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Shape Of Things To Come

News | Sound On Sound, Dec 1991

Yet another selection of recently announced new products to whet your appetite!

Fast Forward

News | Home & Studio Recording, Jul 1986

What's new in the recording world.

Music Maker Equipment Scene

News | Electronics & Music Maker, Feb 1984

More Than A Fair Result

Show Report | Electronics & Music Maker, Sep 1985
BMF Report

Lager bottle in hand, the Editor guides you through the gallery of new music technology on demonstration at last month's newly-public British Music Fair. Plus lots of photographs so that those who missed it can find out what the gear looks like.

Karlheinz Stockhausen

Feature | Sound On Sound, May 1992
Electronics Into Light

Karlheinz Stockhausen has had a profound influence on modern music from the 1950s onwards, and pioneered the use of electronics to create genuinely new music. Mark J. Prendergast reviews his career.

Scam From NAMM

Show Report | Making Music, Feb 1987

Highlights from America's West Coast instrument expo. Hot scoops.

Soundcraft SA1000

Review | Home & Studio Recording, May 1986
Power Amplifier

Compared to a critical appraisal by Ben Duncan, the Spanish Inquisition was about as daunting as an old lady asking the time.

Shredder

News | One Two Testing, May 1985

news from the front

Fast forward

News | The Mix, May 1995
No hype, no waffle - just tomorrow's products today

Tomorrow's hot products previewed

The Shape Of Things To Come

News | Sound On Sound, Jan 1988

Our regular colourful glimpse of forthcoming and recently released new products from the hi-tech and recording fields.

Concert Review

Music Review | Electronics & Music Maker, Jun 1983

Klaus Schulze & Rainer Bloss, Tim Souster

Jon Hassell

Interview | Sound On Sound, Jul 1991

Jon Hassell has been at the leading edge of new music for three decades, with major contributions to western avant garde and world music. Following the re-release of two classic albums from the early '80s, Mark J. Prendergast presents a retrospective of Hassell's work.

Transformation

Interview | Electronics & Music Maker, Sep 1985

Contrary to popular belief Canadian electro-poppers Trans X have a bizarre and fascinating history that takes in cosmic electronic music. Annabel Scott reports.

The Human Side Of House

Interview | Phaze 1, May 1989

a house music producer who hates sampling and big drum sounds? some mistake, surely?

Music News

News | International Musician & Recording World, May 1975

Checklist

Feature | Topic: Buyer's Guide | Electronics & Music Maker, Sep 1985

The buyer's guide that bares all. Most of the dedicated sequencers, software packages and computer music systems currently available in the UK, detailed, listed and criticised by E&MM's reviewing team.

Production Lines

Opinion | Sound On Sound, Nov 1993

Genesis, Marillion and Fuzzbox producer Nick Davis suggests how British music might regain some lost magic.

Magnetic Music Prism

Review | Music Technology, Jul 1990
Software for the IBM PC

As musical interest in PC-compatible machines grows, more American software is finding its way into the UK. Harvey Newquist sequences the PC way.

MIDI SOFT

Feature | Topic: Computing | Sound On Sound, Feb 1986

Ian Waugh makes a global search of the UK MIDI software scene and presents this roundup of what is available and from whom.

Music Maker Equipment Scene

News | Electronics & Music Maker, Nov 1983

Bose 101 Mini Monitors

Review | Home & Studio Recording, Aug 1984

All The Emperor's Guitars

Feature | Topic: Design, Development & Manufacture | One Two Testing, Dec 1983
Tony Bacon on the trans-oceanic hotline

Who makes which Jap electrics? Check ERRATA

Korg M1R

Review | Sound On Sound, Jul 1989

The release of the M1R puts the M1’s hot sounds in a compact rack-mounting package that will undoubtedly appeal to musicians and studios already burdened by a surfeit of keyboards. Martin Russ looks beyond the surface appeal.

A User's Guide to Sample CDs

Feature | Topic: Sampling | Sound On Sound, Mar 1990

Not all sampler owners have access to every instrument they might wish to sample, hence the appearance of Sample CDs containing all manner of digitally recorded sounds. But how useful are they? Are they value for money? Keyboardist Dave Stewart recently spent many hours sorting the wheat from the chaff. Here are his findings.

Frankfurt Preview

Show Report | International Musician & Recording World, Feb 1986
The shape of things to come

Tony Reed goes back to the future for the Frankfurt forecast

 

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