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 Recording Techniques - Part 17Feature Series | Topic: Mixing, Recording | Sound On Sound, Apr 1991The Mix (3)Part 17: The mix (3). There's so much to know about mixing and most of it can only be learned by experience. But a little knowledge can go a long way. David Mellor offers even more insights. |
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 Mix-It-Yourself Porta-studio SingleFeature | Topic: Marketing / Promotion | Home & Studio Recording, Dec 1984TLO Records recently released a single by Bonaventura in the form of a four track Portastudio-compatible cassette that you can mix yourself. Could it be a new trend for the future? |
 Fix it in the MixFeature | Topic: Sampling | Sound On Sound, Jul 1987With A Sampling KeyboardSampling keyboards offer far more creative scope for sound manipulation than most people give them credit for and they can be a real life-saver during studio mixdowns. Craig Anderton reveals some modern day production tips that will allow you to put your sampler to good use. |
 SessiontimeFeature | Topic: Performing, Recording | One Two Testing, Jul 1984Radio One - DJ Mixthe truth behind live sessions |
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 In The MixReview | Electronics & Music Maker, Aug 1986AHB KeymixSimon Trask takes an in-depth look qt a computer-controlled modular mixer. Does MIDI programmability represent the future of the mixing console? |
 A Fresh MixReview | Electronic Soundmaker & Computer Music, Apr 1985CMC 24 MixerOn the cheapest computer-assisted mixer yet, the AHB CMC 24. We take a look. |
 Positioning of Sounds in a MixFeature | Topic: Acoustics, Mixing | Home & Studio Recording, Jun 1984A Psychoacoustical ViewpointA psychoacoustical viewpoint of this interesting topic. |
 Look No Hands!Review | Home & Studio Recording, Oct 1986Audio Kinetics Master Mix and Q-lockFull automation for any engineer who feels himself in need of twenty fingers when it comes to the mix. |
 The Snap Shot MixReview | Sound On Sound, Mar 1987Akai MIDI MixerAkai's forthcoming MPX-820 MIDI mixer may not compare with a top-class SSL desk but its fully programmable controls and onboard memories offer the budget-conscious user some of the benefits of a 'total recall' system. Paul D. Lehrman investigates. |
 The DMC StoryGroup: On The RecordTony Prince & The Disco Mix ClubThe ingenuity and foresight of DJ Tony Prince resulted in the creation of the DMC record label, the hub of the thriving UK dance remixing scene. Wilf Smarties talks to Tony about how and why the label was set up and persuades remixer Phil Kelsey to take us through a typical remix. |
 Mix RevolutionReview | Recording Musician, Jan 1993Fostex DCM100 & Mixtab Mixing SystemMade possible by the revolution in consumer microchip design, this low-cost system automates virtually every control on the mixer, including EQ. |
 Re:MixIndex Audio | The Mix, Dec 1994mixed-mode CD tracklistWhat’s on this month’s mixed mode CD/CD-ROM |
 Re:MixIndex Audio | The Mix, Feb 1995mixed-mode CD tracklistThe words behind the sounds on this month's CD and CD-ROM |
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 Effective AutomatorsReview | Sound On Sound, Mar 1988Akai MB76 Programmable Mix Bay, PEQ6 Programmable EqualiserUsed together, the Akai MB76 Mix Bay and PEQ6 Equaliser can bring a limited but useful degree of automation to the MIDI-based home studio. Ian Gilby explains how. |
 Tap tap tapGroup: Mixing It! |
 Advances At AdvisionFeature | Topic: Mixing, Recording Studios | International Musician & Recording World, Mar 1975 |
 Beyer DT150 HeadphonesGroup: Widgets |
 Making the linkGroup: Mixing It! |
Studio SpeakFeature | Topic: Humour | Making Music, May 1987Just what are all those technical chaps hanging around the studio control room really saying? We reveal the truth |
 On The Beat - Part 34Feature Series | Music Technology, Oct 1992 |
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