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Oberheim Matrix 12 Synth

Review | One Two Testing, Jun 1985

layers a gogo

Oberheim Matrix 12 & XK Controller

Review | International Musician & Recording World, May 1985
Synthcheck

An expansion on the Expander with a free (£1200) keyboard! Paul Fishman goes upmarket

Oberheim Matrix 12

Review | Electronics & Music Maker, Jun 1985
Programmable 12-Voice Multi-timbral Polysynth

The world's most awesome analogue polysynth finally gets the attention it deserves, as Simon Trask finds out just what you can do with two Xpanders and a row of black-and-white keys.

Marcus Ryle: Designing The Alesis Quadrasynth

Feature | Topic: Design, Development & Manufacture | Sound On Sound, Jun 1993

Shipwrecked!

Feature | Music Technology, Aug 1991

If you were stranded on a desert island with only a solitary keyboard to occupy your time, what would be the instrument of your choice? The professionals make theirs in this anniversary feature.

International Music Show

Show Report | Sound On Sound, Sep 1991

Paul Ireson on this year's International Music Show.

The Jupiter Legacy

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Feb 1990

Not only did Roland's Super Jupiter make a worthy replacement for the Jupiter 8, it is still a sought-after instrument today, as Steve Howell is happy to report.

Analogue Synths

Feature | Topic: Vintage Instruments | Sound On Sound, Aug 1991
In The Digital Age

The digital revolution has not quite killed off the analogue synthesizer, and vintage or vintage-style instruments have an enduring appeal. Julian Colbeck looks at why this should be so.

NAMM - Part 1

Show Report Series | One Two Testing, Aug 1985

Shredder goes to New Orleans for hot news from America's major instrument show... scoop

The Ministry Of Propaganda

Interview | Music Technology, Jul 1990

In 1985 Propaganda produced a seminal electronic music album - then they vanished. Five years on they've returned to pick up where they left off. Michael Mertens talks to Tim Goodyer about technology and the German tradition.

The Fifth Dimension

Review | Electronics & Music Maker, Oct 1985
Yamaha DX5

Merely two DX7s in a box, or a valid addition to the Yamaha range of FM digital keyboards? Simon Trask takes the mid-price algorithm through its paces, and comes to mixed conclusions.

Replicate or die

Group: Mixing It!

Feature Audio | The Mix, Jun 1995

Home Taping

Group: Recording World

Feature | Topic: Home Studio | International Musician & Recording World, Jan 1986

Richard Walmsley reports on an operation to smash the majors... and all other persons of rank?

The Small Print - Part 1

Feature Series | Topic: MIDI | Music Technology, May 1989
Reading MIDI Implementation Charts

If you regard MIDI Implementation charts as being indecipherable tables of numbers, you could be ignoring an easy way of solving your MIDI problems. Vic Lennard opens a series of articles on how to read the small print.

Modern classic

Group: Control Room

Review | The Mix, Feb 1995
E-MU Classic Keys

Analog Keyboard expander

Baby Boom

Interview | Music Technology, Aug 1991

Eccentric Swiss pioneers Yello follow 1989's Flag with another long playing sound fantasy. Simon Trask talks to Boris Blank about his old Fairlight and his new Baby.

The Serpent and the Pearl

Interview | Electronics & Music Maker, Jul 1986

Don Goldstein talks to American composer Harold Budd about his past collaborations with such luminaries as Brian Eno and Michael Nyman and, more recently, the Cocteau Twins.

Emu Vintage Keys

Review | Sound On Sound, Apr 1993
Synthesizer Module

Passport MIDI/4 Plus and MIDI/8 Plus

Group: Computer Musician

Review | Electronics & Music Maker, Jul 1985
Software for Apple II and Commodore 64

Sequencing software aimed at the Apple II and CBM64. Four- and eight-track versions receive expert scrutiny from David Ellis.

News

News | International Musician & Recording World, Feb 1986

It's the latest. It's the greatest. It's the mostest. Oops

Willow

Feature | Topic: Recording, Video / Film / Picture | Sound On Sound, Sep 1988
The Recording of a Film Soundtrack Music

Ed Jones sits in on a major film music session in Abbey Road Studios, London, and reports on how the London Symphony Orchestra and a host of extra musicians recorded the music soundtrack to George Lucas' forthcoming prequel to 'Star Wars' - 'Willow'.

The Orb

Interview | Sound On Sound, May 1993
It Came From Outer Space

Dream Sequence

Interview | Music Technology, Nov 1993

The original ambient funsters have a new studio album all but ready, a live album on the way and a major recording deal in the offing. Jonathan Miller encounters Dr Alex Paterson and Thrash on the verge of a higher plane...

Stepp DG1 Guitar Synth

Review | International Musician & Recording World, Oct 1986
GuitarCheck

Paul Fishman avoids all references to giant leaps for mankind, but still likes Stepp's digital guitar synth

XRI Micon System Controller

Group: Computer Musician

Review | Electronics & Music Maker, Jun 1985
MIDI Software for Spectrum Micro

A MIDI interface and sequencer that attempts to do an awful lot on a machine capable of doing comparatively little - the Sinclair Spectrum. Another review by that man Trask.

 

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