Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for January 2025
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Short Takes

News | The Mix, Jan 1995

The Mix's information bulletin board

The Traditional Approach

Interview | Topic: Recording | Home & Studio Recording, Nov 1986

Dave Hutchins compares the traditional and modern methods of recording.

Korg T1

Review | Music Technology, Dec 1989
Music Workstation

Korg's latest line in synths is the T-series workstations - modestly designed to pick up where the successful M1 workstation left off. Simon Trask climbs aboard the flagship T1.

Record Attendance

Show Report | Music Technology, Aug 1988
APRS Report

The latest developments in the recording world brought the industry, press and public flocking to Olympia 2 recently. Simon Trask records the event.

Roland JV80

Review | Music Technology, May 1992
Digital Synthesiser

Roland's latest professional digital synthesiser crosses the frontier between their successful D-series technology and a new generation of Roland synths - without costing a fortune. Simon Trask welcomes the JV80.

Gateway's Sound Advice column

Feedback | Sound On Sound, Jan 1987

More readers' queries are answered by the expert teaching staff of London's Gateway School Of Recording & Music Technology.

Patching Up

Review | Sound On Sound, Jul 1986
Akai MIDI Programmable Patchbay

Ian Gilby reckons that before long every studio will have a MIDI patchbay as well as an audio one and the low-cost ME30P Programmable MIDI Patchbay from Akai could well be it.

Amusement Arcade

Review | Electronics & Music Maker, May 1986
Roland MPS & MUSE

Roland's first serious venture into software takes the form of composing packages for Commodore, Apple and IBM computers. Annabel Scott checks them out.

Mixdown Amiga Software

Review | Electronics & Music Maker, Jul 1986
Software for the Amiga

A British company have a comprehensive sampling package for Commodore's Amiga. Does it set a standard against which subsequent Amiga software will be judged? Chris Jenkins finds out.

Head To Head

Review | Recording Musician, Aug 1992
Fostex R8 & Tascam TSR8 Recorders

Paul White checks out Tascam's TSR8 and Fostex's R8 open reel, 8-track machines side by side.

Tascam DA88

Review | Recording Musician, Mar 1993
8-Track Digital Tape Recorder

Tascam's digital 8-track recorder is designed to meet the needs of professionals, yet is costed to appeal to the home studio market.

Fireball CX5M

Review | Electronic Soundmaker & Computer Music, Oct 1984

The CX5M music computer could change the face of the home micro-music market. We examine the first dedicated music computer to reach the UK

Kraftwerk Revealed

Interview | Electronics & Music Maker, Sep 1981
An interview with Ralf Hutter

Harrogate International Festival

Show Report | Electronics & Music Maker, Oct 1982

A spotlight on the new products, including the latest in digital technology, at this year's Festival.

Shape of Things to Come

News | Sound On Sound, Feb 1990

A plethora of new hi-tech products to whet your appetite.

Keyboard Music

Interview | Sound On Sound, Mar 1990

One of the pioneers of the German electronic music scene, Hans Joachim Roedelius's use of electronic keyboards to treat sound, create atmospheres, and provide sonic backdrops has evolved through collaborations with the likes of Conny Plank, Peter Baumann and Brian Eno. Mark J. Prendergast discovers more about the man and his music.

The Musical Micro

Feature | Topic: Computing | International Musician & Recording World, May 1986
Sweet Sixteen Bits

Tony Mills on the latest software for two 'pro' micros — the IBM PC, and the increasingly wonderful Atari ST

Electro-Acoustic Music at Huddersfield

Feature | Topic: Education, Recording Studios | Electronics & Music Maker, May 1984

The latest activities at one of the UK's lesser-known electro-acoustic music studios, put into perspective by its mentor, Phil Ellis.

Newsdesk

News | Electronics & Music Maker, Dec 1984

Upcoming electronic music products and events.

Kracked Plastik

Group: In Session

Interview | The Mix, Dec 1994

Explains his complex minimalism

MXR Compander

Review | Sound International, Sep 1978

Mel Lambert on the MXR Compander, including a general roundup of noise reduction techniques.

Excerpts from City Slab Horror

Interview | Electronics & Music Maker, May 1985

Severed Heads mainman Tom Ellard in conversation with Dan Goldstein - no one in the modern music industry is safe.

Electronic Percussion Checklist

Feature | Topic: Buyer's Guide | Electronics & Music Maker, Jul 1985

This month’s Checklist turns its attention to the world of electronic drum kits and drum machines. Price guides will never be the same again.

George Martin

Interview | Topic: Recording Studios | Sound On Sound, Dec 1993

Buzz

News | International Musician & Recording World, Nov 1986

Everything you didn't want to know and couldn't be bothered to ask

 

muzines_logo_02

Small Print

Terms of usePrivacy