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NewsNews | Sound International, Sep 1978Studios and RecordingPages to the power of three, taking in Stevie's Peavey, CB, guitar gallery, and more. |
The Electronic Music Studio of the University of Massachusetts at AmherstFeature | Topic: Education, Recording Studios | Electronics & Music Maker, Jun 1983The University of Massachusetts electronic music studio |
WorkbenchFeature | Topic: Electronics / Build, Live, Maintenance / Repair / Modification | International Musician & Recording World, Oct 1986Sounding OutPhil Walsh is in complete remote control, and tells you how to mix on a budget. |
Fostex MTC1Review | Music Technology, Sep 1990MIDI Time Code ControllerWith sequencing and tape recording becoming equally important to many musicians, any means of integrating the two is likely to be a welcome development. Vic Lennard looks at a unit that allows Fostex' R8 to be operated from within Steinberg's Cubase. |
PPG Hard Disk UnitReview | Electronics & Music Maker, Oct 1986Digital recording direct to hard disk, from the company that built its reputation with the Wave synthesisers. Paul Wiffen examines the new direction. |
Music Makers Equipment SceneNews | Electronics & Music Maker, Mar 1984New Yamaha ProductsA special feature this month, looking at the latest releases from the Yamaha stable. |
Yamaha versus RolandGroup: EffectsYamaha SB200, Roland SCC700 effects boards |
QuPlay QP1Review | Home & Studio Recording, Oct 1985Dave Ward enthuses over this very useful aid to multitrack control. |
Fostex R8Review | Music Technology, Mar 1989Eight-track reel-to-reel recorderAs 8-track tape recording takes its first steps onto cassette, Fostex introduce another revolutionary idea: the reel-to-reel tape deck with a detachable control panel. Vic Lennard does it from a distance. |
Friendchip Mac K..ATReview | Music Technology, Oct 1992 |
Lexicon 480L Effects SystemPreview | Electronics & Music Maker, Sep 1986Put two Lexicon 224Xs in one box, add a sprinkling of new features, and you have the reverb-based effects unit to beat them all. Paul Wiffen has the advance details. |
All Revved UpReview | Home & Studio Recording, Mar 1986The Yamaha REV1, possibly the most sophisticated digital reverb on the market. |
A Bit Better?Review | Sound On Sound, Oct 1990Aiwa HD-S1 Portable DAT RecorderAs the prospect of DAT technology appearing in the high street approaches, Paul Ireson looks at Aiwa's new portable recorder. |
AudioshopReview | Music Technology, May 1993for the Apple MacIan Waugh logs in to a new Mac program that's a virtual CD player and virtually a sampler, allowing you to build your own library of alternatives to that irritating monkey squeak. What you do with your existing CD remote control is your own affair |
Music Maker Equipment SceneNews | Electronics & Music Maker, Nov 1982 |
In the first placeEditorial | Music Technology, Nov 1993 |
LeaderEditorial | Recording Musician, Oct 1992 |
Fostex B16 Tape RecorderReview | Home & Studio Recording, Jan 1984 |
Delta SX301Review | Electronics & Music Maker, Apr 1985Add-on for Digital Delay LinesPaul White and an ingenious 'black box' that gives older-generation digital delay lines a sampling capability. |
Sansui MDR7 MIDI/Tape SynchroniserReview | Sound On Sound, Jul 1990Dave Lockwood casts a critical eye over this low-cost MIDI/tape sync box from Sansui. |
RumblingsGroup: Computer MusicianSMPTE codes for the home studio and yet more software for the Synclavier, among other things. |
MXR OmniReview | Electronics & Music Maker, Jul 1983 |
The Boss Micro RackGroup: Roland Newslink |
Genius Mini Music Scanner and Mini Music Round lightsGroup: Quality ControlIt's easy to be impressed by Genius. |