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Get Organised!Feature | Electronics & Music Maker, Mar 1981 |
Home TapingGroup: Recording WorldGiddy young thing Paul Bacon talks to Vertigo about their hopes of scaling the heights of success, the demo-tape route |
Colour SchemesInterview | International Musician & Recording World, Sep 1985Andy Williams? Bobby Goldsboro? Cleo Laine? Terry Hall? Toby Lyons? Adrian Deevoy? |
Firstman SQ-01 Sequence SynthesizerReview Audio | Electronics & Music Maker, Mar 1982 |
Akai DR4dGroup: Quality Controlhard disk recorderDirect-to-disk recording from the sample stable |
Boss SBX-10Review | Home & Studio Recording, Jun 1986This little brother to the SBX-80 overcomes a host of syncing problems. |
Drum Programming - Part 11Feature Series | Topic: Drum Programming, Syncronisation | Sound On Sound, Mar 1993A Series By Warren Cann. |
PA ColumnFeature | Topic: Live | International Musician & Recording World, Mar 1986Jim Betteridge lets his hair down, and gets down with the Deaf-Defying ones. |
Falling Into LineReview | Home & Studio Recording, Mar 1986MTRs new 12:8:2 Series 2 in-line desk should solve a few cash flow problems for 8-track owners. |
Korg 707Review | Music Technology, Mar 1988Korg's DS8 presented FM synthesis in a more friendly light than originators Yamaha. Now their latest synth makes the price more friendly too. Simon Trask looks at a sine of the times. |
Yamaha 9000 Drum KitReview | One Two Testing, Dec 1983 |
Time ExposureFeature | Topic: MIDI, Syncronisation | Music Technology, Jun 1989Quietly but surely, synchronisation codes have become an essential part of MIDI recording, but what's all this SMPTE and FSK stuff really about? Chris Many looks at the different sync codes and why we need them. |
Plasmec ADASReview | Sound On Sound, Nov 1991Digital Audio For The Atari STKendall Wrightson examines an inexpensive Atari-based tapeless recorder offering digital audio editing, plus MIDI controlled hard disk recording with Notator/Creator, Cubase/Cubeat or Virtuoso. |
Chris Andrews - ProducerInterview | Home & Studio Recording, Nov 1983 |
Factory RecordsInterview | Music Technology, Sep 1993Oceanic interviewedMerseyside's pop trio on presets, jingles, Nirvana and 2 Unlimited |
Doing the Video - Part 4Feature Series | Topic: Video / Film / Picture | Home & Studio Recording, Oct 1986Alan Hoida looks into the postproduction stage of making a pop video. |
Out Of the ShadowsReview | Electronics & Music Maker, Jul 1986Shadow MIDI GuitarGeoff Twigg takes a look at the latest guitar synth technology. Now you can have a Synclavier system behind the strings of your old acoustic. |
ART MultiverbReview | Sound On Sound, Jan 1989In this age of the preset, you need all the help available to stamp your personality on the sounds you produce. Paul Ireson finds a new ally in the fight for individuality - ART's fully programmable, four-effects-at-once signal processor. |
Science and SensibilityInterview | Electronic Soundmaker & Computer Music, Aug/Sep 1984Thomas Dolby explains his new strategy |
Working AbroadFeature | Topic: Live | International Musician & Recording World, Jul 1975An IM InvestigationIf you're thinking of working abroad read IM's complete guide to hassle avoidance |