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Chase Bit OneReview | Electronics & Music Maker, Nov 1984Programmable PolysynthGlance at the spec and you'd never know this new Italian-built and MIDI-equipped polysynth only cost £699. Paul White has the details. |
West Coast StoryShow Report | Music Technology, Mar 1987Winter NAMM 1987Our spectacular show coverage starts here, with masses of information - backed up by colour photographs - on the biggest Winter NAMM show there's ever been... |
Alesis XT Digital ReverbReview | Home & Studio Recording, Aug 1985For even less than the price of a semi in Rotherham, you too can experience high quality digital reverb in the privacy of your own home. |
Roland S550Review | Music Technology, Jun 1988Sampling moduleRoland follow up their successful S50 sampler with a more highly-specified rack-mount alternative that includes sample display capabilities. Bob O'Donnell monitors its performance. |
On The 8-Track - Sackville SoundFeature | Topic: Recording Studios | Home & Studio Recording, Sep 1983Studio Focus |
ST NotesFeature | Topic: Computing | Sound On Sound, Aug 1992 |
Yamaha MEP4 ProcessorReview | Electronics & Music Maker, Jun 1986Simon Trask somehow finds time to examine the most sophisticated MIDI event processor of the lot. Are its facilities usable? |
Yamaha RX5Review | Sound On Sound, Apr 1987To Call It A Drum Machine Would Be An Insult!The pace of change never slackens at the Nippon Gakki factory. The piano makers turned motorbike manufacturers roar in with a new digital rhythm machine, the RX5. Review by David Mellor |
Kawai R100 Drum MachineReview | Sound On Sound, Jun 1987Kawai are quickly making a name for themselves in the hi-tech field thanks to good value products like the R100. Ian Waugh files his report. |
RSF SD140Review | Music Technology, Oct 1987Sampling Drum Machine"Affordable" sampling drum machines are few and far between. Dan Goldstein checks up on this contender for a vacant throne from the French. |
A Vocal Chord - Part 1Feature Series | Topic: Sampling | Music Technology, May 1988As you've probably already got your sampler playing drums, horns and strings, getting it to sing to you may sound deceptively easy. Tom McLaughlin explains there may be more to sampling the human voice than you'd heard. |
The Shape of Things to ComeNews | Sound On Sound, Sep 1987A chance to catch up on the new products you may have missed at last month's British Music Fair. |
Commodore 64 - The Soft Way, The Hard Way, The MIDI WayFeature | Topic: Computing | Electronic Soundmaker & Computer Music, Jul 1984Floppy disks and tape, Microsound 64, SCI Model 64 |
Using MicroprocessorsFeature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1981 |
Digital Audio DiscsFeature | Topic: Digital Audio, Tape, Vinyl, CD, DAT | Electronics & Music Maker, Feb 1982How the LP went in for a transplant and came back a DADAn explanation of the technology behind the new sound recording revolution: how the LP went in for a transplant and came back a DAD! |
The British Music AffairGroup: British Music Fair Supplement |
40 Sequencer EssentialsFeature | Topic: Sequencing | Sound On Sound, Aug 1988In this lengthy article, Craig Anderton explains all the features found on sequencers, from the simple to the esoteric. It is intended for those who are trying to make an intelligent purchasing decision about a sequencer and don't fully understand all the options that are available. |
How to Release Your Own CassettesFeature | Topic: Marketing / Promotion | Home & Studio Recording, Oct 1984(so that people can actually hear them)A rundown on what's involved in setting up your own personal cassette label and how to bring your product to the attention of the people who matter. |
Hot Wiring Your GuitarFeature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Jul 1982Stereo Part 2 - Hexaphony and the Split Precision |
Cliff RichardInterview | Electronics & Music Maker, Dec 1982With nearly 25 years in the music business, Cliff puts his music making into perspective. |
Fret WorkFeature | Topic: Live, Maintenance / Repair / Modification | Sound On Stage, Dec 1996Could You Be A Guitar Tech? |
The ProducersGroup: Recording WorldDan Hartman takes Chas De Whalley to the US of AOR |
Frankfurt: Keyboards And Keyboard SamplersShow Report | International Musician & Recording World, Apr 1986He came, he saw, he sent in his copy. His name was Jim Betteridge |
Music XReview | Micro Music, Apr/May 1989Darrin Williamson takes an advance peek at Micro Illusions Amiga MIDI package |