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News | Music Technology, May 1993

Under New Orders

Interview | Music Technology, Apr 1994

More than a decade and a half after they first fell out of Manchester, New Order's most married couple are still at the nerve-centre of the band's activities. Helping them come to terms with it all - Phil Ward

New Order

Interview | Music Technology, Apr 1989

Making their presence felt in the singles charts once again, New Order are celebrating eight years together with a new album and forthcoming tour. David Bradwell and Chris Williams investigate the Order of things.

On The Beat - Part 5

Feature Series | Topic: Drum Programming | Music Technology, Dec 1989

The basis of this month's article on drum programming is swing - the rhythmic basis for music as diverse as jazz and hip hop. Nigel Lord swings out.

Toolbox

News | The Mix, Apr 1995
Sounds, samples, & software upgrades for the modern studio

New software, updates, sounds and samples

Grid Patterns

Interview | Music Technology, Nov 1992
Floyd, Eno, Gabriel... Grid?

New Grid on the block

MIDI In Control

Feature | Topic: MIDI | Music Technology, Apr 1989

MIDI is regularly used to perform tasks as varied as switching notes on and off, storing patch libraries and controlling mixes, but can it control sound itself? Vic Lennard looks at the uses of MIDI noise gates.

Beyond The Infinite

Interview | Sound On Sound, Jun 1990

Inventor of the 'infinite guitar', this Canadian born player's haunting multi-layered guitar parts have graced the works of such luminaries as Brian Eno, Jon Hassell, U2's Edge, and Daniel Lanois, though Michael Brook's own music has yet to receive the recognition it deserves. Mark J. Prendergast reports.

Media Production Services

Feature | Topic: Education | Sound On Sound, Nov 1989

Want to be a recording engineer? Terry Holton provides an insight into the audio and video production training courses offered by London-based Media Production Services.

Michael Brook

Interview | Sound On Sound, Jun 1992
Canada Dry

Michael Brook, inventor of the Infinite Guitar, is a guitarist, composer and producer with a good deal of talent and a taste for the unusual. Paul Tingen met him to talk about his forthcoming Cobalt Blue album.

Emu Procussion

Review | Sound On Sound, Jul 1991
Sampled Percussion Performance Module

What is it about programmed drum parts that make them sound programmed. Paul Wiffen goes in search of the secret of realistic drumming, and finds it in the Emu Procussion.

 

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