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Search results

Left hand like god

Group: In Session

Interview Audio | The Mix, Feb 1995

Now running a record label and studio, as well as his regular live dates and TV work, Jools talks about getting that perfect piano sound...

Sammy Hagar

Interview | Making Music, Sep 1987

Graff HSCD2 Cassette Duplicator

Review | Home & Studio Recording, Jun 1985

Feels so Real

Review | Micro Music, Jun/Jul 1989

Phil Brammer finds time for RealTime for the ST

Audio Technica AT-RMX64 'Portastudio'

Group: Recording World

Review | International Musician & Recording World, Feb 1986
Studio Test

The portastudio that would be Nassau

RamOne, Two, Three, Four

Interview | One Two Testing, May 1985

Gabba Gabba meets MIDI MIDI

Noise reduction explored

Feature | Topic: Effects Processing, Recording | Home & Studio Recording, Sep 1983
Studio Sound Techniques

Electro Harmonix Replays

Review | One Two Testing, Jul 1984

sample city

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Jun 1990
Hints, Tips & News From The World Of Music Software

More hints and tips from the world of music software.

Clean Living

Feature | Topic: Tape, Vinyl, CD, DAT | Making Music, Oct 1986

Fostex B16 Tape Recorder

Review | Home & Studio Recording, Jan 1984

Toa MR8T

Review | Music Technology, Feb 1989
Eight-track cassette recorder

When the first Portastudio was launched, it caused a revolution in the recording industry - now you can put eight tracks on the same tape. Vic Lennard punches in.

Using Timecodes - Part 1

Feature Series | Topic: Syncronisation | Sound On Sound, Feb 1986
An Introduction To Timecode Synchronisation

The release of the new Fostex synchronisers reinforces the importance of timecode in today's recording process. So, to help you familiarise yourself with their applications, Francis Rumsey begins a new series that should tell you all you need to know about timecodes.

Vesta's Hot Multitracker

Review | Home & Studio Recording, Mar 1986

This budget cassette multitracker should give the competition a run for its money.

The Humaniser

Review | Sound On Sound, Mar 1986

Ian Gilby looks at how you can programme that 'human feel' into your drum patterns or sequences using another clever device from the Bokse company - the MIDI Humaniser.

Reviews

Review | Music UK, Jul 1983

Marshall History & George Martin's Music Books for Looks

Blue Moods

Interview | Sound On Sound, Dec 1989

In 1984, The Blue Nile released an album widely hailed as the finest debut LP of recent years. After five years of silence, they've produced another masterpiece in Hats. Paul Ireson talks to the men behind two of the decade's finest records.

Tascam 244 Portastudio

Review | Home & Studio Recording, Dec 1983

Cassette Deck

Acid Radical

Interview | Music Technology, Dec 1988

The man responsible for the UK's first genuine acid house single discusses basslines, bitonality and the grin factor. Baby talk: David Bradwell.

Merry Christmas, Everybody?

Feature | Phaze 1, Jan 1989

the joys and pitfalls of having a festive hit: the stars tell all

Master or Servant

Review | Micro Music, Apr/May 1989

Phil Brammer & Co test drive Master Tracks Pro for the ST

The Producers

Group: Recording World

Interview | International Musician & Recording World, Nov 1986
Colin Campsie & George McFarlane

Chas de Whalley chats to Colin Campsie and George McFarlane, aka The Quick

Cut It Out

Feature | Topic: Mastering | One Two Testing, Aug 1984

Porky, king of the cutting room

Head Over Heels

Interview | Electronics & Music Maker, Aug 1984
with The Cocteau Twins

Few of today's bands can confidently claim to have a sound that is unique, but Scotland's Cocteau Twins are one such outfit, and Dan Goldstein has been talking to them about how that sound is achieved.

Young, Gifted And Blue

Interview | International Musician & Recording World, Feb 1986

This Roland Gift is nothing to do with the competition, says Mark Cordery

 

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