THE ULTIMATE SOFT MACHINE

The Fairlight (in its previous Series II guise) was/is probably the most famous computer musical instrument in the world. Everybody knows the name, but few really know what its true capabilities are. Now there is a new breed of Fairlight, far more powerful and far more sophisticated than the old one ever was - the Series III. Richard Elen takes a look at the mind-boggling potential of this Rolls-Royce of sound sampling/synthesizing machines.

Producer Extraordinaire

The genius behind the 'Phil Collins drum sound' reveals how he got started in the industry, his production philosophy and life at The Townhouse.

Bronski Beat reveal all in The Garden, as their new album, Age of Consent, storms the charts.

the electric revival examined

The Police skinsman explored darkest Africa recently and came back with samples, songs and stories galore. Adrian Deevoy takes the missionary position.

Renowned best for his keyboard/synth excursions in the jazz-rock field, Dave and partner Barbara Gaskin achieved several chart hits with re-workings of classic pop songs like 'It's My Party' back in 1982. Together they are presently completing their first album for release on compact disc. David Etheridge took a look behind the scenes.

A man continually in search of magic moments in the perfect quality of music.

He's played guitar with the best - David Bowie, Peter Gabriel, David Sylvian, Talking Heads, Brian Eno and, of course, King Crimson - and he's also worked away from the public eye, pursuing truths other than the rock and roll life. Mark Prendergast discovers that Robert Fripp's insights are of interest to more than just guitarists.

Meanwhile, Tim Goodyer finds The Rhythmatist, alias Police drummer Stewart Copeland, resting in his home studio after an African jaunt from which a single, an album and a video have resulted. All three come under discussion.

Welcome to The News where we tell you what on earth is happening.

Rock-steady Rozzer on drums meets shufflin' Max Kay

Ex-Police drummer and self-styled 'tech-head' Stewart Copeland discusses the merits of owning four Fairlight CMIs, why he's in a group called Animal Logic, and how to write an opera. Logical questions: Nicholas Rowland.

Few producers begin their careers with experimental bands, become world-renowned for their work with electronic pop, and then turn their attention to traditional rock music. Paul Tingen talks to Mike Howlett, a man of many talents.

How much do musicians really earn? The rich ones (ahem) the poor ones (definitely).

Recording Electric Guitar

How to get the best in your studio from an electric guitar.

The use of samples is often frowned upon by rock audiences, but Jesus Jones have made them the basis of some of the most aggressive and innovative rock music around. Nigel Lord talks to Jesus.

One man in search of perfection. Dave Burrluck gives his verdict on the state of the axe

From providing the backbone of Santana's Latin beat, Michael Shrieve has moved into electronic percussion and out again. John Diliberto listens to the drummer's tale.

Who, What, Where & When...

Tomorrow's news today — the IM tardis is off again

The high priest of Pop discusses his solo album, musicianship, songwriting and The Police.

And A Happy Birthday To Us

Come to our party, have some jelly, read some of our best bits, and wish us a happy first birthday, hip hip...

Real Drum Company Masterkit CD-ROM Vol. 1

The man who brought computers to Frankie and programmed his way to chart infamy with The Art of Noise, fits in an interview before going out to play some very English sport. Paul Tingen fills in the scorecard.

Now at last, it can be revealed! The veteran producer spills the beans about those 70s Genesis albums... and updates us on work in progress