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Hands On: Yamaha SPX90Feature | Topic: Effects Processing | Sound On Sound, Dec 1991David Mellor offers advice to the studio newcomer on the original multi-effects unit. |
Hands Across the KeyboardInterview | Music Technology, Feb 1987Veteran songwriter Peter Hammill and programmer Paul Ridout have used some revolutionary applications of MIDI technology in the creation of Hammill's latest album. Paul Tingen interviews them, and comes away suitably impressed. |
Psychoacoustic Enhancer - Part 9Feature Series | Topic: Electronics / Build | Home & Studio Recording, Aug 1985This exciting project from Paul Williams is capable of making even the most dull recordings come to life - it's a pity it can't do anything about duff songwriting though. |
The ProducersInterview | Sound International, May 1978In the first of a series, Fred Dellar looks at the chequered career of Gus Dudgeon. |
Tascam Studio 8Review | Sound On Sound, Jan 1986Continuing the tradition that began with their 144 Portastudio, Tascam have created a combined package of mixer and 8-track recorder - the 388 Studio 8 - whose compact dimensions belie its true versatility. Dave Lockwood assesses its performance. |
Talking MIDI - Part 4Feature Series | Topic: MIDI | Sound On Sound, Mar 1986Jay Chapman delves deep into the murky waters of MIDI's often ignored Mono Mode in pursuit of multi-timbral expression! |
Wiring DIN ConnectorsFeature | Topic: Electronics / Build | Home & Studio Recording, Mar 1984Interconnect |
Yamaha QX5 SequencerReview | Sound On Sound, Dec 1986Less a sequencer more an astonishingly flexible 8-track digital multitrack for keyboards. David Mellor pinpoints the essential differences and judges where the QX5 fits into the Yamaha product line. |
Juno Jive!Feature | Topic: Vintage Instruments | Phaze 1, Jan 1989Yesteryear's Gear: Roland Juno synthsclassic analogue synthesizers for today's acid sounds |
Politics & PopFeature | Topic: Arranging / Songwriting, Marketing / Promotion, Music Business | Phaze 1, Feb 1989Are They A Good Mix?mixing the pop world's most powerful cocktail: should your music have a message? |
Going For BrokeFeature | Topic: Live, Marketing / Promotion, Music Business, Performing | Phaze 1, Aug 1989forming your first band and don't know what to do? Read on... |
How It Works - The Microphone - Part 5Feature Series | Topic: Microphones, Sound Fundamentals | Sound On Sound, Jul 1987Continuing our 'How It Works' series, David Mellor lays bare the facts about the applications and workings of the commonest types of microphone. |
Sound BitesFeedback | Recording Musician, Jan 1993Handy Recording Tips & TechniquesA useful selection of technical information and tricks of the trade — a masterclass in miniature! |
Beat On The CheapReview | Electronic Soundmaker & Computer Music, Feb 1984Budget BeatsA beat on the cheap? |
Past MastersGroup: In SessionSound MasteringAce Records' re-mastering engineers reveal the secrets of acoustic restoration |
A Pair in the HandReview | Home & Studio Recording, Nov 1986Tascam 112 and 112R Cassette DecksTwo decks, one basic and one sophisticated, but both offering superb performance. |
Do The HüskerInterview | Making Music, Jul 1987 |
How to Set Up a Home Studio - Part 3Feature Series | Topic: Home Studio | Sound On Sound, Feb 1989Soldering Techniques & Wiring LoomsPart 3: If you are a home studio builder, then sooner or later you are going to have to solder. And unless you like tangled cables, you will need to be able to make up your own wiring looms. David Mellor offers a man-in-the-street’s guide to simple and reliable wiring techniques. |
Mixing Essentials - Part 1Feature Series | Topic: MIDI, Mixing | Sound On Sound, Feb 1990Mixing in the MIDI AgeThis two-part feature covers both the art and technology of mixing. The first article on page 48, 'Mixing Essentials', covers audio mixing in general, from a more basic level, and applies to any sort of studio mixing task. The second part, 'Mixing With MIDI’, starts on page 54 and covers techniques made possible by MIDI, specifically automated mixing and sending MIDI instruments direct to your master tape. Craig Anderton is your guide. |
Tron Digidrum 3Review | In Tune, Jul 1986 |
Akai DD1000Review | Music Technology, Apr 1991Magneto-optical Disk RecorderAkai's DD1000 Magneto-optical recorder applies state-of-the-art technology to four-track dedicated digital editing. Vic Lennard sees the light at the end of the sample. |
PG Music Band-In-A-BoxReview | Music Technology, Jul 1991Apple Mac/IBM PC/Atari ST SoftwareAs technology tears down barriers, people rebuild them. Ian Waugh investigates a composition program that delivers all the traditional elements of music at the touch of a button. |
UMI-2BReview | Sound On Sound, Nov 1985A Soft TouchJay Chapman discovers why this 16 track MIDI sequencer package for the BBC B micro, described as the musical equivalent of the humble word processor, is receiving so much acclaim from studio users. |
Nik Kershaw: Recording SecretsInterview | Sound On Sound, Jan 1986As well as writing, singing and playing on his new single 'When A Heart Beats', Nik Kershaw also took the credit for its production. In an interview with Nick Webb he displays a rarely seen side of his character and discusses his knowledge of recording studio technology and approach to songwriting. |