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Analogue SynthsFeature | Topic: Vintage Instruments | Sound On Sound, Aug 1991In The Digital AgeThe digital revolution has not quite killed off the analogue synthesizer, and vintage or vintage-style instruments have an enduring appeal. Julian Colbeck looks at why this should be so. |
Advanced Music SynthesisFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Sep 1983Voltage Controlled Filters Part 2 |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Feb 1985Reader Mark Lowman tells of his X-15 exploits. |
Reset For SuccessInterview | Electronic Soundmaker & Computer Music, Mar 1984Clarke, Radcliffe & Marlow |
Grid ReferenceInterview | Sound On Sound, Nov 1992 |
On StageMusic Review | Electronics & Music Maker, Sep 1984Two sparkling summer concerts, by Ultravox and Michael Nyman. |
Polyphonic SynthesizersFeature | Topic: Vintage Instruments | Electronic Soundmaker & Computer Music, Dec 1983A survey of trendsetters |
Non-Stop Electronic CabaretInterview | Music Technology, Jun 1992Having helped establish the direction of British electronic experimental music in the early-'80s and helped guide it through the dance explosion, Cabaret Voltaire have released a new album. Tim Goodyer finds out why the tracks sound strangely familiar. |
Meet Gary ClarkInterview | Music Technology, Jun 1993Scottish band Danny Wilson were led by Gary Clark, who regards his debut solo album Ten Short Songs About Love as his finest work to date. From conception to birth, it was made entirely at home. Phil Ward drops in on the basement studio, and finds both album and proud father doing very well |
Deep VibrationsInterview | Music Technology, Aug 1991Turning their backs on pop notoriety to meet electronic experimentation head on, Sheffield's LFO are taking dance music into new areas. Simon Trask gets a new perspective on nostalgia. |
Abbeydale StudiosFeature | Topic: Recording Studios | Sound On Sound, May 1988Personal ServicesIt’s a tough world out there in the 16-track studio jungle, but Abbeydale’s owners have made a success out of providing a ‘personal production service’ for songwriters and bands. What's their secret? Read on... |
Enya - WatermarkFeature | Sound On Sound, Mar 1989 |
Concert ReviewMusic Review | Electronic Soundmaker & Computer Music, Jun 1984Volume isn't everything |
Synthpiana JonesInterview | One Two Testing, Mar 1985and The Sample Of Doomcommon sense and uncommon synths |
Vince ClarkeInterview | Sound On Sound, Dec 1991Sold on the 3-Minute SongErasure's fifth album sees the duo of Vince Clarke and Andy Bell going from strength to strength, delivering electro-pop at its finest. But the doyens of synthesizer pop recorded Chorus with almost no MIDI instruments at all. Vince Clarke tells Paul Ireson how he made a hit album with 10-year old technology. |
Animating Film SoundFeature | Topic: Composing / Art, Video / Film / Picture | Sound On Sound, Jun 1986Catch a glimpse of what goes through the mind of a Newcastle musician commissioned to provide a suitable soundtrack for an animated film whose subject matter revolves around a woman living alone in a high-rise block of flats. John Goodenough relates his experiences. |
Studio CoursesFeature | Topic: Education | Home & Studio Recording, Jul 1984A Guide to Recording, Electronic Music and Popular Music Courses in BritainThe first ever published guide to all Recording, Electronic Music and Music Courses available in Britain today. |
Mainframe: Sound SamplingInterview | Home & Studio Recording, Nov 1984A focus on this computer-based band, their home studio and newly-developed sound sampling device that is changing the way they record. |
Life is a CabaretInterview | Electronics & Music Maker, Nov 1984Away from the fickleness of the pop music world, Cabaret Voltaire have been quietly breaking the barriers of underground electronic music. Interview by Dan Goldstein. |
Jo PartridgeInterview | Home & Studio Recording, Jun 1985Janet Angus talks to Jo about his enthralling past and his new studio where surfing is the most serious distraction. |