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AlchemyReview | Sound On Sound, Aug 1988Stereo Sample Editor for the MacintoshSampling keyboards have come a long way in the last three years, and as a result, the visual editing software available has rather fallen behind the specifications and features of current machines. Until now that is, with the advent of Alchemy from Blank Software, boasting a whole bunch of features new to computer-based sample editors. Paul Wiffen investigates. |
Steinberg Avalon 2.0Review | Sound On Sound, Dec 1991Sample Editing Software For The STMartin Russ edits, analyses, time corrects and synthesizes as he explores the features of the Steinberg's Avalon software. |
I Want Your SamplesFeature | Topic: MIDI, Sampling | Electronics & Music Maker, Aug 1986As sound-sampling becomes accepted as a technique, what will musicians do with their machines after the novelty has worn off? Chris Meyer takes a sideways look. |
Roland U110 Sample PlayerReview | Sound On Sound, Jan 1989Do you like sampled instrument sounds, but hate all of that tedious disk loading, looping and general messing about? Then you'll love Roland's new U110 sample player. Paul Ireson takes it for a spin. |
Making the Most of your Akai S1000 Sampler - Part 2Feature Series | Topic: Sampling | Sound On Sound, Jun 1989Sample Editing & ManipulationPART 2: Akai product specialist Steve Howell passes on more useful tips to help you make the most of your new S1000 sampler. |
Oberheim DPX1Review | Music Technology, Feb 1987Sample Replay UnitIn a musical climate dominated by preset sounds, why not produce a rack-mounting unit that simply replays other people's samples? Paul Wiffen analyses Oberheim's attempt at doing just that. |
Music Of Life Beats, Breaks & ScratchesGroup: Quality ControlSample CD boxed setMusic Of Life Beats, Breaks & Scratches sample CD boxed set. |
Synthpiana JonesInterview | One Two Testing, Mar 1985and The Sample Of Doomcommon sense and uncommon synths |
EastWest CommunicationsReview | Sound On Sound, May 1991Bob Clearmountain Sample CDsOn a clear day you can usually tell the difference between sampled and real drums. But if the quality of the samples is high enough, will there come a time when you can't tell which is which? David Mellor listens to two new sample cds. |
As Easy As EZEReview | Sound On Sound, May 1990Ensoniq EPS Sample EditorPerhaps its because the auto-looping functions on Ensoniq's EPS sampler are so effective that computer-based sample editing software for the machine is so thin on the ground? Matthew Newman checks out Gelva Software's first offering. |
Akai CD3000Review | Sound On Sound, Sep 1993CD-ROM Sample PlayerWe test the world's first CD-ROM sampler. |
Time & Space Zero-G Datafile 1 & 2 Sample CDsReview | Recording Musician, Jul 1992 |
E-Mu Proteus MPSReview | Music Technology, Mar 1992Sample Playback KeyboardWith the popular Proteus series of sample playback modules as its inspiration, E-mu's new synth sounds as good as it looks. Simon Trask explores the Master Performance System. |
Turtle Beach Softworks Sample VisionReview | Music Technology, Mar 1989Software for the IBM PCGeneric sample editors have been giving Atari ST users a lead in sample editing for a while; now IBM PC users have the chance to get ahead. Dennis Miller has a vision. |
Kurzweil 1000HX & 1000SXReview | Music Technology, Aug 1988Sample ExpandersFor those without the time or the inclination to sample come two expanders dedicated to sampled horns and strings. Simon Trask finds out if Kurzweil's dedication has paid dividends. |
Soft OptionsFeature | Topic: Computing, Sampling | Sound On Sound, Dec 1993Cheap And Cheerful Sample Creation On The Atari ST |
Chameleon In SP's ClothingReview | Sound On Sound, May 1992Peavey SP Sample Playback SynthesizerMartin Russ takes a close look at Peavey's long-awaited DPM SP dedicated sample player, and its sample input partner the DPM SX. |
A Sample of Eastern IngenuityReview | Home & Studio Recording, Dec 1985Vesta Kozo DIG-420Following their DIG-411 delay line: Vesta Kozo have now introduced this unit that is first and foremost a sampler and it can be used under keyboard control. |
Philip Rees Percussion Sample PlayerReview | Music Technology, Jun 1991Drum ExpanderMore than a beatbox, less than a sampler, the Percussion Sample Player appears to be a unique rhythmatist's instrument. Simon Trask looks at the pros and cons of a dedicated drum sampler. |
Action ReplayReview | Sound On Sound, Apr 1989Akai S1000PB 16bit Stereo Sample Player with SWM and Workstation DisksDo you find the idea of sampling your own sounds unappealing? Why not settle for a high quality replay-only sampler like the Akai S1000PB and spend the money you save on more library disks? Paul Ireson checks out the machine and Akai's newly launched set of Workstation and SWM disks. |
Blank Software AlchemyReview | Music Technology, May 1988Sample Editing SoftwareA sample editing package to beat all sample editing packages? Robert Rich test-drives a universal editor that may be the answer to many a sampling studio's prayers. |