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Roland SRV2000

Review | In Tune, Oct 1985
MIDI Digital Reverb

Roland SRV2000 & Yamaha REV7 Reverbs

Review | One Two Testing, Feb 1986

Every sussed studio should have one - which?

Space - the Final Frontier

Review | Home & Studio Recording, Oct 1985
Roland SRV2000 Reverberator

Roland's first digital reverb unit is all set to make a huge impact on the market.

Roland SRV2000

Group: Recording World

Review | International Musician & Recording World, Oct 1985
Studio Test

Roland knock Paul Fishman's pipe out with their new digital reverb

Centre of Attraction

Show Report | Home & Studio Recording, Aug 1985
APRS Review

Now that our feet have finally recovered from walking round the show, we can tell you what impressed us most (after the free drinks and sweatshirts).

Readers' Systems

Feature | Topic: Home Studio | Home & Studio Recording, Nov 1986
From SOS to 8-track

Another chance to see who bought what, why they bought it and how pleased they are now that it's too late to send it back.

Robinson Studio

Interview | Making Music, Jun 1986

Uncle Tom gives studio advice, from a Portastudio to a great big 24-track.

Ibanez Dual Digital Reverb

Review | Sound On Sound, Sep 1986

Ibanez are late entrants to the fast-moving field of digital reverb products, but their new SDR 1000 unit has something different about it that caught the eye of reviewer Mark Jenkins. Read the review to find out what...

The Magic Of Enigma Studios

Feature | Topic: Recording Studios | Sound On Sound, Apr 1989

Mike Collins investigates the magic behind Enigma Studios, a MIDI-based recording facility in London's East End.

Spin Doctor!

Group: Mixing It!

Interview | The Mix, Jul 1994

The Drive behind the Starship

Interview | Home & Studio Recording, May 1986

Craig Chaquico, lead guitarist for Starship and keen home recording enthusiast talks to Paul White about his studio.

The School of Audio Engineering

Feature | Topic: Education | Home & Studio Recording, Dec 1985

An inside look at one of the most popular recording courses both in this country and abroad.

Wide Open Spaces

Review | Electronics & Music Maker, Sep 1985

A special, report on budget digital reverb, with the spotlight focussed firmly on two groundbreaking new machines, the Yamaha REV7 and Roland SRV2000. Paul White and Simon Trask take up the story.

Digital Reverb Guide

Feature | Topic: Effects Processing | Sound On Sound, Jul 1987

Mark Jenkins brings you a round-up of the current state of the digital reverb market.

PA Column

Feature | Topic: Live | International Musician & Recording World, Aug 1986

Jim Betteridge witnesses the advent of the Screaming Blue Messiahs at the Town and Country Club

Studio Tokyo

Feature | Topic: Recording Studios | Sound On Sound, Dec 1986

You'll be hard pushed to find a UK studio that isn't choc-a-bloc with Japanese studio equipment, but have you ever wondered what they use? David Mellor takes a slow boat that bypasses China, and visits two Tokyo studios to find out.

Home Taping

Group: Recording World

Feature | Topic: Home Studio | International Musician & Recording World, May 1986

Tony Reed chats to Chris and Cosey, a duo who've taken the DIY ethic further than most

PA Column

Feature | Topic: Live | International Musician & Recording World, Dec 1986

You can Run, but you can't hide — They're back again, Run DMC live at Hammersmith. Old Fogey Jim Betteridge covers his ears

Lost in Trance

Interview | Music Technology, Apr 1994

Currently opening the show for the Megadog Midi Circus, Toby Marks (aka Banco de Gaia) is living proof that one man and a rack full of gear can get an audience to its feet and keep it there. And as Phil Ward discovers, Toby enjoys meeting people, likes to travel and drives a small red van.

Alesis through the Looking Glass

Review | Home & Studio Recording, Mar 1986
Sheer XTC

A truly classy digital reverb at a sensible price.

Man At Work

Interview | Electronics & Music Maker, Jun 1986

Robert Plant's right-hand man and technology-fiend talks to Tim Goodyer about samplers, studios and dischords.

Keeping up with the Joneses

Interview | Home & Studio Recording, Oct 1986

Simon Croft interviews the versatile Gerry Kitchingham whose track record includes work with A-Ha.

Breaking The Mold

Interview | Music Technology, Apr 1989

An Australian composer accepts a brief to provide music for an exhibition of pottery - the catch is that all the sounds should be sampled from the exhibits. Sandra McLean talks to the man who makes pottery sing.

The Rhythm Method

Interview | Music Technology, Jan 1992

From the Midlands' techno culture comes the hardcore sound of Rhythmatic. Simon Trask investigates one of the bands on the ground floor of Britain's fastest-growing musical movement.

On The Way Up

Interview | Music Technology, Feb 1988

From being early Fairlight programmers, Simon Climie and Rob Fisher have pursued their songwriting career into the pop charts. Nicholas Rowland conducts the occasional interview.

 

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