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Production Values - Part 2Feature Series | Making Music, Jul 1986Part two, in which we meet the fifth Beatle, George Martin, and also brush with Trevor Horn's Fairlight. |
Production Values - Part 1Feature Series | Making Music, Jun 1986History Of ProducersJust who are these people who get their names on record sleeves and their sounds in your speakers? |
A&RtistryEditorial | Music Technology, Oct 1989The record company A&R man is your enemy, right? After all, it's only him that stands between you and a record deal. But technology has changed his job and your relationship with him. |
Learning to swim - Part 4Feature Series | Topic: Music Business | Music Technology, Jan 1994Swim RecordsSimon Trask dives into the world of a desktop record label |
Second SenseEditorial | Music Technology, Jan 1989When is it better to buy secondhand gear, rather than new gear? Tim Goodyer looks into equipment costs and sound fashions. |
HitSound Producer Series CDsReview | Sound On Sound, May 1992Coldcut, David RuffyWilf Smarties looks for the perfect beat in two new HitSound sample CDs, from production team Coldcut and drummer David Ruffy. |
On The RecordGroup: On The RecordWhat A&R Managers want from your demoFor many musicians, their first stab at getting their music heard is sending a demo to a record company or producer. But what do the people who listen to demos every day want from your tape? Sue Sillitoe finds out. |
Fiddling the meterGroup: In SessionStudio pursuits with the violin |
Playing the BluesInterview | Music Technology, Jul 1988Pop hopefuls or Stock, Aitken and Waterman puppets? The men in Blue give David "newboy" Bradwell the inside story on the SAW production stable. |
The Blueprint of HiphopInterview | Music Technology, Aug 1989From the New York roots of hip hop, KRS One talks about street-level production values and samples as the poor musician's alternative to real musicians. Simon Trask listens to the Music of the Spheres. |
Open The BoxInterview | International Musician & Recording World, Aug 1986They're a brilliant Soul band. A dub-Reggae band. An avant-garde band. And they don't know how they do it. Or do they? Tony Reed asks the questions... |
Soul Sonic ForceInterview | Music Technology, Feb 1990Prince PaulAlready an established musical force from his work with Stetsasonic, Prince Paul has gone on to produce De La Soul's brilliant debut LP. Steven Daly talks technology and sampling ethics with a Prince. |
Heroes - Part 7Feature Series | Topic: History / Culture | One Two Testing, Jul 1984Brian WilsonBrian Wilson part two |
On The Beat - Part 14Feature Series | Topic: Drum Programming | Music Technology, Sep 1990Hip-HopOnce an underrated underground movement, hip hop has turned out to be one of the most influential musical developments of the last decade. Nigel Lord takes the rap in MT's regular drum programming series. |
Sample ShopReview | Sound On Sound, Aug 1992Groove guru Wile Smarties reports on the latest sample CDs. |
Sample ShopReview | Sound On Sound, Jan 1993 |
Partners In RhymeInterview | Music Technology, Feb 1992Felton Pilate's success spans "traditional" funk to the rap revolution - just now he's writing, producing and playing keys for Hammer. Nick Batzdorf raps tech with the Hammer man. |
Sample ShopReview | Topic: Copyright, Sampling | Sound On Sound, Jun 1993Resident 'DJ' Wilf Smarties gives a new batch of CDs a spin. |
ART Multiverb AlphaReview | Sound On Sound, Jan 1992The Multiverb Alpha is the latest and greatest in ART's series of studio multi-effects processors. Dave Lockwood checks it out. |
Live And DirectInterview | Music Technology, May 1988Cult reggae band or Top Of The Pops heroes? Nick Rowland talks to the men who've spent 14 years together and brought MIDI to reggae, and reggae to the pop charts. |
Sample ShopReview | Sound On Sound, Jul 1992Groove guru Wilf Smarties reports on the sample CD scene. |
ScannersNews | Music Technology, Mar 1994As close to the cutting edge as you can get without needing stitches... |
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