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Reverb by NumbersFeature | Topic: Effects Processing | Recording Musician, Jul 1992How digital reverberation devices work and how to use them. |
MIDI Basics - Part 4Feature Series | Topic: Drum Programming, MIDI, Syncronisation | Music Technology, Nov 1987In part four of this series Bob O'Donnell deals with rhythm by linking a drum machine into the expanding MIDI system. |
EMC SY/TG55 Manager/EditorReview | Music Technology, May 1991Atari ST SoftwareIs it a librarian? Is it a manager? Ian Waugh checks out this flexible ST software companion to Yamaha's SY55 synth - and reckons he can't manage without it. |
When The Capo FitsFeature | Making Music, May 1987Those strangely shaped metal and plastic things that you clamp to the guitar neck to change key, you know? You do now |
Tape Echo EffectsFeature | Topic: Effects Processing, Recording | Home & Studio Recording, Feb 1984Studio Sound TechniquesTape echo techniques for reel-to-reel machines. |
Band AidReview | Recording Musician, Feb 1993Band-In-A-Box Auto-Accompaniment SoftwareYou've never had it so easy — Band-in-a-Box adds intelligence to auto-accompaniment, as Mike Simmons finds out in his look at the latest version of this popular software package. |
String AttentionGroup: One Two Traininghow they're made, how they fit, why they last |
Heart Of GoldFeature | Topic: Education | Electronic Soundmaker & Computer Music, Jan 1984Computer music at Goldsmith's College |
The Big Ten - 1984Group: The Big Ten |
LeaderEditorial | Home & Studio Recording, Dec 1986 |
How to Set Up a Home Studio - Part 7Feature Series | Topic: Acoustics, Home Studio | Sound On Sound, Jun 1989Studio Layout & AcousticsPART 7: Badly positioned equipment in your home studio can mean the difference between a good working environment and a bad one. This month, David Mellor provides some useful guidelines to help make your home studio as efficient as possible. |
Synth SenseFeature | Making Music, Apr 1986Our beginners' synth column isn't just for tech types, but guitarists, drummers, even roadies too |
Modular Synthesizer Effects - Part 2Feature Series | Topic: Synthesis & Sound Design | Polyphony, Jul/Aug 1981Flora & Fauna of the Patch Cord Jungle |
Klaus Schulze on ComposingInterview | Electronics & Music Maker, Mar 1983Rated as the world's top solo synth performer, Klaus explains how he composes on stage and in the studio |
Sound on StageFeature | Topic: Live | Electronics & Music Maker, Jun 1983LEDs — Usage and AbusageLEDs, Usage & Abusage |
Tascam DA30Review | Sound On Sound, Sep 1990DAT RecorderTascam's latest machine has all the features we have come to expect of a professional DAT recorder. Dave Lockwood assesses its performance. |
State Of Independents - Part 1Feature Series | Topic: Music Business | Music Technology, Oct 1993Riff Raff, FONIn Part 1 of a series on independent labels, MT looks at the case histories of Fon and Riff Raff to discover just what it takes to get going and avoid the pitfalls |
Dr T Keyboard Controlled SequencerReview | Music Technology, Mar 1987for Atari ST ComputerOne of America's most innovative software houses comes up with its first program for a 16-bit computer, the Atari ST. Rick Davies takes it for a spin. |
Alternative StringsFeature | Topic: Sampling | Music Technology, Apr 1988Stuck for a good string sound or one you haven't used a hundred times before? Tom McLaughlin explains how an old guitar, a violin bow and a little ingenuity can work wonders. |
Vestax MR100-FXReview | Home & Studio Recording, Mar 1989Personal Multitrack RecorderBuilt-in digital reverb and three - yes, three - speeds are just some of the facilities hiding inside this new cassette multitracker. |
Copycat CrimesFeature | Topic: Copyright, Sampling | Music Technology, Sep 1988Sampling and the law: where do you stand when you plug your record deck or CD player into your sampler? David Bradwell investigates the legal position and the attitudes of the music industry. |
Acid RadicalInterview | Music Technology, Dec 1988The man responsible for the UK's first genuine acid house single discusses basslines, bitonality and the grin factor. Baby talk: David Bradwell. |