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SADiEReview | Sound On Sound, Jun 1993PC Hard Disk Recording SystemIt's British designed and built, but is it the best? |
Dean Markley CD60 ComboReview | International Musician & Recording World, Dec 1986AmpCheckSun, sea and sand-coloured sophistication... beach-bum Paul Trynka warms to Dean's latest valve amp |
Bass Out Of TimeFeature | Topic: History / Culture | Making Music, Feb 1987Bass SlateThe life history of the bass guitar. |
JVC K-99 KaraokeReview | International Musician & Recording World, May 1985SoundcheckThe keystone of Japan's national sport comes under the oriental gaze of Martin Moody |
Commercial Radio: A Missed OpportunityFeature | Sound International, Apr 1979That's the way Tony Attwood sees it. See if you agree. |
Book ReviewsGroup: Sound Reports & ViewsJazz-Rock Fusion, Movement of Jah People |
JCD Feeling PartnerReview | Music Technology, Apr 1992Atari ST SoftwareOne emerging trend in software sequencing is that of endowing your computer with musical "intelligence". Ian Waugh contends that machines can have feelings too. |
The Professionals: MCPSFeature | Topic: Music Business | Sound On Sound, May 1987The Mechanical Copyright Protection SocietyThe second of an occasional series in which David Mellor takes a look at the organisations that help musicians and composers earn an honest crust in this hard world. This month: the Mechanical Copyright Protection Society. |
Increased ProphetsReview | Sound On Sound, Apr 1986Keyboard programmer Paul Wiffen brings you the latest developments on the Sequential sampling system: the new 2002 rack-mount, and the superb Digidesign visual editing software. He also takes a look at the Prophet 2000 and passes on some useful tips for using its 'mapping' function to the full. |
DDrumsReview | Electronics & Music Maker, Oct 1984Electronic Percussion SystemMarketed in the US as E-Drums, these Swedish-built percussion units combine high quality digital samples with immense constructional sturdiness. Dan Goldstein again. |
Questionnaire Results - Part 1Group: Computer MusicianAfter several weeks of collating your replies, an explanation of the results of this revealing survey. |
Korg DRV2000Review | Music Technology, Apr 1987Programmable MIDI ReverbIn the first of two appraisals of digital reverb units that offer real-time control of parameters via MIDI, Rick Davies analyses Korg's affordable approach... |
No Pain, Loads of GainReview | Recording Musician, Feb 1993Tech 21 SansAmp Rackmount Tube Amp EmulatorTech 21 have taken their popular SansAmp foot pedal guitar preamp and repackaged it in studio, rack-mount format. Paul White takes a look at what else it has to offer. |
Orchestral Manoeuvres In The DarkInterview | Electronics & Music Maker, Dec 1981We report on this top chart group. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Nov 1988Hints, Tips & News From The World Of Music SoftwareSpurred on by the successful reaction to our previous Steinberg and Dr.T support pages, we bring you a regular new column of hints, tips and news from the world of music software. |
Studio CoursesFeature | Topic: Education | Home & Studio Recording, Jul 1984A Guide to Recording, Electronic Music and Popular Music Courses in BritainThe first ever published guide to all Recording, Electronic Music and Music Courses available in Britain today. |
Music Maker Equipment SceneNews | Electronics & Music Maker, Aug 1982 |
MIDI MouseReview | Micro Music, Jan 1990John Renwick goes back to school with a whole range of music tutorial packages from Hybrid Arts |
Vigier GuitarsReview | Electronics & Music Maker, Feb 1983 |
Interfacing The Line - Part 2Feature Series | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Apr 1985The importance of impedance matching at line levels is widely misunderstood. This article attempts to clarify the situation. |
State of IndependenceFeature | Topic: Marketing / Promotion, Music Business | Electronics & Music Maker, Jun 1984Dan Goldstein sifts through the stack of independent vinyl that landed in the E&MM offices following our appeal, and finds each record has a different tale to tell. |