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Copyrights & Wrongs - Part 1

Feature Series | Topic: Copyright, Music Business | Music Technology, Oct 1992

The big deal in the small print

Skill Centre: Madness

Feature | Topic: Tuition / Technique | Making Music, May 1986
Seamus Beaghen of Madness goes to

Pianist Seamus Beaghen shows you the way around "Our House" in words, diagrams and pics.

Aiwa AD-F770 Stereo Cassette Recorder

Review | Home & Studio Recording, Nov 1984

He Ain't Heavy, He's My Brother

Review | Sound On Sound, Oct 1990
Brother MDI40 Sequencer

Brother are taking their first steps into the music market with the release of the MDI40 and MDI30 sequencers. Richard Lamont reports.

Roots, Rock, Reality

Group: Sound Reports & Views

Music Review | Sound International, Mar 1979

The Final Cut

Review | Sound On Sound, Jul 1989
Entry-Level Sequencing For The ST

Paul Ireson takes a look at The Final Cut, a budget sequencing program for the Atari ST that offers the beginner more than the average entry-level program.

Everybody's Doin' It

Feature | Topic: Marketing / Promotion, Music Business, Recording | Sound International, Feb 1979

...multitracking at home, that is. Bob Clifford, he of the Frog, introduces us to the many ways of doing much with little.

Master Tracks Pro 5

Review | Sound On Sound, Jul 1992
Mac Sequencing Software

One of the Mac sequencing front-runners, Master Tracks Pro, has benefited from ongoing upgrades and is now into its fifth life. Mike Collins gets to know a Pro.

Heaven Spent

Interview | Making Music, Jun 1986

Martyn Ware talks about money and the musician. Make £50,000 without playing a note.

Anatek Pocket Sequencer

Review | Music Technology, Apr 1991

When inspiration strikes and you're out of reach of a sequencer, Anatek's latest Pocket unit can save your soul, if not your life. Vic Lennard picks a pocket.

Chord

Group: The Front End

Feature | Topic: Music Theory, Tuition / Technique | Making Music, Oct 1987

Acid Radical

Interview | Phaze 1, Feb 1989

baby ford, golden boy of british acid, drops hints on getting the dancefloor moving

Man Made Music

Interview | International Musician & Recording World, Sep 1986

Pete Gleadall runs up a transatlantic phone bill waiting for hip-hop whizzkid Mantronik to finish his hamburger and explain why the TR808 is still his favourite drum machine.

Hey Joe

Interview | Making Music, May 1987
Where you going with that baton in your hand

Demo Doctor

Feature | Recording Musician, Jul 1992

Our regular readers' demo page is packed with invaluable tips on how to record the perfect demo.

One Two Tightened

Feature | One Two Testing, Aug 1984

quotes and addresses

The Porta Two has Landed

Review | Sound On Sound, Dec 1986
Tascam Porta Two

Gareth Stuart has been bouncing, syncing and generally laying down tracks with Tascam's new mid-priced 4-track Ministudio. Find out what he thought of it.

Buzz

News | International Musician & Recording World, Mar 1986

Despatches from the music wars — people, products, and piffle.

Independence Day - Part 2

Feature Series | Topic: Marketing / Promotion, Music Business | Electronic Soundmaker & Computer Music, Jul 1985

Concluding our guide on how to release your own record

So You Say

Interview | One Two Testing, Aug 1984
Geoff Dugmore

Geoff Dugmore discusses drums

Tascam DA-88

Review | Music Technology, Mar 1993
Digital Multitracker

Scoring a Hi-8?

Book Reviews

Review | Electronics & Music Maker, May 1982

Hey Mr DJ!

Group: Sound Advice

Feature | Topic: Live, Performing | The Mix, Nov 1994
Getting into DJing

How to mix records, what gear to buy, and how to get work

Mastering at Home

Group: On The Record

Feature | Topic: Mastering | Sound On Sound, Nov 1993

An essential part of a release you can be proud of is a good master tape — and today's sophisticated equipment means that you may be able to do at home what was once the province of mastering studios. Craig Anderton explains.

Peak Aid

Interview | Making Music, Aug 1986

A home recordist amongst home recordists traces his own history through tape recorders he has used.

 

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