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Heroes - Part 12Feature Series | Topic: History / Culture | One Two Testing, Dec 1984Brian Eno and the studio |
Electric BlueInterview | Music Technology, Feb 1989From the first all-electronic record label to the first ARS Electronica concert, Hubert Bognermayr has been one of electronic music's pioneers. David Bradwell makes the Austrian connection. |
Roland CPE-800 Compu-EditorReview | Electronics & Music Maker, Nov 1981 |
When is a Computer? - Part 1Feature Series | Topic: Computing | One Two Testing, Nov 1983In fact, when is it a musical instrument? We start making sense of the silicon chip. |
W.A.P.Feature | Topic: Education | Music UK, Nov 1983The tuition course that breaks the barriersWAP Spells Tuition — Lorna Read Investigates Music Course |
Studio SceneGroup: Computer MusicianUniversity of Surrey Electro-Acoustic Music StudioA look at the Surrey Sound electronic and computer music studio, scene of the Tonmeister degree course. |
Spectro Sound StudioFeature | Topic: Education, Recording Studios | Electronics & Music Maker, Aug 1982A look at Newcastle’s ‘open access' electro-music studio. |
The New Age Music ConundrumFeature | Sound On Sound, Jan 1987What is 'New Age' music? Who plays it, and why is it apparently so popular? Our resident musicologist Mark Prendergast traces its development back to the work of 'new music' composers Arnold Schoenberg and Erik Satie. |
Arthur BrownInterview | Electronics & Music Maker, Jun 1983Vocals and electronic music in unique combination |
How East Met WestFeature | Topic: Design, Development & Manufacture | Music Technology, Nov 1986New technology has already brought the music industries of East and West closer together, but how has that affected the music itself, and what will happen as the two cultures get closer still? Gary Larson gives his viewpoint. |
Not The Guitar Chord BookFeature | Topic: Tuition / Technique | One Two Testing, Dec 1982The Jenkins MethodArgue with six string instructor and cult rock hero Billy Jenkins on the best way of teaching yourself to play. |
Hi-tech at SalfordFeature | Topic: Education | Sound On Sound, Jul 1988Interested in hi-tech higher education? Chris Kempster reports on the MIDI studios and recording courses available to students at Salford College Of Technology. |
A History of Electronic Music - Part 4Feature Series | Topic: Composing / Art, History / Culture | Electronics & Music Maker, Mar 1982 |
OvertonesFeature | Topic: Education, Tuition / Technique | One Two Testing, Mar 1985is there a future in teaching music |
The Tracks of our TearsInterview | International Musician & Recording World, Apr 1985Are you afraid of the art of Bath? Adrian Deevoy goes into battle with Curt and Roland |
Electronic Music NotationFeature | Topic: Composing / Art, Music Theory, Performing | Polyphony, Sep/Oct 1978 |
The A-Z of Analogue - Part 6Feature Series | Topic: Vintage Instruments | Music Technology, Jan 1994This month, Elka Eminent to Everitt Orgatron. |
A History Of Electronic Music - Part 5Feature Series | Topic: History / Culture | Electronics & Music Maker, May 1982The BBC Radiophonic Workshop |
A History of Electronic Music - Part 1Feature Series | Topic: Composing / Art, History / Culture | Electronics & Music Maker, Dec 1981Part 1 looks at the early growth of this vitally important area of music today. |
For The Benefit Of Mr LennonFeature | Topic: Composing / Art, Sequencing | Sound On Sound, Dec 1993Using the Kurzweil K2000 to create and perform a tribute to John Lennon |
Synclavier ProgrammerFeature | Sound On Sound, Mar 1986Jonathan Sorrell is one of a handful of session programmers working with the world's most sophisticated sampling keyboard - the Synclavier. Paul Gilby discovers how it came about. |
History of Electronic Music - Part 7Feature Series | Topic: History / Culture | Electronics & Music Maker, Sep 1982Brian Eno |