU is required. In the second part of this series, David Mellor explains what timecode is and how it is used. |
Steal The FeelFeature | Topic: Sequencing | Sound On Sound, Nov 1991Stealing a bit of someone else's playing is the way to swing a dance record. But rather than just lifting a drum loop, wouldn't it be nice if you could invite the drummer to play directly into your sequencer? Well, maybe you can. Wilf Smarties explains how. |
Don't get mad get equalGroup: Sound AdviceEQ TutorialPerfecting your sound with a little equalisation |
MOTU Professional ComposerReview | Music Technology, Jul 1992Macintosh Scorewriting SoftwareOne of the leaders of the Mac Pack is Mark Of The Unicorn's Professional Composer. Ian Waugh reports on the latest version of one of the leading Macintosh scorewriters. |
The Dolby SystemInterview | Music Technology, Jun 1988Four years on from the successes of The Flat Earth, Thomas Dolby has moved to LA for his follow-up LP, Aliens Ate My Buick. Tim Goodyer discovers that aliens have a lot to say. |
Allen & Heath GS3Review | Sound On Sound, May 1992Multitrack MixerWith features enough for a low-end one-inch 24-track studio, and a price low enough for the top end of the quarter-inch 8-track market, Dave Lockwood finds the Allen & Heath GS3 too good to be ignored. |
Hands On: Roland TR808 Drum MachineFeature | Topic: Drum Programming, Vintage Instruments | Sound On Sound, Feb 1993 |
Sony DTC-1000ESReview | Sound On Sound, Oct 1987Digital Audio Tape RecorderAfter months of waiting, speculation and peering at display models hidden behind bullet-proof perspex screens, R-DAT has finally appeared in Britain. Are we all ready for digital recording yet or should we stick to the tried and trusted Revox? David Mellor looks at the first product from Sony, the DTC-1000ES, and gives it a taste of professional abuse. |
Fairlight CMI ReviewReview Audio | Electronics & Music Maker, Jun 1981 |
Live Sound - Part 1Feature Series | Topic: Live | Recording Musician, Nov 1992Introduction To PAThis comprehensive series starts by looking at the basic components of a mobile PA system. |
The Shape of Things to ComeNews | Sound On Sound, Oct 1988More news of forthcoming products to make you drool and tempt you to dig even deeper into your pockets. |
Roland Alpha Juno 1Review | One Two Testing, Feb 1986 |
Hot Wiring Your GuitarFeature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Jun 1983An Active Bass GuitarAn Active Bass |
Nails And Their NatureFeature | Topic: Maintenance / Repair / Modification | Making Music, Dec 1986Get broken very easily, especially when you throw guitar strings at them. Make them hard with Making Music. |
Basic Microphone TechniqueFeature | Topic: Microphones, Recording | Sound International, Sep 1978Freelance engineer Steve Hall offers some guidance. |
Tama Techstar Electronic DrumsReview | Electronics & Music Maker, Oct 1984Tama are the first acoustic percussion manufacturer to enter the electronic arena: Paul White tested the first example in the country to see if the Japanese could make something more than a Simmons copy. |