sampling system

The SP is the playback/editing and memory bit; the SXII does the recording. Peavey rewrite the rules of sampler design.

Get creative with Brush and Canvas.

Multi-tracking and Overdubbing

This month we examine basic multitrack techniques including overdubbing and drop-ins, and explain about sync.

The pro-standard SMPTE sync code is now working itself down to many semi-pro and amateur studios - but even the best systems bring their problems. Vic Lennard presents a SMPTE troubleshooters' guide.

How to make your own Spectrum sampler for less than £20. The software comes on the tape.

MIDI Disk Recorder

Paul Overaa looks at a unit about to make a big impact on the MIDI scene - The Elka Orla

Another piece of the MIDI puzzle

Software Surplus

Tape Bias & Overloading

PC Music Notation Software

Coda's Finale is well established as a respected Mac scorewriting program. Peter Cudmore looks at the long-awaited version for the PC.

As integration of musical and studio technology grows, the need for units like Anatek's new sync box grows. Synchronisation made easy with Vic Lennard.

Rosetti's 12-Channel Studio software for the CBM 64. A comprehensive disc-based package that can turn your MIDI gear into a floppy phenomenon.

How To Get The Most From Your Sampler

Studio Sound Techniques

Tape echo techniques for reel-to-reel machines.

A preview of Roland's first software-based digital recorder. As Paul Wiffen reports, it takes over where the MSQ range left off.

Let's face it, every studio needs a master cassette deck. Paul Ireson takes a look at Tascam's new mid-priced two and three-head machines.

clever sound manipulation

Phil Walsh solves all your lead connection problems at once with his handy multi-way junction box. What a clever boy he is!

Making the necessary arrangements

Sequencer survival guide

where to get your instrument worries solved, fast