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Live And DirectInterview | Music Technology, Mar 1990By ignoring the charts and treating dance music as a live phenomenon, Adamski has won himself a huge following and a chart placing. Simon Trask talks about the live applications of studio music. |
Korg SoundLinkReview | Music Technology, Mar 1992Digital Audio WorkstationFrom the home of the M1 and the Wavestation comes SoundLink - an advanced digital recording and editing system. Simon Trask trips into the future. |
Fair AffairsShow Report | Music Technology, Sep 1987Britain's biggest, busiest and noisiest music fair is over for another year. So what did we get for our money and our aching feet? Report by Simon Trask. |
Jen Musipack 1.0Review | Electronic Soundmaker & Computer Music, May 1984Exclusive instrument review |
Lead LinesNews | Electronic Soundmaker & Computer Music, Oct 1984BMF roundup, news, chart, and studio tape listing |
Dealer NewsNews | Topic: Retail | International Musician & Recording World, Jun 1975 |
The Affordable World of Computer MusicFeature | Topic: Computing | International Musician & Recording World, Feb 1986The Musical MicroMore packages picked apart by Tony Mills |
That Syncing Feeling - Part 3Feature Series | Topic: MIDI, Syncronisation | Micro Music, Oct/Nov 1989Chris Smith enlightens us on the subject of locking music to video |
Ensoniq MirageReview | In Tune, Jul/Aug 1985 |
Music Maker Equipment SceneNews | Electronics & Music Maker, Aug 1983New Casios, Sharp Music Processor, Bel DDL |
Calrec 600 Series MicrophonesReview | Electronics & Music Maker, Oct 1983 |
OstendersFeature | Topic: Video / Film / Picture | Making Music, Aug 1986 |
Roland S750 SamplerReview | Sound On Sound, Oct 1991Digital Quality — Analogue FeelRoland's acclaimed S770 sampler has been quietly growing in popularity, and the release of version 2.0 software and the floppy drive-only S750 should ensure that Roland samplers become still more popular. Wilf Smarties explains why. |
Roland CubeReview | Electronics & Music Maker, Feb 1984Chorus 60One of the most versatile combo amps available, the Chorus 60 comes under scrutiny. |
RumblingsGroup: Computer MusicianNews on the forthcoming invasion of MSX home computers, the International MIDI Association, the Decillionix system and the Kurzweil digital keyboard. |
Fender Fretless PrecisionFeature | Topic: Tuition / Technique | Sound International, Jul 1978Fretless Bass PlayingColin Hodgkinson wide-eyed and fretless. |
TED Digisound RevisitedReview | Electronics & Music Maker, Jan 1985We first looked at the Digisound in July, but now the Dutch sampled-sound percussion machine has some new features and a new distributor. Paul White checks out the new version. |
Korg MR16Review | Electronics & Music Maker, May 1985MIDI Percussion Voice GeneratorSimon Trask confronts a technological puzzle. Why have Korg put 19 digital drum voices in a box that contains no sequencing software? |
Expand AbilityReview | Electronics & Music Maker, Jul 1985Two manufacturers follow their already established polysynths with keyboardless voice expanders. Trish McGrath puts the Chase Bit 01 and Siel Expander 80 through their paces. |
Sequencer ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Apr 1986Our unique buyers' guide lists dedicated sequencers, software packages and computer music systems. Nothing else comes close. |
Sample ShopReview | Sound On Sound, Jan 1993 |
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