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Sounding OffOpinion | Sound On Sound, Dec 1990Form Or Function: What Are We Paying For?Do manufacturers and distributors care too much about the appearance of products and not enough about performance? Paul Wiffen offers an insider view. |
Eno SenseInterview | Music Technology, Feb 1988His successful production of U2 has brought musical sage Brian Eno back into the public eye. John Diliberto finds out what's become of his oblique strategies and how he approaches the latest technology. |
From 24 tracks to 8Interview | Home & Studio Recording, Oct 1984Founder of Ultravox and owner of The Garden Studio, John Foxx talks about all aspects of his recording methods and highlights the technological changes that have caused him to rethink the way he composes. |
UltraboxesInterview | Making Music, Jan 1987The wonderful guitars that made the wonderful Midge the wonderful guitarist. That he is. |
Steve Gray on the DX7Feature | Electronics & Music Maker, Dec 1983Sky's keyboardist was one of the first musicians to take the Yamaha DX7 on the road for the band's last tour, here he explains how it stood up to the rigours of the road. |
AmericaNews | Electronics & Music Maker, Jul 1981 |
Production Values - Part 2Feature Series | Making Music, Jul 1986Part two, in which we meet the fifth Beatle, George Martin, and also brush with Trevor Horn's Fairlight. |
Orchestral Manoeuvres In The DarkInterview | Electronics & Music Maker, Dec 1981We report on this top chart group. |
NewsdeskNews | Electronics & Music Maker, Jun 1984 |
The New Simmons KitsReview | Electronics & Music Maker, Apr 1984Simmons SDS7 and SDS8In a special report, Ultravox drummer Warren Cann takes a look at two new electronic drum-kits from Simmons - the people who started it all. One is a straight forward 'Simmons-sound-on-a-budget' model, the other a sophisticated modular system employing both analogue and digital sound-generation, as well as versatile user-programmability. |
The HumaniserReview | Sound On Sound, Mar 1986Ian Gilby looks at how you can programme that 'human feel' into your drum patterns or sequences using another clever device from the Bokse company - the MIDI Humaniser. |
The Syntom Drum SynthesiserFeature Audio | Topic: Electronics / Build | Electronics & Music Maker, Apr 1981 |
The Traditional ApproachInterview | Topic: Recording | Home & Studio Recording, Nov 1986Dave Hutchins compares the traditional and modern methods of recording. |
The Mono ManInterview | Electronic Soundmaker & Computer Music, Aug/Sep 1984Chris Huggett, the man behind OSCar speaks |
Home TapingGroup: Recording WorldA lively Exit by Tony Reed |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Music Technology, Feb 1987MT readers get their chance to see their own synth sounds in print. Instruments featured this month include the Juno 106, Poly 800 and DX21... |
John Foxx: Recording In Mysterious WaysInterview | Sound On Sound, Dec 1985Ian Gilby visits The Garden Studio and learns how John Foxx composed and recorded tracks from his recently released album 'In Mysterious Ways'. |
The ProfessionalReview | Electronic Soundmaker & Computer Music, Aug/Sep 1984Yamaha's DX1, here at last |
Korg MR16Review | Electronics & Music Maker, May 1985MIDI Percussion Voice GeneratorSimon Trask confronts a technological puzzle. Why have Korg put 19 digital drum voices in a box that contains no sequencing software? |
Concert ReviewMusic Review | Electronics & Music Maker, Apr 1983Helden, Laurie Anderson, Fad Gadget, The Enid |