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Amusement Arcade

Review | Electronics & Music Maker, May 1986
Roland MPS & MUSE

Roland's first serious venture into software takes the form of composing packages for Commodore, Apple and IBM computers. Annabel Scott checks them out.

Mixdown Amiga Software

Review | Electronics & Music Maker, Jul 1986
Software for the Amiga

A British company have a comprehensive sampling package for Commodore's Amiga. Does it set a standard against which subsequent Amiga software will be judged? Chris Jenkins finds out.

Yamaha DMP7 Digital Mixer

Review | Sound On Sound, Jul 1987
Digital Mixing Processor

A fully automated, digital mixer with built-in multi-effects and full MIDI control for under £3,000? Hard to believe. David Mellor visits the Yamaha research and development centre in London to try out this amazing innovation in the flesh and discovers that the DMP7 is no fantasy!

Music Maker Equipment Scene

News | Electronics & Music Maker, Aug 1981

Different Strokes

Interview | Recording Musician, Aug 1992
An Audience With Aziz

Leading session guitarist Aziz talks to John Harris about playing, recording, and hi-tech guitar processors.

Studio Earthing Techniques - Part 1

Feature Series | Topic: Electronics / Build, Maintenance / Repair / Modification | Home & Studio Recording, Sep 1984
Interconnect

Studio 'earthing' techniques.

News

News | International Musician & Recording World, Feb 1985

The latest from downtown trade and productsville

Gibson Explorer Synth

Review | International Musician & Recording World, Feb 1986
Guitarcheck

Plug in, lean back, legs apart — and sound like an accordionist. Tony Mills taxes the axe

Music OnLine

Feature | Topic: Computing | Micro Music, Jun/Jul 1989

David Janda goes for his regular jaunt round the bulletin boards

Welcome

Editorial | Sound On Sound, Oct 1989
Going Soft

Frontline Effects Boxes

Review | Electronics & Music Maker, Aug 1983

Bond Guitar

Review | One Two Testing, Feb 1984

Alpha-Beta!

Review | Music UK, Apr 1983
Alpha Syntauri Report

Dave Crombie tries the alphaSyntauri synthesiser

Akai S1100

Review | Sound On Sound, Dec 1990
16-Bit Stereo Sampler

Akai's S1000 is without doubt the industry standard professional sampler, so why try and improve on the best? Paul Wiffen finds that SMPTE cue listing, AES/EBU real-time output, and built-in effects are a good start (with hard disk recording to follow).

Winter NAMM

Show Report | Sound On Sound, Mar 1991

Paul Wiffen braved the sun, surf and sand of California to bring you the latest highlights of forthcoming hi-tech products shown at NAMM '91.

Gamelan a ding dong

Group: In Session

Feature Audio | Topic: Location Sound | The Mix, Nov 1994

Rugged adventures recording Balinese music

Newsdesk

News | Electronics & Music Maker, Sep 1984

On the hour, every hour.

Kurzweil 250

Review | Electronics & Music Maker, Dec 1984
Digital Keyboard

How can the principles of Artificial Intelligence be employed to make a computer musical instrument sound like a grand piano? David Ellis delves deep into the workings of a £10,000+ Stateside keyboard.

History of PA - Part 2

Feature Series | Topic: Live | One Two Testing, Jul 1984

the birth of loud

Atari Notes

Feature | Topic: Computing | Sound On Sound, Jul 1993

Status Symbol

Review | Phaze 1, Feb 1989
DREAM MACHINE: Washburn status bass

the washburn status bass: a designer label at a supermarket price

Competition Results

Group: Roland Newslink - Autumn 1986

Competition | Topic: Advertisement Feature | International Musician & Recording World, Sep 1986

Lots of info about who has won what

Mikes And The Mechanics

Feature | Topic: Microphones | Making Music, Jan 1987

Straight to the source, Jon Lewin quizzes Sennheiser technicians on what goes where.

That Was Then But This Is Now

Feature | Topic: History / Culture | International Musician & Recording World, Jan 1985

How it was done in the heyday of Pop - Philip Bashe tracked down the bands your dad snogged along to and found out the history of the '60s hits

Fender Guitars

Review | International Musician & Recording World, Oct 1985
Guitarcheck

Three of the new breed vetted by Dave Burrluck

 

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