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A Clean SlateInterview | International Musician & Recording World, Apr 1986Erasure head man Vince Clarke and his new band face the horror of a Tony Reed interview |
Improbability Factor: 42Interview | Electronics & Music Maker, Jul 1985Level 42 keyboardsman Mike Lindup takes a break from recording of the next album to talk to Tim Goodyer about Fairlights and Synclaviers, among other things. |
Sample ShopReview | Sound On Sound, Feb 1993 |
Talking MIDI - Part 8Feature Series | Topic: MIDI | Sound On Sound, Aug 1986Final part. Jay Chapman concludes his long-running series on the software aspects of MIDI with a look at the finer points of Active Sensing. |
Sample ShopReview | Sound On Sound, Nov 1992 |
Poor Person's SMPTEReview | Sound On Sound, Nov 1987J.L. Cooper PPS-1Looking for an alternative means of syncing MIDI instruments to tape? David Mellor tries out a low-cost solution from J.L. Cooper Electronics - the PPS-1. |
XTCInterview | One Two Testing, Nov 1984Over The Tracks With The Big Expressmaking The Big Express and strumming guitars |
Stepp DG1 Guitar SynthReview | International Musician & Recording World, Oct 1986GuitarCheckPaul Fishman avoids all references to giant leaps for mankind, but still likes Stepp's digital guitar synth |
Still Going Deaf? - Part 2Feature Series | Topic: Live | One Two Testing, Jan 1985earstrain part two |
Sample ShopReview | Sound On Sound, Jan 1993 |
The Gospel According to Jesus JonesInterview | Music Technology, Jan 1990The use of samples is often frowned upon by rock audiences, but Jesus Jones have made them the basis of some of the most aggressive and innovative rock music around. Nigel Lord talks to Jesus. |
Take TwoInterview | Electronics & Music Maker, Jul 1985Moraz and Bruford Embrace the NewPatrick Moraz and Bill Bruford, two of music’s best-established virtuoso players, talk about their two-year relationship and a new LP. Interview by Dan Goldstein. |
2000 Mots - Part 1Interview Series | Sound International, Apr 1979Frank Zappa is never short of a word or a thousand. In this case, there were so many, we had to make it a two-parter. In this first, Ralph Denyer finds out why Frank doesn't hate people (quite) and why London's one of the worst places on earth. |
Incoming DataNews | Music Technology, Apr 1993 |
To Be FrankInterview | International Musician & Recording World, Dec 1985Chronicles of a moustachioed maestro. Philip Bashe reporting. |
Sons Of PioneersInterview | Music Technology, May 1991They began the '80s as Japan, now they're starting over as Rain Tree Crow. Tim Goodyer catches synthesist Richard Barbieri and drummer Steve Jansen for a frank discussion of music and personalities ten years after Tin Drum. |
The State of TechnologyInterview | Music Technology, Nov 1989England's North has consistently produced some of the most innovative electronic music. Simon Trask talks to a band set to take their place alongside New Order and Heaven 17. |
World SystemInterview | Music Technology, Aug 1989It's the talk of Paris' hep musical set, Peter Gabriel set up a new record label for it and Ray Lema is one of its greatest exponents - Simon Trask discovers hitech ethnic music is about to make its mark on popular culture. |
Radio DaysFeature | Topic: Digital Audio Workstations, Live, MIDI, Performing, Sequencing | Sound On Sound, Aug 1992Technology On The AirWhen Paul D. Lehrman was asked to use his technological expertise to help create a radio quiz show, he rose to the challenge — and discovered it was just about the best fun he could have standing up. |
LandscapeGroup: Alternatives to 'Product'The Rhythm SectionLandscape's bassist and drummer recount their reasons for choosing to form their own label to Ralph Denyer. |
A Day In The Life Of... A Tour - Part 2Feature Series | Topic: Live | Sound International, Apr 1979The backstage view of the mammoth Tull operation from Tony Freeman, one of those without whom... nervous times among the cigarette stubs. |
Keyboard LifeFeature | Topic: Live | Sound On Sound, Jun 1990in Anderson Bruford Wakeman HoweSession player Julian Colbeck tells the tale of how he got the gig as support keyboard player for Rick Wakeman on the recent Anderson, Bruford, Wakeman, Howe world tour, and runs through the instrumentation he and Rick used on stage. |
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