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Making the Most of... - Part 15Feature Series | Topic: Mixing | Home & Studio Recording, Jul 1986MixingSimon Croft takes up from Steve Howell and gives his views on creative remixing. |
Studio FocusGroup: Computer MusicianDurham University Electronic Music Studio |
Mono Mode - Part 6Feature Series | Topic: MIDI | Music Technology, Jan 1987Getting the Most from Mono ModeYou may have your heart set on a specific MIDI guitar controller, but do you know which kind of synth voice unit to combine it with? Rick Davies offers some interactive advice. |
Intelligent Music Jam FactoryReview | Music Technology, Feb 1987Software for Apple MacintoshIf you're lucky enough to have an Apple Macintosh computer, you can now take advantage of a revolutionary new program that improvises its own music based on the data you feed it. Review by Jim Burgess. |
Roland TR707Review | Home & Studio Recording, Sep 1985A digital rhythm machine ideally suited to life in the studio. |
Tape Machines Line Up HereFeature | Topic: Maintenance / Repair / Modification, Tape, Vinyl, CD, DAT | Home & Studio Recording, Apr 1986Martin Goldman examines the dos and don'ts of tape machine maintenance. |
Seck 1282 MixerReview | Sound On Sound, Sep 1986Having hit upon the right formula with their successful 1882 mixer, Seck have now introduced a cut-price 1282 version aimed more at the needs of the 8-track user. Paul Gilby monitored its performance. |
Improving a Copy Guitar - Part 2Feature Series | Topic: Maintenance / Repair / Modification | International Musician & Recording World, Jun 1975 |
SMPTE UncoveredFeature | Topic: Syncronisation | Home & Studio Recording, Mar 1986A brief look at the basics of this important synchronisation system. |
Digitech Vocalist IIReview | Recording Musician, Apr 1993Your Plastic Pal Who's Fun To Sing WithYou can produce vocal pyrotechnics little short of magic with this rackmount version of the acclaimed VHM5 Vocalist. Our reviewer sings its praises. |
Namm Special ReportShow Report | Electronics & Music Maker, Aug 1984 |
Studio Sound Techniques - Part 1Feature Series | Topic: Home Studio, Maintenance / Repair / Modification, Microphones, Recording | Electronics & Music Maker, Jun 1982An exciting new series for the home electro-musician running a home studio |
The Techno WaveInterview | Music Technology, Sep 1988Techno music, the true successor to late seventies synth-pop, translates the desolation of post-Motown Detroit into electronic dance rhythms. Simon Trask listens to the programmer's tale. |
Yamaha TX16W SamplerReview | Sound On Sound, Jul 1988All good things come to those who wait... David Mellor samples Yamaha's version of the 'ultimate instrument', the MIDI sampler. Does it improve on all that have gone before or have Yamaha taken technology beyond the point of usability? |
IntroductionGroup: MIDI Supplement - Part OneGeoff Twigg on how MIDI came about, what it does, and how it does it. |
Sounds Natural - Part 1Feature Series | Topic: Synthesis & Sound Design | Music Technology, Aug 1987The Acoustic GuitarWe begin a new series that looks at how to recreate the sound of acoustic instruments using various methods of synth programming and sampling. In the first part, Howard Massey turns his attention to the acoustic guitar. |
Dr T's/Virtual Sounds SamplemakerReview | Music Technology, Feb 1989From the American Dr Ts comes an Atari ST program capable of additive, FM, AM and multiwaveform synthesis as well as sample editing. Chris Meyer asks if facilities are everything. |
Anatek SMP16Review | Music Technology, Dec 1991SMPTE Sync/MIDI + Audio Patchbay/Mac InterfaceCombining MIDI and audio patchbay functions and putting them under software control could be an important studio breakthrough. Ian Waugh looks at the SMP16 and studio sophistication. |
Wot... No Tape?Feature | Topic: Buyer's Guide, Digital Audio Workstations | Sound On Sound, Sep 1992The Tapeless Recording Market SurveyThe tapeless recording revolution is in full swing, as technology that once was available only to the few develops in products that suit a wider range of applications and pockets. Yasmin Hashmi looks at the development of the technology, the current state of the market and how it is likely to progress. |
Yamaha SY85Review | Sound On Sound, Oct 1992AWM2 WorkstationYamaha's new SY85 eschews FM technology and instead concentrates entirely on powerful sample-based synthesis. Derek Johnson finds that user sampling, powerful filters, and 'easy edit' sliders are just a few of the tricks that make this far more than just another sample-based workstation. |
Multitrack Mixers - Part 3Feature Series | Topic: Mixing | Recording Musician, Apr 1993The Master SectionThis month we scrutinise the master section of a typical multitrack mixing console and ponder the meaning of PFL, talkback and that small grey button that goes "neep neep". |
The Shape of Things to ComeNews | Sound On Sound, Aug 1988Three pages of forthcoming new products to tempt you to dig deeper into your pockets later on this year. |
Synthesis on a BudgetFeature | Topic: Buyer's Guide | Electronics & Music Maker, Jul 1984The E&MM Buyers' Guide For BeginnersSo you've saved your pennies and want to join the world of synthesisers, but don't know where to start looking? E&MM's buyers' guide shows you how. |
Bandwidth BandwagonFeature | Topic: Sound Fundamentals | Music Technology, Mar 1987It's the most oft-quoted specification of them all, yet frequency response is also one of the most confusing aspects of music machine performance. Paul White reveals the facts behind the figures. |