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Fender Dual Showman ReverbGroup: SoundCheck |
Lynx Grid ProgrammerFeature | Topic: Computing | Electronic Soundmaker & Computer Music, Apr 1984A rhythmic program |
Russ DX7 AI EditorReview | Sound On Sound, Apr 1988This low-cost program for the Atari ST uses Artificial Intelligence techniques to take all the hard work out of programming FM synths and allows you to create new ‘musical’ voices quickly and easily. David Hughes enters the edit zone... |
WorkbenchFeature | Topic: Electronics / Build, Maintenance / Repair / Modification | International Musician & Recording World, Mar 1986Impedance. What is it?!This month, Phil 'I've been there lovey' Walsh discusses impedance — a distressing personal complaint often faced by musicians. Next month — curly leads, and what you can do about it: a Doctor writes. |
MIDI Management BoxesReview | Sound On Sound, Jul 1989Even a relatively modest MIDI setup can create MIDI routing problems, and solutions to these aren’t always easy to find. Paul Ireson investigates the range of Philip Rees MIDI management boxes to see what they can offer. |
Peavey ClassicGroup: Amps |
Back on trackGroup: Control RoomFalcon hardware modsGive your Atari more studio cred |
Seismic shiftGroup: Control RoomK-Rok monitorsBudget speakers from California |
Facing UpFeature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Feb 1985Computer Drum Machine projectA multi-channel sequencer hardware/software project that among other things turns an old Soundmaker project into a drum machine. |
Drawmer MIDMANReview | Sound On Sound, Apr 1986M401 MIDI MANAGEMENT SYSTEMWhen a well-respected signal processor manufacturer like Drawmer moves beyond the realms of noise gates and compressors into MIDI control, it's yet another indication that the recording world is recognising the importance of MIDI. Paul Gilby dropped his copy of the Financial Times to take an exclusive look at the brand new Drawmer MIDI Management System. |
FM 4-Operator EditorsReview | Music Technology, Jul 1988Two software packages that offer a generic approach to sound creation on Yamaha's four-operator FM synths. Ian Waugh boots up Dr T's 4-Op Deluxe and the Soundbits 4X4. |
Vesta Kozo MDI-1Review | Home & Studio Recording, Jun 1986MIDI to CV InterfaceMIDI to CV conversion made simple. |
Technically SpeakingFeedback | Topic: Computing, Synthesis & Sound Design | Making Music, Aug 1987 |
Build A Hum Loop IsolatorFeature | Topic: Electronics / Build | International Musician & Recording World, May 1975 |
Apple NotesFeature | Topic: Computing | Sound On Sound, Aug 1993 |
Auto SwellFeature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1981Musicians! Build this superb swell/sustain touch pedal for only £9. |
WorkbenchFeature | Topic: Electronics / Build | International Musician & Recording World, Jun 1986The Easy LifePhil 'DO or DIY' Walsh with a neat and tidy solution to footswitch overkill |
C-Lab Unitor 2Review | Music Technology, Mar 1992Atari ST SMPTE Synchroniser/MIDI InterfaceSynchronisation made easy - for Creator/Notator users, at least. Tim Goodyer locks into C-Lab's integrated SMPTE synchroniser and MIDI expander for the Atari ST. |
Tama Techstar Electronic DrumsReview | Electronics & Music Maker, Oct 1984Tama are the first acoustic percussion manufacturer to enter the electronic arena: Paul White tested the first example in the country to see if the Japanese could make something more than a Simmons copy. |
InterfacesFeedback | Topic: Computing, MIDI | Micro Music, Jun/Jul 1989Clive Grace assesses the best MIDI interfaces available for the PC, Amiga and Macintosh |
MPC Programmer 8Review | Electronics & Music Maker, Feb 1985Computer-controlled Rhythm SequencerSome drum sequencer software that's as user-friendly as it's versatile. Paul White enthuses over MPC's latest little marvel. |
Matamp RCGT 100 AmpGroup: SoundCheck |