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News

News | Sound International, Sep 1978
Studios and Recording

Pages to the power of three, taking in Stevie's Peavey, CB, guitar gallery, and more.

The Electronic Music Studio of the University of Massachusetts at Amherst

Feature | Topic: Education, Recording Studios | Electronics & Music Maker, Jun 1983

The University of Massachusetts electronic music studio

Workbench

Feature | Topic: Electronics / Build, Live, Maintenance / Repair / Modification | International Musician & Recording World, Oct 1986
Sounding Out

Phil Walsh is in complete remote control, and tells you how to mix on a budget.

Fostex MTC1

Review | Music Technology, Sep 1990
MIDI Time Code Controller

With sequencing and tape recording becoming equally important to many musicians, any means of integrating the two is likely to be a welcome development. Vic Lennard looks at a unit that allows Fostex' R8 to be operated from within Steinberg's Cubase.

PPG Hard Disk Unit

Review | Electronics & Music Maker, Oct 1986

Digital recording direct to hard disk, from the company that built its reputation with the Wave synthesisers. Paul Wiffen examines the new direction.

Music Makers Equipment Scene

News | Electronics & Music Maker, Mar 1984
New Yamaha Products

A special feature this month, looking at the latest releases from the Yamaha stable.

Yamaha versus Roland

Group: Effects

Review | One Two Testing, Jan 1983
Yamaha SB200, Roland SCC700 effects boards

QuPlay QP1

Review | Home & Studio Recording, Oct 1985

Dave Ward enthuses over this very useful aid to multitrack control.

Fostex R8

Review | Music Technology, Mar 1989
Eight-track reel-to-reel recorder

As 8-track tape recording takes its first steps onto cassette, Fostex introduce another revolutionary idea: the reel-to-reel tape deck with a detachable control panel. Vic Lennard does it from a distance.

Friendchip Mac K..AT

Review | Music Technology, Oct 1992

Lexicon 480L Effects System

Preview | Electronics & Music Maker, Sep 1986

Put two Lexicon 224Xs in one box, add a sprinkling of new features, and you have the reverb-based effects unit to beat them all. Paul Wiffen has the advance details.

All Revved Up

Review | Home & Studio Recording, Mar 1986

The Yamaha REV1, possibly the most sophisticated digital reverb on the market.

A Bit Better?

Review | Sound On Sound, Oct 1990
Aiwa HD-S1 Portable DAT Recorder

As the prospect of DAT technology appearing in the high street approaches, Paul Ireson looks at Aiwa's new portable recorder.

Audioshop

Review | Music Technology, May 1993
for the Apple Mac

Ian Waugh logs in to a new Mac program that's a virtual CD player and virtually a sampler, allowing you to build your own library of alternatives to that irritating monkey squeak. What you do with your existing CD remote control is your own affair

Music Maker Equipment Scene

News | Electronics & Music Maker, Nov 1982

SMPL System

Review | One Two Testing, Feb 1985

cheap SMPTE coding

In the first place

Editorial | Music Technology, Nov 1993

Leader

Editorial | Recording Musician, Oct 1992

Fostex B16 Tape Recorder

Review | Home & Studio Recording, Jan 1984

Delta SX301

Review | Electronics & Music Maker, Apr 1985
Add-on for Digital Delay Lines

Paul White and an ingenious 'black box' that gives older-generation digital delay lines a sampling capability.

Sansui MDR7 MIDI/Tape Synchroniser

Review | Sound On Sound, Jul 1990

Dave Lockwood casts a critical eye over this low-cost MIDI/tape sync box from Sansui.

Rumblings

Group: Computer Musician

News | Topic: Computing | Electronics & Music Maker, Jul 1984

SMPTE codes for the home studio and yet more software for the Synclavier, among other things.

MXR Omni

Review | Electronics & Music Maker, Jul 1983

The Boss Micro Rack

Group: Roland Newslink

Feature | Topic: Advertisement Feature | International Musician & Recording World, Jun 1985

Genius Mini Music Scanner and Mini Music Round lights

Group: Quality Control

Review | Music Technology, Sep 1993

It's easy to be impressed by Genius.

 

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