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Using MicrophonesFeature | Topic: Microphones | Home & Studio Recording, Dec 1984Buying MicrophonesUseful advice on how to go about the business of buying microphones. |
Small Studio Acoustics - Part 2Feature Series | Topic: Acoustics, Construction / Build | Home & Studio Recording, May 1987Walls have Ears...DIY soundproofing and acoustic treatment for walls. |
Bass - No BullRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, May 1991Moog Taurus PedalsUltimate bass? Legendary synth pioneers Moog once made the best bass synth on the planet: Paul Ward reassesses the power of Taurus in the light of '90s bass mania. |
Alesis through the Looking GlassReview | Home & Studio Recording, Mar 1986Sheer XTCA truly classy digital reverb at a sensible price. |
Clean machineGroup: Control RoomBehringer De-NoiserGive your recordings a spring clean |
British String ManufacturersFeature | Topic: Design, Development & Manufacture | International Musician & Recording World, Nov 1975 |
Gelf Studio 85 ComboReview | In Tune, Dec 1985 |
Symetrix 525Review | Home & Studio Recording, Feb 1986Dual Compressor/limiter GateA compressor/limiter with programme dependent characteristics. |
Milab P14C & DC96B MicrophonesReview | Electronics & Music Maker, Jul 1983 |
Inside FrippertronicsInterview | Sound On Sound, Dec 1993Robert Fripp Lays Bare His Legendary Effects RackA rare interview with this virtuoso King Crimson guitarist and much admired 'guest soloist'. |
Beyond E Major - Part 5Feature Series | Topic: Tuition / Technique | One Two Testing, Aug 1984play jazz guitar and live |
Production LineInterview | Music Technology, Jun 1987The words "Stock, Aitken & Waterman" have adorned 50 hit singles in the last two years. Tim Goodyer finds there are two secrets to their success: determination and new technology. |
The ProducersGroup: Recording WorldHi Energy wizard Mike Stock collides with Chas de Whalley during a sweaty get-down-and-shake-it interview |
Town House StudioFeature | Topic: Recording Studios | Sound International, Feb 1979'Now the Virgin returns,' quoth Virgil, and who are we to disagree? Mel Lambert takes a colourful look at Richard Branson's new London studio: a Town House for the Lord of the Manor. |
Keyboard TalkFeature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Sep 1983Leslie Speaker |
George MartinInterview | Topic: Recording Studios | Sound On Sound, Dec 1993 |
Music XReview | Sound On Sound, Oct 1989The most talked about Amiga software ever is finally in the shops. Was Microillusion's program worth the wait? Phil South waxes lyrical about the first professional integrated music sequencing and editing program to take full advantage of the Commodore Amiga's powerful multitasking features. |
Creative Sounds Improviser SoftwareReview | Music Technology, Sep 1992Atari ST SoftwareComputer improvisation - genuine inspiration or deep bleep? |
Paradise FoundFeature | Topic: Recording Studios | Electronics & Music Maker, Nov 1985Paradise StudiosSynth players in search of Heaven need look no further than West London, where a recording studio puts the emphasis firmly on hi-tech musical equipment, but doesn't charge people the Earth to use it. Simon Trusk pays Paradise a visit. |
The Art of ToysFeature | Topic: Effects Processing | Home & Studio Recording, Jun 1985A few words from the editor on how he uses, misuses and abuses effects. |
Programming Bass SequencesFeature | Topic: Arranging / Songwriting, Sequencing | Sound On Sound, Apr 1988Where would Madonna, Giorgio Moroder or Stock, Aitken and Waterman be without sequenced bass lines? Rudi Cazeaux provides some guidelines and practical examples to help you create better bass lines. |
Opcode VisionReview | Music Technology, Jun 1989Software for the Apple MacintoshOpcode's latest sequencing software for the Apple Macintosh aims to include all the facilities of other sequencers and add some more of its own. Carter Scholz believes he's seen the light. |
XRI XR300 SynchroniserReview | Music Technology, Jan 1988SMPTE SynchroniserStill on the sync track... Chris Jenkins sets the pace with a SMPTE/MIDI converter designed to give all the higher functions of SMPTE tape synchronisation without the higher price-tag. |
Roland S750 SamplerReview | Music Technology, Dec 1991Stereo Digital SamplerIf Roland's S770 super sampler presented too high a target for many of us, the S750 may be the news we've been waiting for. Simon Trask investigates the challenger to the Akai S1000 crown. |