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Mating MicrophonesFeature | Topic: Microphones | Home & Studio Recording, Aug 1984InterconnectMating Microphones - ever wondered why your low impedance mic won't work well with your recorder? Then read on... |
8-track Without TearsReview | Home & Studio Recording, Dec 1985It's more than a Portastudio; 8-track reel-to-reel and mixing facilities all in one unit - the Tascam 388. |
Touching BassInterview | Music Technology, May 1992As Mr Fingers and Fingers Inc, Chicago-based Larry Heard was instrumental in creating the house music movement. Simon Trask talks tech with him on the release of his first LP on a major label. |
PROMIDIReview | Sound On Sound, Nov 1988Direct-to-Disk Studio SystemHere's a computer-based sequencer with a difference - PROMIDI records direct-to-disk, lets you structure your music any way you please, and runs on low-cost PC compatible computers. Ian Gilby investigates... |
VangelisInterview | Sound On Sound, Jul 1990With some 17 solo albums to his credit, as well as two ballets, five collaborations with Jon Anderson, and film soundtracks that include 'Blade Runner' and the Oscar-winning 'Chariots Of Fire', Vangelis has continually explored the creation of musical forms via the integration of the acoustic with the electronic. Recently, he took time out to talk about his own work methods and express his views on the current technological scene. Richard Buskin asks the questions. |
MIDI Matters - Part 2Feature Series | Topic: MIDI | Sound On Sound, Mar 1987Understanding MIDI Implementation ChartsThe best way of finding out what a new instrument can do is to look carefully at its MIDI Implementation Chart. Jay Chapman acts as your MIDI interpreter and takes you on a guided tour. |
Hinton Instruments' MIDICReview | Sound On Sound, Sep 1986An interesting name for a very interesting MIDI computer product from Flinton Instruments of Oxford. Jay Chapman tells you what it does and how it can be used. |
Steinberg CubeatReview | Music Technology, May 1991Atari Sequencing SoftwareSon of Cubase: this stripped-down version of Steinberg's powerful sequencer retains many of its best functions. Nigel Lord and ST, and Cubase makes three. |
From Demo to Vinyl - Part 1Feature Series | Topic: Music Business | Home & Studio Recording, Aug 1986Mark Fishlock investigates the industry's point of view when it comes to evaluating demos. |
Drawmer DS201 Dual GateReview | Home & Studio Recording, Jul 1984 |
Mind Over MusicFeature | Topic: Music Theory | Electronics & Music Maker, Feb 1984We welcome Ian Cross to E&MM, writing about the human perception of sound. |
Street legalGroup: Sound AdviceNegotiating a record contractDon’t sign a thing until you’ve read this |
Mono to Stereo Guitar ConversionFeature | Topic: Maintenance / Repair / Modification | International Musician & Recording World, Jul 1975Ever wished you had a stereo guitar? If so, here's haw to get it. |
The Art Of Recording Electronic InstrumentsFeature | Topic: Recording | Sound On Sound, Aug 1991Recording acoustic instruments is a fine art, but electronic instruments present their own set of problems. Craig Anderton explains how to do it properly. |
Space - the Final FrontierReview | Home & Studio Recording, Oct 1985Roland SRV2000 ReverberatorRoland's first digital reverb unit is all set to make a huge impact on the market. |
Hands On: Korg M1Feature | Topic: Synthesis & Sound Design | Sound On Sound, Mar 1992The Korg M1 is one of the best and most popular keyboards around. David Mellor explores some of its prime features. |
Radio ControlFeature | Topic: Marketing / Promotion | Making Music, Jul 1987How to get you and your band interviewed on local radio — and how to make the most of the opportunity |
CaltuneFeature | Topic: Electronics / Build | Electronics & Music Maker, Feb 1983A tuning and calibration unit for synthesiser oscillators |
The Big PictureReview | Sound On Sound, Jun 1993Amek Big By Langley Mixing ConsoleWith Talking Recall and oodles of features, this top-end mixing desk should satisfy many private studio's needs. |
Microphone BasicsFeature | Topic: Microphones | Recording Musician, Nov 1992Why are microphones so different, why do some cost the earth — and which one should you use for which job? All is revealed. |
The Art of ToysFeature | Topic: Effects Processing | Home & Studio Recording, Jun 1985A few words from the editor on how he uses, misuses and abuses effects. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Jun 1991Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the software manufacturers themselves. This month: C-Lab & Steinberg. |
Steinberg Cubase - Part 2Review Series | Music Technology, Sep 1989Atari ST SoftwareIn the second half of this definitive review. Nigel Lord looks into the editing and scorewriting facilities of Steinberg's latest sequencing software. |
Talking MIDI - Part 6Feature Series | Topic: MIDI | Sound On Sound, Jun 1986Part 6. Resident software specialist Jay Chapman clears up some misleading terminology first, then moves on to relate how the MIDI protocol organises such matters as Program Changes in those humble synthesizers we all take for granted. |