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Guitar Routing Box - Part 1Feature Series | Topic: Electronics / Build | International Musician & Recording World, Aug 1975If you undertook last month's project and converted your guitar to stereo, build a routing box to provide ultimate panning flexibility |
Adventures In MIDILand - Part 1Feature Series | Topic: Computing, MIDI | Sound On Sound, Aug 1990Part 1: Martin Russ sets off on a wild and wacky expedition through the MIDI Programming Jungle. |
The segue with the silver tongueGroup: Control RoomCD player 3-way testDenon, Pioneer, Vestax lock lasers |
Robin MillarInterview | Home & Studio Recording, Sep 1985Janet Angus talks to Robin about practically everything. |
Pedal PowerReview | Home & Studio Recording, Nov 1985Boss DSD2 Sampler/DelayThe Boss DSD2 Sampling pedal. |
World PartyInterview | Music Technology, Apr 1991World music's elder statesman puts aside his many saxophones to talk musical styles, modern technology and old-fashioned emotion. Simon Trask catches him onstage and off. |
Tascam Porta 03 MinistudioReview | Music Technology, Jul 1991Cassette MultitrackIt is said that small is beautiful - and Tascam's new personal multitrack machine is certainly small. Nik Newark dubs his demos and road tests Tascam's latest four-track cassette machine. |
A Deeper WaveFeature | Topic: Synthesis & Sound Design | Music Technology, Aug 1987Wavetable SynthesisMany of today's popular digital synthesisers use variations on "wavetable synthesis". Chris Meyer explains what this mystical but powerful method is all about. |
Economy ClassReview | In Tune, Jan 1985 |
FM 4-Operator EditorsReview | Music Technology, Jul 1988Two software packages that offer a generic approach to sound creation on Yamaha's four-operator FM synths. Ian Waugh boots up Dr T's 4-Op Deluxe and the Soundbits 4X4. |
Mr VersatilityInterview | Electronics & Music Maker, Oct 1986While many producers are content to work within one or two musical styles, Peter Collins casts a much wider net - using high technology to increase the number of possibilities open to him. |
Drummers Drumming - Part 8Group: Real Drum Special - Part 2Balancing Kitsan even sound for your setup |
Waxing LyricalFeature | Topic: Arranging / Songwriting | International Musician & Recording World, Oct 1985How To Write LyricsRichard Walmsley takes a look at the under-estimated art of lyric writing |
War and Peace - Part 1Feature Series | Topic: Music Business, Tape, Vinyl, CD, DAT | Home & Studio Recording, Oct 1986More controversy and heated discussion on the subject of blank tape levies. |
Echoes From The Observatory - Part 1Interview Series | Home & Studio Recording, Dec 1984Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece. |
Human League in the StudioInterview | Electronics & Music Maker, Apr 1982With Martin Rushent just voted BBC Producer of the Year, our interview from his Genetic Sound Studio, where Human League recorded ‘Dare’, must be THE music feature of the month! |
ShredderShow Report | One Two Testing, May 1986Frankfurt 86The Frankfurt show seen from a diagonal position |
SeqWin v2/MultiMediaGroup: Quality Controlfor PC Windows 3.1Looking to take your first steps in multimedia production? Cot a PC and an idea? What are you waiting for? |
The Programmable Digital Sound Generator - Part 1Group: Computer MusicianThe first in a major series of articles describing the design, construction and applications of the Programmable Digital Sound Generator, a music hardware add-on for the BBC Model B. Introduction by Alan Boothman. |
Music TVFeature | Topic: Composing for Business, Video / Film / Picture | Music Technology, Nov 1988No television drama would be complete without a soundtrack, but how do you write them? Nicholas Rowland tunes in to the music channel. |
360 Systems Digital KeyboardReview | Electronics & Music Maker, Oct 1984First reviewed in prototype form over a year ago, the 360 has been the subject of some significant hardware modifications since then, and Paul White reports on a more recent production sample. |
Strike That ChordInterview | Music Technology, Jun 1987He was once the driving force behind Genesis, Yes and King Crimson, but now this brilliant percussionist has turned his attention to jazz - and new technology. Tim Goodyer talks to him. |
Steinberg Pro 24Review | International Musician & Recording World, Oct 1986SoftwareCheckSometimes Musical Micro just ain't big enough to hold down a piece of really macho software... Tony Mills grabs a suddenly floppy disk, and enters the cage. |
Making More of your Ensoniq ESQ1Feature | Topic: Synthesis & Sound Design | Sound On Sound, Mar 1989Want to add multi-mode filtering, additive synthesis, three extra envelopes, microtonal and fixed frequency tunings, and eight independent effects units to your Ensoniq ESQ1 or SQ80, without invalidating your warranty? Greg Truckell reveals how... |