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Production Values - Part 2Feature Series | Making Music, Jul 1986Part two, in which we meet the fifth Beatle, George Martin, and also brush with Trevor Horn's Fairlight. |
Life After UltravoxInterview | Sound On Sound, Mar 1991Since the members of Ultravox went their separate ways, Billy Currie's solo career has taken him from band leader, through studio owner, to record label boss for the release of his second solo album. Interview by Mark Jenkins. |
Read the Small PrintFeature | Topic: Music Business | Phaze 1, Jan 1989"There's No Need to Read the Small Print so Just Sign Here, Ok?"the ins and outs of music-biz contracts |
Studio DiaryGroup: Recording WorldMore soft poop scoops from the investigative mind of Adrian Deevoy |
Somebody Up There Likes YouInterview | Electronics & Music Maker, Jan 1984A group of new faces for the 1980's, Simple Minds have expanded the original conception of 'pop' music with a series of exciting and refreshing releases and stage shows. Mike McNeil and Charlie Birchill talk here to Dan Goldstein. |
Simply SaidInterview | Making Music, Jul 1986A chat with keyboard person Mick MacNeil about technology, touring and techniques. |
Music For The MassesReview | Sound On Sound, Sep 1991Hitsound Sampling CDsPaul Ireson checks out the first three volumes in the Hitsound Sampling CD library: Pure Gold Synth; Old Gold Synth; and Guitar. |
The Big Ten - 1981Group: The Big Ten |
Behind Hollywood BeyondInterview | Music Technology, May 1987'What's the Colour of Money?' was one of last year's most inventive hit singles, but since then, little has been heard from Mark Rogers. Tim Goodyer talks to him as the first HB album is released. |
Production Lines - Mike HowlettOpinion | Recording Musician, Apr 1993Mike Howlett predicts that the currently moribund state of the record industry is simply a cyclic phenomenon, and that things will soon be on the upturn. |
Guitars Under £100Review | International Musician & Recording World, Apr 1975 |
ElectronicInterview | Sound On Sound, Oct 1991Feel Every BeatAre Electronic, mutant offspring of New Order, The Smiths and the Pet Shop Boys, the first electro-supergroup? Does it matter? Mark J. Prendergast ignores the hype, sidesteps trivial speculation, and talks technical to Bernard Sumner. |
Politics & PopFeature | Topic: Arranging / Songwriting, Marketing / Promotion, Music Business | Phaze 1, Feb 1989Are They A Good Mix?mixing the pop world's most powerful cocktail: should your music have a message? |
So You Want To Be A...Feature | Topic: Arranging / Songwriting | International Musician & Recording World, Mar 1985Songwriter.Hooklines and singers analysed by Jim Betteridge |
Remix, Remake, RemodelInterview | Music Technology, Jul 1987Are record producers losing their touch now they've regained their influence? Are DJs better-equipped to make music that moves? Simon Trask gets the answers from an objective source - one of Britain's top remix DJs. |
OmnichordReview | Micro Music, Dec 1989John Renwick strums away on a unique MIDI controller which may well interest any keyboard players with guitarist tendencies |
CommentEditorial | Electronics & Music Maker, Dec 1985The Music Behind The FaceEno — the man, the painting and the interview. |
"Good Drum Sound..."Feature | Topic: Recording | International Musician & Recording World, Sep 1985What is one? Who has one? How can you get one? All these and more dealt with expertly by Bob Henrit |
He Ain't Heavy...Interview | Music Technology, Sep 1987Is heavy metal really all mouth and trousers, or is there music in there too? Gary Moore's keyboardsman discusses technology and the changing face of rock with Tim Goodyer - quietly. |
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The Sound Of SilenceInterview | Electronics & Music Maker, Dec 1985A Thursday Afternoon with Brian EnoThe master of ambience tells Alan Jensen all about art, culture, experimentation and the Smiths. |
Story of the BluesFeature | Topic: History / Culture | Phaze 1, May 1989if you’ve got plenty of feeling but your technique lets you down - try playing the blues |