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Sounding OffOpinion | Sound On Sound, Nov 1988Reverb: Too much of a good thing?A new column that allows music industry figures to air their views on whatever it is that bugs them! Keyboard programmer, music consultant and author Paul Wiffen kicks things off this month. |
Yamaha D1500 MIDI Digital DelayReview | Home & Studio Recording, Nov 1984 |
That Syncing Feeling - Part 4Feature Series | Topic: Syncronisation | Micro Music, Feb 1990Chris Smith continues his series on synchronisation |
Shut Up! - Part 2Feature Series | Topic: Acoustics, Construction / Build | In Tune, Feb 1986Success in Soundproofing |
Roland S750 SamplerReview | Sound On Sound, Oct 1991Digital Quality — Analogue FeelRoland's acclaimed S770 sampler has been quietly growing in popularity, and the release of version 2.0 software and the floppy drive-only S750 should ensure that Roland samplers become still more popular. Wilf Smarties explains why. |
Alesis QuadraSynthGroup: Quality ControlsynthesiserThere's a new synth in town, it's gunning for the competition and it aims to please. |
Connectix RAM DoublerGroup: Quality Controlfor the MacDouble your Mac's RAM without doubling your overdraft. |
Understanding the DX7 - Part 5Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Aug 1984Jay Chapman continues his search through the workings of Yamaha FM synthesis. This month, how to modify DX factory preset sounds. |
Akai AX80Review | Electronics & Music Maker, Dec 1984Programmable PolysynthPaul White looks at the first musical instrument product from a Japanese giant. Has Akai's poly got the sounds and the facilities necessary for it to make an impact on today's synth world? |
Frontal Lobe & PCM ChannelReview | Music Technology, Apr 1991Korg M1 EnhancementMuch talked about in the US but still unavailable in the UK, Cannon's Frontal Lobe promises a new lease of life for your Korg M1. Gordon Reid asks "does it deliver?" |
Copyrights & Wrongs - Part 1Feature Series | Topic: Copyright, Music Business | Music Technology, Oct 1992The big deal in the small print |
Sony DPS-M7Review | Sound On Sound, May 1992Digital Sonic ModulatorFollowing hot on the heels of the DPS-D7 and R7 digital delay and reverb units comes a third dedicated processor in Sony's DPS series — the DPS-M7. David Mellor wonders whether this marks the end of the line for multiple effects units. |
Hands On: Tascam & Fostex 24-TracksFeature | Topic: Recording | Sound On Sound, Jan 1993Fostex G24S & Tascam MSR24S Multitracks |
The Endorsement SyndromeFeature | Topic: Marketing / Promotion, Music Business | Making Music, May 1987Discover that this means different things to different people — from free gear for life (perhaps) to a half-price plectrum (maybe) |
Sonics & HarmonicsFeature | Topic: Tuition / Technique, Sound Fundamentals | One Two Testing, Sep 1985where to find them and why they're there |
Lab Notes: The Polyphonic SynthesizerFeature | Topic: Computing, Electronics / Build | Polyphony, Feb 1978 |
Visual Editing SystemsFeature | Topic: Computing | Sound On Sound, Nov 1989Most editing software is more user-friendly than digital parameter access, and more suited to the demands of editing complex digital synthesizers than traditional analogue controls. Greg Truckell investigates. |
DAR Soundstation IIReview | Sound On Sound, Apr 1990Digital Audio RecorderDavid Mellor explores the higher echelons of audio technology and finds a machine which is destined to become a classic of its time: Soundstation II from Digital Audio Research. |
Frankfurt PreviewShow Report | International Musician & Recording World, Feb 1986The shape of things to comeTony Reed goes back to the future for the Frankfurt forecast |
Steinberg Cubase v1.5Review | Music Technology, Apr 1990Software for the Atari STMeanwhile, at the other extreme of ST sequencing, Steinberg's Cubase program gains a real-time MIDI Manager and a large-format monitor. Nigel Lord touches a new base. |
A Sample of Eastern IngenuityReview | Home & Studio Recording, Dec 1985Vesta Kozo DIG-420Following their DIG-411 delay line: Vesta Kozo have now introduced this unit that is first and foremost a sampler and it can be used under keyboard control. |
What the hell does Quantisation think it is?Feature | Topic: Sequencing | Music Technology, Feb 1992Quantisation: the sequencer's revenge on the trained musician. Vic Lennard looks at this much-used but little-understood feature and finds that it has feelings, too. |
Hybrid Arts ADAPReview | Music Technology, Nov 1986Computer Sampling SystemSampling keyboards are everywhere this year, but most of them are confined to 12-bit resolution. Our US Editor, Rick Davies, gets a taste of 16-bit sampling with an incredibly cheap Atari-based system. |