Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for January 2025
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Bring the Noise

Feature | Topic: Microphones, Recording, Sampling | Music Technology, Feb 1989

If you intend to make samples of acoustic instruments or events, you're going to need a microphone - but which one? David Bradwell checks the various types and their uses.

Symetrix 511A Noise Reduction Unit

Review | Music Technology, Feb 1989

Noise reduction is an essential part of any professional recording; but there's more than one way of providing it and more than one way of using it. Silence is golden to Vic Lennard.

Symetrix 511 Stereo Noise Reduction

Review | Home & Studio Recording, Oct 1984

User Report

dbx SNR1

Review | Music Technology, Jun 1989
Noise Reduction System

There are more sources of noise in a studio than recording tape -and a noise reduction unit ought to be able to cope with all of it, right? Vic Lennard thinks he's found one that does.

dbx Recording Technology Series

Review | Electronics & Music Maker, Oct 1981
Noise Reduction

Noise reduction explained.

Working with Boss Micro-Rack Effects

Group: Roland Newslink - Autumn 1986

Feature | Topic: Advertisement Feature | International Musician & Recording World, Sep 1986

David Kenny gives these units the once-over

This article has no OCR bodytext.WIN! US Audio Gatex

Competition | Sound On Sound, Jun 1986

How to sound like Phil Collins in two easy moves: (1) enter this simple competition to win the superb Gatex four-channel expander/noise gate, and (2) buy yourself a set of drums and start practising!

Sound Advice

Feedback | Sound On Sound, Feb 1987

More readers' queries are answered by the expert teaching staff of London's Gateway School Of Recording & Music Technology.

Off the Wall

Feature | Topic: Drum Programming, Effects Processing | Home & Studio Recording, Oct 1986

Take one noise gate, add a drum machine plus a dash of imagination, then see what happens.

Gates

Feature | Topic: Effects Processing | Recording Musician, May 1993

If you're swamped in hiss, then you may need this — the full SP on gates and their uses. But listen carefully: I may be asking questions.

Going Dutch

Review | Sound On Sound, Jan 1987

It took the importing enterprise of Audio Services to bring us a new range of well-priced effect units from Dutch company IQ Systems. Sound engineer Gareth Stuart checks out two of the range: the dual noise gate, and stereo clarifier - a psychoacoustic sound enhancer.

Smoke

News | Making Music, Jul 1986

This, however, is the bit where we tell you gossipy tittle-tattle you've never heard before.

Heavy fretting - Part 3

Group: Sound Advice

Feature Series Audio | Topic: Effects Processing, Recording | The Mix, Mar 1995
Recording guitar

Fade away and radiate with Primal Scream's engineer Brian O'Shaughnessy

Ross Effects Pedals

Review | Electronics & Music Maker, Oct 1983

Workbench

Feature | Topic: Effects Processing, Maintenance / Repair / Modification | International Musician & Recording World, Mar 1985
Signal Processors - the saga continues

Phil 'Distortion' Walsh and the continuing saga of signal processors

Alesis Micro Effects

Review | Sound On Sound, Mar 1988

David Hughes tries out three new low-cost companions to the Alesis Microverb - the Micro Enhancer, Micro Gate, and Micro Limiter. Are they the Accessit range of the Eighties?

Boss Micro Rack

Review | One Two Testing, Aug 1985

home recording FX regime

Rebis Revisited

Review | Home & Studio Recording, Jun 1985
Rebis Modular Effects Rack System RA200 Series.

A look at some of the newer modules currently available for the Rebis rack.

Drawmer M401 MIDMAN

Group: Recording World

Review | International Musician & Recording World, Sep 1986
Studio Test

Curtis Schwartz assesses a new departure for Drawmer — a 'MIDI management system'

Yamaha GC2020 Compressor/Limiter

Review | Home & Studio Recording, Jun 1985

Compressor/Expander

Feature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Nov 1983

Taking the hiss?

Pedals In The Studio

Feature | Topic: Effects Processing | Home & Studio Recording, Feb 1985

'Guitar-style' effects pedals are frowned upon by conscientious recordists but, surprisingly, some can yield very good results as we discovered.

Sound Bites

Feedback | Recording Musician, Jan 1993
Handy Recording Tips & Techniques

A useful selection of technical information and tricks of the trade — a masterclass in miniature!

Special Effects

Group: Roland Newslink - Autumn 85

Feature | Topic: Advertisement Feature, Effects Processing | International Musician & Recording World, Nov 1985
A Producer's Guide

The Paul Wiffen production guide

Project Blocks

Feature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Dec 1983

Design and development

 

muzines_logo_02

Small Print

Terms of usePrivacy