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Amusement ArcadeReview | Electronics & Music Maker, May 1986Roland MPS & MUSERoland's first serious venture into software takes the form of composing packages for Commodore, Apple and IBM computers. Annabel Scott checks them out. |
Mixdown Amiga SoftwareReview | Electronics & Music Maker, Jul 1986Software for the AmigaA British company have a comprehensive sampling package for Commodore's Amiga. Does it set a standard against which subsequent Amiga software will be judged? Chris Jenkins finds out. |
Yamaha DMP7 Digital MixerReview | Sound On Sound, Jul 1987Digital Mixing ProcessorA fully automated, digital mixer with built-in multi-effects and full MIDI control for under £3,000? Hard to believe. David Mellor visits the Yamaha research and development centre in London to try out this amazing innovation in the flesh and discovers that the DMP7 is no fantasy! |
Music Maker Equipment SceneNews | Electronics & Music Maker, Aug 1981 |
Different StrokesInterview | Recording Musician, Aug 1992An Audience With AzizLeading session guitarist Aziz talks to John Harris about playing, recording, and hi-tech guitar processors. |
Studio Earthing Techniques - Part 1Feature Series | Topic: Electronics / Build, Maintenance / Repair / Modification | Home & Studio Recording, Sep 1984InterconnectStudio 'earthing' techniques. |
NewsNews | International Musician & Recording World, Feb 1985The latest from downtown trade and productsville |
Gibson Explorer SynthReview | International Musician & Recording World, Feb 1986GuitarcheckPlug in, lean back, legs apart — and sound like an accordionist. Tony Mills taxes the axe |
Music OnLineFeature | Topic: Computing | Micro Music, Jun/Jul 1989David Janda goes for his regular jaunt round the bulletin boards |
Frontline Effects BoxesReview | Electronics & Music Maker, Aug 1983 |
Bond GuitarReview | One Two Testing, Feb 1984 |
Alpha-Beta!Review | Music UK, Apr 1983Alpha Syntauri ReportDave Crombie tries the alphaSyntauri synthesiser |
Akai S1100Review | Sound On Sound, Dec 199016-Bit Stereo SamplerAkai's S1000 is without doubt the industry standard professional sampler, so why try and improve on the best? Paul Wiffen finds that SMPTE cue listing, AES/EBU real-time output, and built-in effects are a good start (with hard disk recording to follow). |
Winter NAMMShow Report | Sound On Sound, Mar 1991Paul Wiffen braved the sun, surf and sand of California to bring you the latest highlights of forthcoming hi-tech products shown at NAMM '91. |
Gamelan a ding dongGroup: In SessionRugged adventures recording Balinese music |
Kurzweil 250Review | Electronics & Music Maker, Dec 1984Digital KeyboardHow can the principles of Artificial Intelligence be employed to make a computer musical instrument sound like a grand piano? David Ellis delves deep into the workings of a £10,000+ Stateside keyboard. |
Atari NotesFeature | Topic: Computing | Sound On Sound, Jul 1993 |
Status SymbolReview | Phaze 1, Feb 1989DREAM MACHINE: Washburn status bassthe washburn status bass: a designer label at a supermarket price |
Competition ResultsGroup: Roland Newslink - Autumn 1986Lots of info about who has won what |
Mikes And The MechanicsFeature | Topic: Microphones | Making Music, Jan 1987Straight to the source, Jon Lewin quizzes Sennheiser technicians on what goes where. |
That Was Then But This Is NowFeature | Topic: History / Culture | International Musician & Recording World, Jan 1985How it was done in the heyday of Pop - Philip Bashe tracked down the bands your dad snogged along to and found out the history of the '60s hits |
Fender GuitarsReview | International Musician & Recording World, Oct 1985GuitarcheckThree of the new breed vetted by Dave Burrluck |