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JVC KB-500 Stereo Keyboard

Group: Minisynth Supplement

Review | Electronics & Music Maker, Nov 1982

Concert Review

Music Review | Electronics & Music Maker, Aug 1983

David Bowie

Roland D5 Synthesiser

Group: Review

Feature | Phaze 1, Jul 1989

MicroLink System ML10

Review | Electronics & Music Maker, Sep 1984
for Casio MT200 and Sinclair Spectrum

Micro Musical's latest hardware/software package links the Casio MT200 to the Sinclair Spectrum home micro. Somehow, Paul White managed to find time to review it.

FM's Finest Hour

Review | Sound On Sound, May 1989
Yamaha V50 Workstation

Paul Ireson explores Yamaha's latest professional keyboard, which integrates FM synthesis, a drum machine, a powerful sequencer and a multi-effects unit into a single package. Could it be FM's finest hour?

Rickenbacker & E Major

Interview | International Musician & Recording World, Sep 1985

The chiming of distant Rickenbackers, the drawl of Peter Buck, the whirr of Chris Maillard's tape recorder, and other sweet Georgia sounds

Roland D20

Review | Music Technology, Oct 1988
LA Synthesiser

Roland's latest keyboard combines two currently important concepts: the workstation and the company's own Linear Arithmetic synthesis. Simon Trask test drives the "multi-timbral linear synthesiser muhitrack sequencer".

Ripping Yarns

Interview | International Musician & Recording World, Nov 1985

The Bahamas boy talks tunes and tides with Adrian Deevoy

Concert Review

Music Review | Electronics & Music Maker, Sep 1983

Peter Gabriel at Selhurst Park

Steal The Feel - Part 1

Feature Series | Topic: Drum Programming, Mixing | Recording Musician, Jul 1992

A straightforward guide to producing Dance Mixes using budget equipment.

Songs And Their Sections - Part 2

Feature Series | Topic: Music Theory | Making Music, Oct 1986

Part two considers arrangements: getting right all the instruments order in the.

On The Beat - Part 17

Feature Series | Topic: Drum Programming | Music Technology, Feb 1991

Jazz - the final rhythm programming frontier; but if you treat jazz as an attitude (as the jazz greats all have), jazz patterns are just a state of mind away. Nigel Lord thinks cool.

Technics AX7

Review | Sound On Sound, Dec 1988
Bridging The Gap

Whilst Roland and Yamaha take LA and FM synthesis into the home, Technics make it even harder to differentiate between a home keyboard and a synthesizer with the release of the AX7. Paul Ireson checks it out.

Casio SK-1

Review | International Musician & Recording World, Nov 1986
SynthCheck

A Fairlight small enough to slip into your 501's? Well, nearly. Jim Betteridge warms to Casio's supercheap sampler

Production Lines

Opinion | Sound On Sound, Sep 1993

Smiths' producer Stephen Street lets off some steam.

Dio Wanna Rock?

Interview | International Musician & Recording World, Jun 1986

The world-conquering sound of Ronnie James' band rests on its rock solid rhythm section. Tony Reed talks to the men who make the Dio metal machine move

Foreign Affairs

Interview | International Musician & Recording World, Apr 1985

US successes return to Blighty with the formula for Stateside MOR safely intact. Interview by Jonathan James

Building up the Beat

Feature | Electronic Soundmaker & Computer Music, Apr 1985
SY-DP50

On Technic's hybrid Preset/Programmable digital drum machine the SY-DP50.

Roland CM Modules

Review | Music Technology, Jan 1990
ROLAND CM32L, CM32P, CM64 & LAPC1 Sound Modules

Roland's CM32L, CM32P, CM64 and LAPC1 modules are a selection of their more familiar expanders re-configured and re-packaged with the computer synthesist in mind. Modulating with Ian Waugh.

Roland GR-500

Group: Guitar Synthesisers

Review | Sound International, Dec 1978

Steve Hackett and Paddy Kingsland set out to test the merits and demerits of the Roland GR-500 and ARP Avatar. Synthesise watches, lads.

Andrew Powell

Interview | Electronics & Music Maker, Oct 1983

This premier producer, conductor and arranger discusses his solo album 'The Best of the Alan Parsons Project'

Bourgie Bourgie

Interview | One Two Testing, Jun 1984

return of the solo

Rhodes Model 660 & 760

Review | Music Technology, May 1990
RS-PCM Keyboards

Responding to the demand for accessible synthesisers, Roland's Rhodes division has come up with the first of a series of "playable" instruments. Simon Trask checks their performance.

Producers' Corner - Part 1

Feature Series | Topic: Arranging / Songwriting | Home & Studio Recording, Nov 1985

In this first article of a new series, John Harris examines basic song arrangement.

Programming Bass Sequences

Feature | Topic: Arranging / Songwriting, Sequencing | Sound On Sound, Apr 1988

Where would Madonna, Giorgio Moroder or Stock, Aitken and Waterman be without sequenced bass lines? Rudi Cazeaux provides some guidelines and practical examples to help you create better bass lines.

 

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