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Bring the NoiseFeature | Topic: Microphones, Recording, Sampling | Music Technology, Feb 1989If you intend to make samples of acoustic instruments or events, you're going to need a microphone - but which one? David Bradwell checks the various types and their uses. |
Symetrix 511A Noise Reduction UnitReview | Music Technology, Feb 1989Noise reduction is an essential part of any professional recording; but there's more than one way of providing it and more than one way of using it. Silence is golden to Vic Lennard. |
dbx SNR1Review | Music Technology, Jun 1989Noise Reduction SystemThere are more sources of noise in a studio than recording tape -and a noise reduction unit ought to be able to cope with all of it, right? Vic Lennard thinks he's found one that does. |
dbx Recording Technology SeriesReview | Electronics & Music Maker, Oct 1981Noise ReductionNoise reduction explained. |
Working with Boss Micro-Rack EffectsGroup: Roland Newslink - Autumn 1986David Kenny gives these units the once-over |
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Sound AdviceFeedback | Sound On Sound, Feb 1987More readers' queries are answered by the expert teaching staff of London's Gateway School Of Recording & Music Technology. |
Off the WallFeature | Topic: Drum Programming, Effects Processing | Home & Studio Recording, Oct 1986Take one noise gate, add a drum machine plus a dash of imagination, then see what happens. |
GatesFeature | Topic: Effects Processing | Recording Musician, May 1993If you're swamped in hiss, then you may need this — the full SP on gates and their uses. But listen carefully: I may be asking questions. |
Going DutchReview | Sound On Sound, Jan 1987It took the importing enterprise of Audio Services to bring us a new range of well-priced effect units from Dutch company IQ Systems. Sound engineer Gareth Stuart checks out two of the range: the dual noise gate, and stereo clarifier - a psychoacoustic sound enhancer. |
SmokeNews | Making Music, Jul 1986This, however, is the bit where we tell you gossipy tittle-tattle you've never heard before. |
Heavy fretting - Part 3Group: Sound AdviceRecording guitarFade away and radiate with Primal Scream's engineer Brian O'Shaughnessy |
Ross Effects PedalsReview | Electronics & Music Maker, Oct 1983 |
WorkbenchFeature | Topic: Effects Processing, Maintenance / Repair / Modification | International Musician & Recording World, Mar 1985Signal Processors - the saga continuesPhil 'Distortion' Walsh and the continuing saga of signal processors |
Alesis Micro EffectsReview | Sound On Sound, Mar 1988David Hughes tries out three new low-cost companions to the Alesis Microverb - the Micro Enhancer, Micro Gate, and Micro Limiter. Are they the Accessit range of the Eighties? |
Rebis RevisitedReview | Home & Studio Recording, Jun 1985Rebis Modular Effects Rack System RA200 Series.A look at some of the newer modules currently available for the Rebis rack. |
Drawmer M401 MIDMANGroup: Recording WorldStudio TestCurtis Schwartz assesses a new departure for Drawmer — a 'MIDI management system' |
Yamaha GC2020 Compressor/LimiterReview | Home & Studio Recording, Jun 1985 |
Compressor/ExpanderFeature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Nov 1983Taking the hiss? |
Pedals In The StudioFeature | Topic: Effects Processing | Home & Studio Recording, Feb 1985'Guitar-style' effects pedals are frowned upon by conscientious recordists but, surprisingly, some can yield very good results as we discovered. |
Sound BitesFeedback | Recording Musician, Jan 1993Handy Recording Tips & TechniquesA useful selection of technical information and tricks of the trade — a masterclass in miniature! |
Special EffectsGroup: Roland Newslink - Autumn 85A Producer's GuideThe Paul Wiffen production guide |
Project BlocksFeature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Dec 1983Design and development |