Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for January 2025
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Mating Microphones

Feature | Topic: Microphones | Home & Studio Recording, Aug 1984
Interconnect

Mating Microphones - ever wondered why your low impedance mic won't work well with your recorder? Then read on...

8-track Without Tears

Review | Home & Studio Recording, Dec 1985

It's more than a Portastudio; 8-track reel-to-reel and mixing facilities all in one unit - the Tascam 388.

Touching Bass

Interview | Music Technology, May 1992

As Mr Fingers and Fingers Inc, Chicago-based Larry Heard was instrumental in creating the house music movement. Simon Trask talks tech with him on the release of his first LP on a major label.

PROMIDI

Review | Sound On Sound, Nov 1988
Direct-to-Disk Studio System

Here's a computer-based sequencer with a difference - PROMIDI records direct-to-disk, lets you structure your music any way you please, and runs on low-cost PC compatible computers. Ian Gilby investigates...

The News

News | Making Music, May 1987

here is

Vangelis

Interview | Sound On Sound, Jul 1990

With some 17 solo albums to his credit, as well as two ballets, five collaborations with Jon Anderson, and film soundtracks that include 'Blade Runner' and the Oscar-winning 'Chariots Of Fire', Vangelis has continually explored the creation of musical forms via the integration of the acoustic with the electronic. Recently, he took time out to talk about his own work methods and express his views on the current technological scene. Richard Buskin asks the questions.

MIDI Matters - Part 2

Feature Series | Topic: MIDI | Sound On Sound, Mar 1987
Understanding MIDI Implementation Charts

The best way of finding out what a new instrument can do is to look carefully at its MIDI Implementation Chart. Jay Chapman acts as your MIDI interpreter and takes you on a guided tour.

Hinton Instruments' MIDIC

Review | Sound On Sound, Sep 1986

An interesting name for a very interesting MIDI computer product from Flinton Instruments of Oxford. Jay Chapman tells you what it does and how it can be used.

Steinberg Cubeat

Review | Music Technology, May 1991
Atari Sequencing Software

Son of Cubase: this stripped-down version of Steinberg's powerful sequencer retains many of its best functions. Nigel Lord and ST, and Cubase makes three.

From Demo to Vinyl - Part 1

Feature Series | Topic: Music Business | Home & Studio Recording, Aug 1986

Mark Fishlock investigates the industry's point of view when it comes to evaluating demos.

Drawmer DS201 Dual Gate

Review | Home & Studio Recording, Jul 1984

Mind Over Music

Feature | Topic: Music Theory | Electronics & Music Maker, Feb 1984

We welcome Ian Cross to E&MM, writing about the human perception of sound.

Street legal

Group: Sound Advice

Feature | Topic: Music Business | The Mix, Aug 1994
Negotiating a record contract

Don’t sign a thing until you’ve read this

Mono to Stereo Guitar Conversion

Feature | Topic: Maintenance / Repair / Modification | International Musician & Recording World, Jul 1975

Ever wished you had a stereo guitar? If so, here's haw to get it.

The Art Of Recording Electronic Instruments

Feature | Topic: Recording | Sound On Sound, Aug 1991

Recording acoustic instruments is a fine art, but electronic instruments present their own set of problems. Craig Anderton explains how to do it properly.

Space - the Final Frontier

Review | Home & Studio Recording, Oct 1985
Roland SRV2000 Reverberator

Roland's first digital reverb unit is all set to make a huge impact on the market.

Hands On: Korg M1

Feature | Topic: Synthesis & Sound Design | Sound On Sound, Mar 1992

The Korg M1 is one of the best and most popular keyboards around. David Mellor explores some of its prime features.

Radio Control

Feature | Topic: Marketing / Promotion | Making Music, Jul 1987

How to get you and your band interviewed on local radio — and how to make the most of the opportunity

Caltune

Feature | Topic: Electronics / Build | Electronics & Music Maker, Feb 1983

A tuning and calibration unit for synthesiser oscillators

The Big Picture

Review | Sound On Sound, Jun 1993
Amek Big By Langley Mixing Console

With Talking Recall and oodles of features, this top-end mixing desk should satisfy many private studio's needs.

Microphone Basics

Feature | Topic: Microphones | Recording Musician, Nov 1992

Why are microphones so different, why do some cost the earth — and which one should you use for which job? All is revealed.

The Art of Toys

Feature | Topic: Effects Processing | Home & Studio Recording, Jun 1985

A few words from the editor on how he uses, misuses and abuses effects.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Jun 1991
Hints, Tips & News From The World Of Music Software

More hints and tips from the software manufacturers themselves. This month: C-Lab & Steinberg.

Steinberg Cubase - Part 2

Review Series | Music Technology, Sep 1989
Atari ST Software

In the second half of this definitive review. Nigel Lord looks into the editing and scorewriting facilities of Steinberg's latest sequencing software.

Talking MIDI - Part 6

Feature Series | Topic: MIDI | Sound On Sound, Jun 1986

Part 6. Resident software specialist Jay Chapman clears up some misleading terminology first, then moves on to relate how the MIDI protocol organises such matters as Program Changes in those humble synthesizers we all take for granted.

 

muzines_logo_02

Small Print

Terms of usePrivacy