Digital Parametric Equaliser

The advantages of programmability and the power of MIDI spread further into the studio environment. Vic Lennard checks out Roland's programmable parametric equaliser.

In conjunction with the Chase Bit 01 Expander, Casio CZ-101 synthesizer and Akai Sampler, the Jellinghaus 12-Track MIDI Studio software for the Commodore 64 micro represents the most powerful compositional and recording set-up available under £2500. Mark Jenkins catches his breath and tells you why.

What is Library Music? What does a Music Library do? Freelance engineer Richard Elen answers these questions and more as he takes a look inside one of the world's premier recorded music libraries.

Korg's very latest keyboard is non other than a touch-sensitive, sub-£1000, 8-voice FM synthesizer! Mark Jenkins managed to catch a sneak preview.

A full run-down on what's happening to E&MM next month, how it'll look, and why we're doing it.

Music Sequencer

The phrase "size isn't everything" could have been written for this pocket-sized sequencer and synth expander. Simon Trask predicts big things.

A MIDI Control Program for the Macintosh

Passport were one of the first US companies to offer music software for any computer. Richard Elen wades through the extensive features offered by their first music software release for the Apple Macintosh - a MIDI control program called Master Tracks Pro.

A look at this successful equipment dealer.

Many people own one and even more would like to, for the E16 is the 16-track tape machine to aspire to. Gareth Stuart finds out why.

In response to reader demand, this month we introduce a regular page of hints and tips for Dr.T's music programs, written and compiled exclusively for SOS by Dr.T themselves.

SOS Online

Paul Gilby reports on SOS activities on the run-up to the launch of The Music Network.

In the fourth part of this series, David Mellor looks at the Fostex 4030/4035 synchroniser system, and how it is set up and operated.

Peavey MAP8X4, Icon Research APB1

Ian Gilby takes a look at two different approaches to the design of a MIDI-controlled audio patchbay: the Peavey MAP8X4 and Icon Research APB1.

New synthesisers from across the Atlantic

Atari ST & Commodore Amiga

Part 2. Concluding our look at the relative merits of the big four music computers, Martin Russ puts the case for the Atari ST and its variants, and Paul Overaa explains why his heart belongs to the Commodore Amiga.

Just a few of the choice items that will be competing for your money in the near future.

News from the front

all the news you need to know

The bass was made in England of true Electric Wood... Steve York investigates.

For what was supposed to be a universal interface, MIDI has trouble enough staying in touch with itself, let alone the outside world. Tim Goodyer looks at four auxiliary units that set out to improve matters.

Paul Tingen takes a look behind the scenes with Mai Tai production duo Eric van Tijn and Jochum Fluitsma — and finds out about songwriting, recording and home-made samplers.

Digicon ’85

Vancouver, Canada was the location for two hi-tech music events last August. Ron Briefel reports on the first of them, Digicon '85, and finds he has plenty to talk about.