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HometapingGroup: Recording WorldPatrick WilsonA commercial outlook and a complex setup. We invade Patrick Wilson's home studio |
Hay MakerFeature | Making Music, Dec 1987 |
Sampling Confidential: Anything To Declare? - Part 1Feature Series | Topic: Music Business, Sampling | Music Technology, Apr 1993The first of our new series on the very live issue of sampling, taking all the technicalities into account. Dom Foulsham begins with an examination of the law as it currently effects all involved. An indispensable guide, if you're concerned about clearance and want to avoid that nasty little rubber glove |
Writing Songs and All That JazzInterview | International Musician & Recording World, Apr 1985From Gretsches to Strats, from Pop to Jazz. The ever-changing songwriter talks chords, choruses and contrapuntals with Adrian Deevoy |
Auto KeyboardsGroup: The MIDI Connection Supplement |
Write NowGroup: Do It Yourself |
Sigma DM-4 Dreadnought GuitarGroup: Review |
Studio Construction SetFeature | Topic: Buyer's Guide, Home Studio | Sound On Sound, Dec 1992Which Gear is Right for You? |
Days of UreInterview | International Musician & Recording World, Dec 1985Gary Hopkins lends an ear to the Caledonian Crooner |
WaterfrontGroup: ChitChat |
The Ultimate Garage StudioFeature | Topic: Recording Studios | Sound On Sound, Aug 1986Solo SoundDavid Etheridge pays a visit to this expanding 8-track London facility which has carved out a successful niche for itself as a well-equipped modern day songwriter's studio. |
Aztec CameraInterview | One Two Testing, Jan 1984Climbing Frame, in particular Roddy Frame, songwriter, guitarist and dead cert for '84. |
Planet RockInterview | Music Technology, Apr 1988John "Jellybean" Benitez is the leader of the current trend of DJs turned recording artists. Tim Goodyer talks to him about the relationship between the dancefloor and the recording studio. |
Production LinesOpinion | Sound On Sound, Oct 1993Former Yazz and Dina Carroll producer Nigel Lowis lets off steam about short termism. |
Almost BlueGroup: In SessionThe The's Matt Johnson talks about production, outwitting the lawyers... and hillbilly blues |
Readers' SystemsFeature | Topic: Home Studio | Home & Studio Recording, Nov 1986From SOS to 8-trackAnother chance to see who bought what, why they bought it and how pleased they are now that it's too late to send it back. |
Music PublishingFeature | Topic: Music Business | Sound International, Jul 1978How songwriting collaboration can equal more than 1+1. |
Home TapingGroup: Recording WorldChris Maillard samples Dave Yorath and his extensive MIDI system |
Pink FloydInterview | International Musician & Recording World, Sep 1975Dave Gilmour sheds varying degrees of light on himself and the band. |
Life's A BeachFeature | Phaze 1, Feb 1989RETROSPECT: the beach boyscelebrating sweet surfurbia - from good vibrations to kokomo |
Video ReviewMusic Review | Electronics & Music Maker, Mar 1982 |
Abbeydale StudiosFeature | Topic: Recording Studios | Sound On Sound, May 1988Personal ServicesIt’s a tough world out there in the 16-track studio jungle, but Abbeydale’s owners have made a success out of providing a ‘personal production service’ for songwriters and bands. What's their secret? Read on... |
ImaginationInterview | Electronics & Music Maker, Apr 1986could make a star of youBehind the classic 'Imagination' single lies a sensitive songwriter with a keen ear for melody and a fascination for modern technology. Tim Goodyer talks to Neville Keighley and his session keyboardsman, Peter Oxendale. |