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Inside MIDIGroup: MIDI Supplement - Part TwoAnd following on from that, David Ellis takes an in-depth look at how the MIDI system works, and the sort of potential it encompasses. |
Sounding OffOpinion | Sound On Sound, Oct 1989Whatever happened to MTC?'Whatever happened to MIDI Timecode?' asks Chris Smith of XRI Systems. |
Time For SMPTE - Part 1Feature Series | Topic: Syncronisation | Sound On Sound, Nov 1985Accepted as the synchronisation standard in the television and broadcast industry, this digital timecode is fast making inroads into the recording studio at all levels. Kendall Wrightson puts it all in perspective with the start of this series. |
NJD IQ250 & IQ-MX40Group: Quality ControlIntelligent Lighting SystemIt's easy to be drawn to bright lights |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Mar 1989Hints, Tips & News From The World Of Music Software |
Music on-line - Part 1Feature Series | Sound On Sound, Jan 1987A Guide to Computers and Communications for the Musician.Believe it or not, your computer can do considerably more than just go wrong! The burgeoning world of telecommunications offers the musician access to international 'electronic mail' and 'bulletin board' systems, free music software, information databases, help and sound advice. Richard Elen begins a new series that explores how today's top musicians are taking advantage of such systems and tells how you can join in. |
Akai's Hot StuffNews | In Tune, Feb 1986 |
Sync Something SimpleReview | Recording Musician, Jan 1993JL Cooper PPS2 MIDI/Tape SynchroniserThis compact device from time code pioneers JL Cooper makes light work of your MIDI-to-tape sync needs. |
The Numbers GameReview | Electronics & Music Maker, Feb 1986Dynacord MCC1 InterfaceThe world has been waiting for an interface box that solves all its MIDI routing problems at a single stroke. Simon Trask reckons the wait is now over. |
Introducing the MIDIFeature | Topic: MIDI | Electronics & Music Maker, May 1983A look at the new, exciting Musical Instrument Digital Interface |
Using Timecodes - Part 1Feature Series | Topic: Syncronisation | Sound On Sound, Feb 1986An Introduction To Timecode SynchronisationThe release of the new Fostex synchronisers reinforces the importance of timecode in today's recording process. So, to help you familiarise yourself with their applications, Francis Rumsey begins a new series that should tell you all you need to know about timecodes. |
Talking MIDI - Part 6Feature Series | Topic: MIDI | Sound On Sound, Jun 1986Part 6. Resident software specialist Jay Chapman clears up some misleading terminology first, then moves on to relate how the MIDI protocol organises such matters as Program Changes in those humble synthesizers we all take for granted. |
Music OnLineFeature | Topic: Computing | Micro Music, Apr/May 1989Music and the modemDavid Janda discovers just what's of interest music wise on the Bulletin boards around the world |
Music on-line - Part 2Feature Series | Topic: Computing | Sound On Sound, Feb 1987Part 2. Richard Elen concludes his guide to computers and communications for musicians with details of how to join and log on to two musicians' networks: PAN and Esi Street. There's also an extensive glossary of terms to help newcomers to this exciting field understand what it is all about. |
Good Enough For The Pro?Feature | Topic: MIDI, Mixing, Syncronisation | Sound On Sound, Jan 1993Thoughts on MIDI's Next Decade |
Marantz CDR1 CD RecorderReview | Music Technology, Apr 1992Compact Disc RecorderRecording CDs at home reaches the "affordable" level - at under £4000, CD Recordable moves into the realm of the home studio. Tim Goodyer primes the laser. |
Multitrack Mixers - Part 3Feature Series | Topic: Mixing | Recording Musician, Apr 1993The Master SectionThis month we scrutinise the master section of a typical multitrack mixing console and ponder the meaning of PFL, talkback and that small grey button that goes "neep neep". |
Spectrum SynthesisReview | Sound On Sound, Sep 1988On the Emax Hard Disk SamplerUnlike some samplers, Emax has stayed the course since its introduction over 18 months ago and has developed into a mature, well groomed specimen. Having released a Hard Disk version of the machine almost a year ago, Emu Systems have recently given Emax yet another lease of life with their Spectrum Synthesis upgrade, which turns the sampler into a powerful additive synthesizer. David Hughes tries it out |
Korg Audio Gallery AG-101 & AG-102Group: Quality ControlMultimedia Music System for PC & MacintoshDo Korg's new Mac and PC add-ons represent a sound investment? |
Multitimbrality Made SimpleFeature | Topic: MIDI | Music Technology, Nov 1991One persistent area of hi-tech confusion surrounds multitimbrality. Vic Lennard explains what it is, what it's for and what's wrong with it. |
Yamaha FB01Review | Music Technology, Nov 1986FM Sound GeneratorYamaha's preset synth expander offers a multitude of FM sounds for reasonable money, and also boasts MIDI Mono Mode for multi-timbral recording. David Ellis gives his verdict. |