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The Synth Is Dead: Long Live The SynthFeature | Topic: Synthesis & Sound Design | Sound On Sound, Oct 1992With the predominance of the workstation synth, and the rise and rise of essentially preset instruments, what has become of the 'traditional' synthesizer? Paul Hazel turns the spotlight on Roland's JD800 and Korg's Wavestation, two recent instruments which answer the question — but in very different ways. |
Amiga NotesFeature | Topic: Computing | Sound On Sound, Mar 1993 |
Apple NotesFeature | Topic: Computing | Sound On Sound, Dec 1993 |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Aug 1986Rag Bags and Hotch PotchAnother grab-bag of micro-goodies from IM&RW's computer hack (or is that hacker?) Tony Mills |
Washburn G-40VReview | International Musician & Recording World, Nov 1986GuitarCheckDave Burrluck finds there's still a streak of originality to be found in the world of Strat copies |
Guitar GuruFeedback | Making Music, Jan 1987Another session in front of Maharishi Day and his all seeing wang bar. |
ToolboxNews Audio | The Mix, May 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
X-Ray Specs - Part 1Feature Series | Topic: Electronics / Build | One Two Testing, Mar 1985Ben Duncan explains the language of the specification sheetfind out what the small print means |
Studio Of The MonthGroup: Recording WorldCommunicate StudiosOur boy Pat Hunt takes the 2.30 to Epsom Downs and wins by a nose |
Street SoundsFeature | Topic: Live, Performing | International Musician & Recording World, Aug 1985BuskingThe much maligned art in theory and practice. Feature and acoustic guitar by Adrian Deevoy |
Truckin' with Mr ShirleyFeature | Topic: Live | Sound International, Jun 1979As David Steel had his battlebus, as Boadicea had her chariot, as Rob had his 68 bus this morning, so Genesis have Edwin Shirley's trucks... and many others have followed suit. Antony Freeman finds out why. |
Roland S770 - Part 3Review Series | Music Technology, Aug 1990Digital SamplerIn the final instalment of this three-part review, Simon Trask takes a look at the most important aspect of Roland's super sampler - the sampling itself. |
Digigram ProscoreReview | Music Technology, Jan 1991Software for the Atari STThe elite of ST scorewriting software is C-Lab's Notator and Steinberg's Cubase; their prices reflect this status. Ian Waugh makes the French connection and finds a cost-effective alternative. |
Time For SMPTE - Part 1Feature Series | Topic: Syncronisation | Sound On Sound, Nov 1985Accepted as the synchronisation standard in the television and broadcast industry, this digital timecode is fast making inroads into the recording studio at all levels. Kendall Wrightson puts it all in perspective with the start of this series. |
Go West Producer: Gary StevensonInterview | Sound On Sound, Mar 1986The phenomenal rise to success of Gary Stevenson came about through his dynamic production work on the first Go West album. Ralph Denyer extracts the details of the saga and discovers what Gary has planned for the future. |
Music Maker Equipment SceneNews | Electronics & Music Maker, Jan 1984 |
WelcomeEditorial | Sound On Sound, Aug 1987 |
Electro-Voice Sentry 100A SpeakersReview | Home & Studio Recording, Jan 1984 |
In The DreamhouseInterview | Electronic Soundmaker & Computer Music, Jan 1985An ES&CM exclusive... At home with top synth pioneers Tangerine Dream, in their own recording studio - a three page special. |
Roland Dimension DReview | Home & Studio Recording, Jun 1984 |
Roland R8MReview | Sound On Sound, Apr 1990Total Percussion Sound ModuleSequencer owners rejoice! Roland have taken the 16-bit PCM sounds from their popular R8 drum machine, put them in a convenient rackmount case, and added extra slots for ROM and RAM cards to produce a beat-box par excellence. David Brenton reports. |