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Alchemy

Review | Sound On Sound, Aug 1988
Stereo Sample Editor for the Macintosh

Sampling keyboards have come a long way in the last three years, and as a result, the visual editing software available has rather fallen behind the specifications and features of current machines. Until now that is, with the advent of Alchemy from Blank Software, boasting a whole bunch of features new to computer-based sample editors. Paul Wiffen investigates.

E-mu Proteus 3 World

Review | Music Technology, Nov 1992
Sample Player

The ethnically sound rack-mount

Roland SP700

Review | Sound On Sound, May 1993
Sample Player

Steinberg Avalon 2.0

Review | Sound On Sound, Dec 1991
Sample Editing Software For The ST

Martin Russ edits, analyses, time corrects and synthesizes as he explores the features of the Steinberg's Avalon software.

I Want Your Samples

Feature | Topic: MIDI, Sampling | Electronics & Music Maker, Aug 1986

As sound-sampling becomes accepted as a technique, what will musicians do with their machines after the novelty has worn off? Chris Meyer takes a sideways look.

Roland U110 Sample Player

Review | Sound On Sound, Jan 1989

Do you like sampled instrument sounds, but hate all of that tedious disk loading, looping and general messing about? Then you'll love Roland's new U110 sample player. Paul Ireson takes it for a spin.

Making the Most of your Akai S1000 Sampler - Part 2

Feature Series | Topic: Sampling | Sound On Sound, Jun 1989
Sample Editing & Manipulation

PART 2: Akai product specialist Steve Howell passes on more useful tips to help you make the most of your new S1000 sampler.

Oberheim DPX1

Review | Music Technology, Feb 1987
Sample Replay Unit

In a musical climate dominated by preset sounds, why not produce a rack-mounting unit that simply replays other people's samples? Paul Wiffen analyses Oberheim's attempt at doing just that.

Music Of Life Beats, Breaks & Scratches

Group: Quality Control

Review | Music Technology, Sep 1993
Sample CD boxed set

Music Of Life Beats, Breaks & Scratches sample CD boxed set.

Synthpiana Jones

Interview | One Two Testing, Mar 1985
and The Sample Of Doom

common sense and uncommon synths

EastWest Communications

Review | Sound On Sound, May 1991
Bob Clearmountain Sample CDs

On a clear day you can usually tell the difference between sampled and real drums. But if the quality of the samples is high enough, will there come a time when you can't tell which is which? David Mellor listens to two new sample cds.

Double Dutch SAM1

Review | Sound On Sound, Nov 1992
Sample Expander For Korg M1

As Easy As EZE

Review | Sound On Sound, May 1990
Ensoniq EPS Sample Editor

Perhaps its because the auto-looping functions on Ensoniq's EPS sampler are so effective that computer-based sample editing software for the machine is so thin on the ground? Matthew Newman checks out Gelva Software's first offering.

Akai CD3000

Review | Sound On Sound, Sep 1993
CD-ROM Sample Player

We test the world's first CD-ROM sampler.

Time & Space Zero-G Datafile 1 & 2 Sample CDs

Review | Recording Musician, Jul 1992

E-Mu Proteus MPS

Review | Music Technology, Mar 1992
Sample Playback Keyboard

With the popular Proteus series of sample playback modules as its inspiration, E-mu's new synth sounds as good as it looks. Simon Trask explores the Master Performance System.

Turtle Beach Softworks Sample Vision

Review | Music Technology, Mar 1989
Software for the IBM PC

Generic sample editors have been giving Atari ST users a lead in sample editing for a while; now IBM PC users have the chance to get ahead. Dennis Miller has a vision.

Infinity

Review | Sound On Sound, Nov 1993
DSP Sample Looping Tools For Macintosh

Kurzweil 1000HX & 1000SX

Review | Music Technology, Aug 1988
Sample Expanders

For those without the time or the inclination to sample come two expanders dedicated to sampled horns and strings. Simon Trask finds out if Kurzweil's dedication has paid dividends.

Soft Options

Feature | Topic: Computing, Sampling | Sound On Sound, Dec 1993
Cheap And Cheerful Sample Creation On The Atari ST

Chameleon In SP's Clothing

Review | Sound On Sound, May 1992
Peavey SP Sample Playback Synthesizer

Martin Russ takes a close look at Peavey's long-awaited DPM SP dedicated sample player, and its sample input partner the DPM SX.

A Sample of Eastern Ingenuity

Review | Home & Studio Recording, Dec 1985
Vesta Kozo DIG-420

Following their DIG-411 delay line: Vesta Kozo have now introduced this unit that is first and foremost a sampler and it can be used under keyboard control.

Philip Rees Percussion Sample Player

Review | Music Technology, Jun 1991
Drum Expander

More than a beatbox, less than a sampler, the Percussion Sample Player appears to be a unique rhythmatist's instrument. Simon Trask looks at the pros and cons of a dedicated drum sampler.

Action Replay

Review | Sound On Sound, Apr 1989
Akai S1000PB 16bit Stereo Sample Player with SWM and Workstation Disks

Do you find the idea of sampling your own sounds unappealing? Why not settle for a high quality replay-only sampler like the Akai S1000PB and spend the money you save on more library disks? Paul Ireson checks out the machine and Akai's newly launched set of Workstation and SWM disks.

Blank Software Alchemy

Review | Music Technology, May 1988
Sample Editing Software

A sample editing package to beat all sample editing packages? Robert Rich test-drives a universal editor that may be the answer to many a sampling studio's prayers.

 

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