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Studio Sound Techniques - Part 5Feature Series | Topic: Maintenance / Repair / Modification, Recording, Tape, Vinyl, CD, DAT | Electronics & Music Maker, Mar 1983Tape Machines |
Making the Most of... - Part 13Feature Series | Topic: Tape, Vinyl, CD, DAT | Home & Studio Recording, May 1986Your Razor BladeSteve Howell covers the basics of good splicing practice in preparation for next month's article on creative remixing. |
Out Of PocketReview | Micro Music, Oct/Nov 1989John Renwick has a pocketful with the pocket MIDI range from Anatek |
Modular Synthesis - Part 10Feature Series | Topic: Sequencing, Syncronisation, Synthesis & Sound Design | Electronics & Music Maker, Oct 1984Using Sequencers with Modular SystemsSteve Howell looks at different methods of triggering modular sequencers from click-tracks on tape. |
Korg SQ8Review | Music Technology, May 1987Eight-track MIDI SequencerMT new boy Bob "I'm Confused" O'Donnell checks out the cutest eight-track sequencer available. Have too many corners been cut to reduce the cost? |
Need A Helping Hand?Review | Sound On Sound, Feb 1986Dave Simpson discovers a remote control, autolocate and spare hand all in one compact unit - the QuPlay QP1. |
Master Tracks JuniorReview | Music Technology, Jun 1988Software for the Atari STA powerful sequencer for a less than overpowering price? Simon "loadsamidi" Trask discovers the slimmed-down version of Master Tracks Pro might just be Passport's passport to mass popularity. |
Linn SequencerReview | International Musician & Recording World, Jan 1986SequencerCheckWodger's latest offering takes the Paul Fishman test |
Yamaha MT44 Cassette SystemReview | Home & Studio Recording, Nov 1983 |
Technics SV260Review | Sound On Sound, Jun 1989Portable DAT RecorderAs the market prepares itself for an influx of DAT recorders from the giants of the hi-fi world, Mark Jenkins takes a brief look at a new portable offering from Technics, the SV260. |
Making TracksReview | Sound On Sound, Sep 1988Passport Master Tracks JuniorBudget tight? Don't despair. This entry-level 64-track sequencing program from Passport has all the features you will need to start making your own music. Chris Kempster takes it for a spin. |
Fostex 260Group: Recording WorldStudio TestThe long-awaited successor to the 250 is welcomed by Jim Betteridge |
XRI XR300 SynchroniserReview | Music Technology, Jan 1988SMPTE SynchroniserStill on the sync track... Chris Jenkins sets the pace with a SMPTE/MIDI converter designed to give all the higher functions of SMPTE tape synchronisation without the higher price-tag. |
Fix it in the MixFeature | Topic: Sampling | Sound On Sound, Jul 1987With A Sampling KeyboardSampling keyboards offer far more creative scope for sound manipulation than most people give them credit for and they can be a real life-saver during studio mixdowns. Craig Anderton reveals some modern day production tips that will allow you to put your sampler to good use. |
Rock Around the ClockFeature | Topic: Recording, Synthesis & Sound Design | Home & Studio Recording, Feb 1986An interesting approach to experimental music using clocks as a basis for rhythm generation. Digital watches are right out. |
MIDIsoft StudioReview | Music Technology, Nov 1988Software for the Atari STThis new Atari ST sequencing software package from America combines affordability with flexibility. Simon Trask applies the soft touch. |
Fostex 260 MultitrackerReview | Home & Studio Recording, May 1986A worthy successor to the long running 250 and at no extra cost. |
MIDIsoft Studio SequencerReview | Sound On Sound, Jan 1989Tony Wride takes a look at the Advanced version of MIDIsoft Studio, an easy-to-use, versatile 64-track Atari sequencer with a lot to offer. |
Passport MIDI/4 Plus and MIDI/8 PlusGroup: Computer MusicianSoftware for Apple II and Commodore 64Sequencing software aimed at the Apple II and CBM64. Four- and eight-track versions receive expert scrutiny from David Ellis. |
Better than the reel thingGroup: Control RoomFostex XR-5 & XR-7Stylish personal multitrackers |