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JHS DX-5 Pro-Rhythm Mini Synth

Review | Electronics & Music Maker, Mar 1982

New Order - Technique

Feature | Topic: Recording | Sound On Sound, Apr 1989

Mark Prendergast takes a look behind the scenes at the recording of New Order's fifth LP, 'Technique'.

Cellular reproduction

Group: Control Room

Review | The Mix, Aug 1994
Digidesign SampleCell II

Mac-driven sampling re-defined

On The Beat - Part 10

Feature Series | Topic: Drum Programming | Music Technology, May 1990

Part 10 of this rhythm programming series covers a selection of fascinating rhythms indigenous to the exotic countries of South America. Nigel Lord gets a studio tan.

DIY Single

Feature | Topic: Music Business | Music Technology, Aug 1988

If the major record companies won't give you the deal you know you deserve, you could do worse than to do it yourself. David Bradwell investigates the pros and cons of pressing your own single.

Jazz Baby

Interview | Music Technology, Dec 1990

The release of Jason Rebello's first LP shows him to be more than the tasteful performer the jazz circuit already recognises. Simon Trask talks to one of Britain's leading jazz keyboardsmen.

Talking MIDI - Part 7

Feature Series | Topic: MIDI | Sound On Sound, Jul 1986

Part 7. In this penultimate episode Jay Chapman explains the usefulness of MIDI's all-important System Exclusive messages.

Triple 'X' Rating

Review | Sound On Sound, Oct 1986
Dbx 'X' Processors

Apart from noise reduction systems, dbx make a studio quality range of 'budget' signal processors. Engineer Gareth Stuart put three of them - the 163X compressor/limiter, 263X de-esser, and 463X noise gate/expander - through their paces.

Double Dutch SAM1

Review | Sound On Sound, Nov 1992
Sample Expander For Korg M1

Something Old, Something New...

Feature | Topic: Buyer's Guide, Vintage Instruments | Electronics & Music Maker, Jun 1986
Secondhand Polysynth Guide

Whether you can't afford to indulge yourself in this month's Polysynth Checklist or simply prefer something that's now out of production, E&MM's guide to things secondhand could save you a lot of time and trouble.

One Step Beyond

Review | Sound On Sound, Oct 1993
Roland SDE330 Dimensional Delay

Sound Absorbent Materials

Feature | Topic: Acoustics, Construction / Build | Home & Studio Recording, Feb 1984
Acoustics

Sound absorbent materials for the studio.

Floored Genius?

Review | Recording Musician, May 1993
Digitech RP1 Guitar Multi-Effects

Our man from the valleys discovers how RP1 owners do it on the floor...

Punter At Large

Feature | Topic: Buyer's Guide, Retail | International Musician & Recording World, Dec 1985

A super-spy comes clean, but the questions go on

Sequence Of Events

Feature | Topic: Sequencing | Phaze 1, Jul 1989

obtaining the best from MIDI sequencers

Digital Delay Line - Part 2

Feature Series Audio | Topic: Electronics / Build | Electronics & Music Maker, Mar 1982

Final part of our superb big value effects unit.

Ashly Noise Gate SC-33

Review | Home & Studio Recording, Nov 1984

Battle of the Algorithms

Review | Micro Music, Apr/May 1989

Ian Waugh takes a side by side look at Fingers and Tunesmith.

The Psychology of Music - Part 1

Feature Series | Topic: Music Theory, Performing | Electronics & Music Maker, Oct 1983

E&MM looks in a new direction that starts you thinking about the way you play, from a psychologist's point of view

Getting Excited

Feature | Topic: Effects Processing | Home & Studio Recording, May 1985

An explanation of psychoacoustic signal enhancers and their possible applications.

Dod's Crack Rack

Review | In Tune, May 1986
Dod 944 Chain Reaction

On the rack again!

MFB Digital Drum Machine

Review | Electronics & Music Maker, Jun 1984

An RRP of under £300 makes this German-built unit the cheapest source of sampled rhythm patterns on the market. Review by Paul White.

UK

Interview | Sound International, Jul 1978
The Rhythm Section

Harmony in the UK - John Wetton and Bill Bruford still rhythmic after all these years.

Re-sampling

Feature | Topic: Sampling | Music Technology, Mar 1988

Don't delete those unsatisfactory samples until you've tried resampling them. Tom McLaughlin explains how you can turn a bad sample into a good one.

Hands On: Eventide H3000 Series

Feature | Topic: Effects Processing | Sound On Sound, Apr 1993

 

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