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JVC KB-500 Stereo KeyboardGroup: Minisynth Supplement |
Roland D5 SynthesiserGroup: Review |
MicroLink System ML10Review | Electronics & Music Maker, Sep 1984for Casio MT200 and Sinclair SpectrumMicro Musical's latest hardware/software package links the Casio MT200 to the Sinclair Spectrum home micro. Somehow, Paul White managed to find time to review it. |
FM's Finest HourReview | Sound On Sound, May 1989Yamaha V50 WorkstationPaul Ireson explores Yamaha's latest professional keyboard, which integrates FM synthesis, a drum machine, a powerful sequencer and a multi-effects unit into a single package. Could it be FM's finest hour? |
Rickenbacker & E MajorInterview | International Musician & Recording World, Sep 1985The chiming of distant Rickenbackers, the drawl of Peter Buck, the whirr of Chris Maillard's tape recorder, and other sweet Georgia sounds |
Roland D20Review | Music Technology, Oct 1988LA SynthesiserRoland's latest keyboard combines two currently important concepts: the workstation and the company's own Linear Arithmetic synthesis. Simon Trask test drives the "multi-timbral linear synthesiser muhitrack sequencer". |
Ripping YarnsInterview | International Musician & Recording World, Nov 1985The Bahamas boy talks tunes and tides with Adrian Deevoy |
Steal The Feel - Part 1Feature Series | Topic: Drum Programming, Mixing | Recording Musician, Jul 1992A straightforward guide to producing Dance Mixes using budget equipment. |
Songs And Their Sections - Part 2Feature Series | Topic: Music Theory | Making Music, Oct 1986Part two considers arrangements: getting right all the instruments order in the. |
On The Beat - Part 17Feature Series | Topic: Drum Programming | Music Technology, Feb 1991Jazz - the final rhythm programming frontier; but if you treat jazz as an attitude (as the jazz greats all have), jazz patterns are just a state of mind away. Nigel Lord thinks cool. |
Technics AX7Review | Sound On Sound, Dec 1988Bridging The GapWhilst Roland and Yamaha take LA and FM synthesis into the home, Technics make it even harder to differentiate between a home keyboard and a synthesizer with the release of the AX7. Paul Ireson checks it out. |
Casio SK-1Review | International Musician & Recording World, Nov 1986SynthCheckA Fairlight small enough to slip into your 501's? Well, nearly. Jim Betteridge warms to Casio's supercheap sampler |
Production LinesOpinion | Sound On Sound, Sep 1993Smiths' producer Stephen Street lets off some steam. |
Dio Wanna Rock?Interview | International Musician & Recording World, Jun 1986The world-conquering sound of Ronnie James' band rests on its rock solid rhythm section. Tony Reed talks to the men who make the Dio metal machine move |
Foreign AffairsInterview | International Musician & Recording World, Apr 1985US successes return to Blighty with the formula for Stateside MOR safely intact. Interview by Jonathan James |
Building up the BeatFeature | Electronic Soundmaker & Computer Music, Apr 1985SY-DP50On Technic's hybrid Preset/Programmable digital drum machine the SY-DP50. |
Roland CM ModulesReview | Music Technology, Jan 1990ROLAND CM32L, CM32P, CM64 & LAPC1 Sound ModulesRoland's CM32L, CM32P, CM64 and LAPC1 modules are a selection of their more familiar expanders re-configured and re-packaged with the computer synthesist in mind. Modulating with Ian Waugh. |
Roland GR-500Group: Guitar SynthesisersSteve Hackett and Paddy Kingsland set out to test the merits and demerits of the Roland GR-500 and ARP Avatar. Synthesise watches, lads. |
Andrew PowellInterview | Electronics & Music Maker, Oct 1983This premier producer, conductor and arranger discusses his solo album 'The Best of the Alan Parsons Project' |
Rhodes Model 660 & 760Review | Music Technology, May 1990RS-PCM KeyboardsResponding to the demand for accessible synthesisers, Roland's Rhodes division has come up with the first of a series of "playable" instruments. Simon Trask checks their performance. |
Producers' Corner - Part 1Feature Series | Topic: Arranging / Songwriting | Home & Studio Recording, Nov 1985In this first article of a new series, John Harris examines basic song arrangement. |
Programming Bass SequencesFeature | Topic: Arranging / Songwriting, Sequencing | Sound On Sound, Apr 1988Where would Madonna, Giorgio Moroder or Stock, Aitken and Waterman be without sequenced bass lines? Rudi Cazeaux provides some guidelines and practical examples to help you create better bass lines. |