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Roland SRV2000 & Yamaha REV7 ReverbsReview | One Two Testing, Feb 1986Every sussed studio should have one - which? | |||
Space - the Final FrontierReview | Home & Studio Recording, Oct 1985Roland SRV2000 ReverberatorRoland's first digital reverb unit is all set to make a huge impact on the market. | |||
Roland SRV2000Group: Recording WorldStudio TestRoland knock Paul Fishman's pipe out with their new digital reverb | |||
Centre of AttractionShow Report | Home & Studio Recording, Aug 1985APRS ReviewNow that our feet have finally recovered from walking round the show, we can tell you what impressed us most (after the free drinks and sweatshirts). | |||
Readers' SystemsFeature | Topic: Home Studio | Home & Studio Recording, Nov 1986From SOS to 8-trackAnother chance to see who bought what, why they bought it and how pleased they are now that it's too late to send it back. | |||
Robinson StudioInterview | Making Music, Jun 1986Uncle Tom gives studio advice, from a Portastudio to a great big 24-track. | |||
Ibanez Dual Digital ReverbReview | Sound On Sound, Sep 1986Ibanez are late entrants to the fast-moving field of digital reverb products, but their new SDR 1000 unit has something different about it that caught the eye of reviewer Mark Jenkins. Read the review to find out what... | |||
The Magic Of Enigma StudiosFeature | Topic: Recording Studios | Sound On Sound, Apr 1989Mike Collins investigates the magic behind Enigma Studios, a MIDI-based recording facility in London's East End. | |||
Spin Doctor!Group: Mixing It! | |||
The Drive behind the StarshipInterview | Home & Studio Recording, May 1986Craig Chaquico, lead guitarist for Starship and keen home recording enthusiast talks to Paul White about his studio. | |||
The School of Audio EngineeringFeature | Topic: Education | Home & Studio Recording, Dec 1985An inside look at one of the most popular recording courses both in this country and abroad. | |||
Wide Open SpacesReview | Electronics & Music Maker, Sep 1985A special, report on budget digital reverb, with the spotlight focussed firmly on two groundbreaking new machines, the Yamaha REV7 and Roland SRV2000. Paul White and Simon Trask take up the story. | |||
Digital Reverb GuideFeature | Topic: Effects Processing | Sound On Sound, Jul 1987Mark Jenkins brings you a round-up of the current state of the digital reverb market. | |||
PA ColumnFeature | Topic: Live | International Musician & Recording World, Aug 1986Jim Betteridge witnesses the advent of the Screaming Blue Messiahs at the Town and Country Club | |||
Studio TokyoFeature | Topic: Recording Studios | Sound On Sound, Dec 1986You'll be hard pushed to find a UK studio that isn't choc-a-bloc with Japanese studio equipment, but have you ever wondered what they use? David Mellor takes a slow boat that bypasses China, and visits two Tokyo studios to find out. | |||
Home TapingGroup: Recording WorldTony Reed chats to Chris and Cosey, a duo who've taken the DIY ethic further than most | |||
PA ColumnFeature | Topic: Live | International Musician & Recording World, Dec 1986You can Run, but you can't hide — They're back again, Run DMC live at Hammersmith. Old Fogey Jim Betteridge covers his ears | |||
Lost in TranceInterview | Music Technology, Apr 1994Currently opening the show for the Megadog Midi Circus, Toby Marks (aka Banco de Gaia) is living proof that one man and a rack full of gear can get an audience to its feet and keep it there. And as Phil Ward discovers, Toby enjoys meeting people, likes to travel and drives a small red van. | |||
Alesis through the Looking GlassReview | Home & Studio Recording, Mar 1986Sheer XTCA truly classy digital reverb at a sensible price. | |||
Man At WorkInterview | Electronics & Music Maker, Jun 1986Robert Plant's right-hand man and technology-fiend talks to Tim Goodyer about samplers, studios and dischords. | |||
Keeping up with the JonesesInterview | Home & Studio Recording, Oct 1986Simon Croft interviews the versatile Gerry Kitchingham whose track record includes work with A-Ha. | |||
Breaking The MoldInterview | Music Technology, Apr 1989An Australian composer accepts a brief to provide music for an exhibition of pottery - the catch is that all the sounds should be sampled from the exhibits. Sandra McLean talks to the man who makes pottery sing. | |||
The Rhythm MethodInterview | Music Technology, Jan 1992From the Midlands' techno culture comes the hardcore sound of Rhythmatic. Simon Trask investigates one of the bands on the ground floor of Britain's fastest-growing musical movement. | |||
On The Way UpInterview | Music Technology, Feb 1988From being early Fairlight programmers, Simon Climie and Rob Fisher have pursued their songwriting career into the pop charts. Nicholas Rowland conducts the occasional interview. | |||
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