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Search results
 A Message from Mr KakehashiOpinion | Electronics & Music Maker, Mar 1983President of the Roland Corporation |
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 Peek PerformanceInterview | International Musician & Recording World, Jul 1975Dan Peek of the English band that everyone thinks is American |
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 Production LinesOpinion | Recording Musician, Jul 1992Guest producer Nicky Graham looks into the future of recorded music. |
EditorialGroup: Computer MusicianThe reasoning behind the new-look CM. Your guide, David Ellis. |
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 On The SpotGroup: Roland Newslink - Autumn 85Roland Dealer News |
EditorialEditorial | International Musician & Recording World, Mar 1986 |
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 Cover Publications PulloutFeature | Topic: Advertisement Feature | International Musician & Recording World, Mar 1985Stability, Care and Attention 1975-1985 |
WelcomeEditorial | Micro Music, Aug/Sep 1989 |
EmmSoftGroup: Computer MusicianOctober sees the official launch of E&MM's own music software division. We tell you what's available now, and a little of what you can expect from us in the future. |
In the first placeEditorial | Music Technology, Jan 1994 |
Modern TimesEditorial | Music Technology, Jan 1990As we move into a new decade, Tim Goodyer looks back at the '80s and forward to the '90s - where can we hope to see the hi-tech music industry take us next? |
WelcomeEditorial | Sound On Sound, Jan 1987 |
CommentEditorial | Electronics & Music Maker, Oct 1985Keeping Music LiveIs there a future for live electronic music ? |
 Production LinesOpinion | Recording Musician, Nov 1992Rod Halling & John EtchellsRod Halling and John Etchells discuss the producer's role in promoting new acts. |
EditorialEditorial | Polyphony, Nov/Dec 1978 |
 Frequency DividerFeature | Topic: Electronics / Build, Maintenance / Repair / Modification | Polyphony, Jul 1977Turns Gnome Into "Super-Gnome" |
In the first placeEditorial | Music Technology, May 1994 |
In the first placeEditorial | Music Technology, Sep 1993 |
Further ResearchEditorial | Music Technology, Jun 1987As Yamaha's London R&D Centre opens its doors, we ask if it's reasonable to expect musicians to know what they want anyway. |
EditorialEditorial | International Musician & Recording World, May 1985 |
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