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Bose 101 Mini MonitorsReview | Home & Studio Recording, Aug 1984 |
All The Emperor's GuitarsFeature | Topic: Design, Development & Manufacture | One Two Testing, Dec 1983Tony Bacon on the trans-oceanic hotlineWho makes which Jap electrics? Check ERRATA |
Korg M1RReview | Sound On Sound, Jul 1989The release of the M1R puts the M1’s hot sounds in a compact rack-mounting package that will undoubtedly appeal to musicians and studios already burdened by a surfeit of keyboards. Martin Russ looks beyond the surface appeal. |
A User's Guide to Sample CDsFeature | Topic: Sampling | Sound On Sound, Mar 1990Not all sampler owners have access to every instrument they might wish to sample, hence the appearance of Sample CDs containing all manner of digitally recorded sounds. But how useful are they? Are they value for money? Keyboardist Dave Stewart recently spent many hours sorting the wheat from the chaff. Here are his findings. |
Frankfurt PreviewShow Report | International Musician & Recording World, Feb 1986The shape of things to comeTony Reed goes back to the future for the Frankfurt forecast |
Elvis Lives!Feature | Phaze 1, May 1989RETROSPECT: elvis costelloan appreciation of one of the decade’s great songwriting talents; could you match them? |
Frankfurt PaydirtShow Report | Music Technology, May 1992The annual pilgrimage to Europe's largest music fair is over for another year. Vic Lennard brings hot news of the latest hi-tech developments, innovations, launches, lunches... |
Transatlantic Trends - Mr MisterInterview | Electronics & Music Maker, May 1986Tim Goodyer talks to pin-up keyboardsman Steve George about life at the top of the charts on both sides of the Atlantic... |
Going SoloInterview | Sound On Sound, Sep 1989Until their recent split, Robert John Godfrey was the keyboard maestro behind The Enid, whose massive underground following throughout Europe made them arguably the biggest cult band outside of the States. Frank Ellis met him to talk about his new residential studio, a solo career, and a new approach to recording. |
ReviewGroup: Playback - Spring 86 |
Shape Of Things To ComeNews | Sound On Sound, May 1991Yet another selection of recently announced new products to whet your appetite! |
PPG Wave 2.3 and WavetermReview | Electronics & Music Maker, May 1984A special report on the latest versions of these successful German instruments. Review by David Ellis. |
Digidesign Session 8 Digital StudioReview | Sound On Sound, Jul 1993The Personal Studio Of The Future?Your PC becomes your best friend in the studio with this eagerly awaited digital system. |
Akai CD3000Review | Sound On Sound, Sep 1993CD-ROM Sample PlayerWe test the world's first CD-ROM sampler. |
Musical Masterpiece?Review | Sound On Sound, Dec 1993Korg Audio Gallery Music System For Apple Mac And Windows |
The 1986 Synthesizer Tape ContestGroup: Roland Newslink - Autumn 1986Your chance to win an Alpha Juno or TR505 |
Peavey DPM3 SE & DPM SXReview | Music Technology, Aug 1991Digital Synth & Sampling InterfaceSince entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy. |
Tom Hidley - Studio DesignerInterview | Topic: Acoustics, Recording Studios | Sound On Sound, Sep 1986Over a 25 year period, Tom Hidley has designed and built more than 400 of the world's top recording studios. Recognised as an undisputed 'master' of his craft, his acoustic design concepts have changed the face of studios and the music that is made within their walls. In a rare interview, he talks openly about his design philosophy and his most current 'ground-breaking' project to Paul Gilby. |
Transatlantic Trends - SagaInterview | Electronics & Music Maker, May 1986...while Annabel Scott listens to words of wisdom from a Transatlantic keyboardist of a very different kind - Saga's Jim Gilmour. |
At Home in the StudioInterview | Recording Musician, Jul 1992An exclusive look inside Genesis' private studio retreat deep in the heart of Surrey. |
Mixing ItShow Report | Music Technology, Sep 1987Studio or stage? As technology advances, the traditional distinction between "recording technology" and "keyboard technology" becomes more and more confused - as this years recording show displayed. Report by Simon Trask. |
Wind SynthesizersReview | Sound On Sound, Dec 1987Having explored the history and development of wind synthesizers in our September issue, record producer and wind player extraordinaire John L. Walters compares and contrasts the Akai EWI and Yamaha WX7. Are they the instruments that wind players have been longing for? Find out inside. |