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ToolboxNews | The Mix, Apr 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds and samples |
Yamaha P2150 Power AmpReview | Home & Studio Recording, Aug 1986Ben Duncan dons his oil filled gumboots and stands on a pile of dry newspaper to give us an in depth report on this popular power amplifier. |
Dream StateInterview | Music Technology, Jan 1991After inspiring a generation of experimental musicians to explore synthetic soundscapes, Tangerine Dream found new relevance in 1990's ambient house movement. Simon Trask enters the Dream state. |
Hybrid Arts SMPTETrack GoldReview | Music Technology, Sep 1991Atari ST SoftwareWithout UK distribution, Hybrid's Atari sequencers have almost been forgotten. But now they're back with a Gold update to shout about, as Vic Lennard finds out. |
Frankfurt Show ReportShow Report | Home & Studio Recording, Mar 1989All that was new and all that was interesting at the this year's sojourn into Germany. |
Django LiveInterview | Electronics & Music Maker, Oct 1986...Is one of Britain's most inventive jazz keyboard players, with a myriad of different strings to his performing bow, and an unusually open-minded approach to new technology. Simon Trask listens to what he has to say. |
Siel CruiseReview | Electronics & Music Maker, Jan 1984SynthesiserA versatile mono/poly combination keyboard from the Siel stable comes under examination. |
Frankfurt: The Final FrontierShow Report | Music Technology, May 1991Following on from last month's pictorial exclusive, this account of Europe's largest hi-tech music exhibition fills in the details. Tim Goodyer files the report. |
The ExpanderFeature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Mar 1985Mark Jenkins' system |
Finale - Part 1Review Series | Sound On Sound, Mar 1989The best music program ever?Part 1: In the States, Coda's Finale has been hailed as the "the most exciting use of the Apple Macintosh to date" and "the most powerful, most intelligent, most flexible music software available today". In this lengthy two-part review, Kendall Wrightson cuts through the hype to discover whether the claims are fact or fiction. |
Shape Of Things To ComeNews | Sound On Sound, Sep 1991Yet another selection of recently announced new products to whet your appetite! |
Roland P-55Group: Quality Controlpiano moduleA piano for every occasion - and a few more besides |
Roland TR909 and MSQ-700Review | Electronics & Music Maker, Apr 1984Rhythm Composer and Digital Keyboard RecorderA matching analogue/digital drum-machine and digital keyboard recorder come under the gaze of Dan Goldstein and Geoff Twigg. |
For the RecordShow Report | Electronics & Music Maker, Aug 1985By way of introduction to better coverage of recording studios and the technology within them, we look at the current state of the recording art and report from London's recent APRS studio show. |
Killer KurzweilReview | Sound On Sound, Mar 1992Kurzweil K2000Kurzweil's new keyboard offers genuine innovation: versatile synthesis, an unparalleled user interface, and up to 64MB of user sampling are only the start of what sets the K2000 apart from other sample-based instruments. Craig Anderton explains why it will turn the head of even the most jaded technophile. |
DIY MusicGroup: On The RecordAll You Need To Know About Making Your Own RecordsSome musicians and bands decide to take their future success into their own hands, by putting money into producing their own records. Tony Batchelor and Sue Silutoe take the mystery out of making your own CD, vinyl or cassette release, from initial Session Tape to final product. |
The Rhythm SectionInterview | Sound International, Jan 1979Tony Bacon longs to talk to some Rich Kids' ghost, but ends up with the decidedly solid Rusty Egan and Glen Matlock. |
WarnerGroup: The Front End |
Roland U110 PCM Sound ModuleReview | Music Technology, Jan 1989What is 1¾" high, has 31 voices, plays the piano, vibraphone and sax, and has its own library? Simon Trask checks out Roland's latest PCM sample module. |