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Dynamic Digital DrumsReview | Sound On Sound, Dec 1986Korg DDD-1Korg's latest (and some might say greatest) drum machine takes a heavy pounding from Mark Jenkins. But does it survive the assault? Read on to find out... |
On The Beat - Part 1Group: Sound Advicethe next generationHow to funk up your drum patterns |
Long time comingGroup: In SessionAdam Mosley chats about producing The Plot Thickens |
On The Beat - Part 2Group: Sound Advicethe next generationThe second instalment of our guide to programming drums |
Soundworks S900 Visual EditorPreview | Sound On Sound, Feb 1987Software for the Atari STAfter his recent jaunt on BBC TV's 'Micro Live' show, Atari ST owner Tony Hastings tries out Steinberg Research's new editing software for the Akai S900 sampler. |
Hands OnFeature | Topic: Sampling, Synthesis & Sound Design | Sound On Sound, Jul 1991Emu Emax IIThe first in an occasional series in which David Mellor looks at well-established and respected pieces of musical and audio equipment, and tells you what you need to know to start making music with them. |
The Main EventReview | Sound On Sound, Jan 1988RTL Event Sync BoxIt's that man again! David Mellor enters the mysterious world of timecode and stalks one of its new inhabitants - the Event timecode/MIDI processor from Real Time Logic. |
Enterprise zoneGroup: Sound AdviceNewham CollegeAn East End education boots up the digital revolution |
Steinberg CubaseReview | Sound On Sound, Aug 1989The new heir to the ST sequencer throne?After a change of name and a long wait, Steinberg's successor to Pro24 is finally here. Has it been worth the wait? David Hughes thinks so... |
MTR 6-4-2 MixerReview | Home & Studio Recording, Jun 1984 |
Shopping For A SynthFeature | Topic: Buyer's Guide | Sound On Sound, Jan 1988Sometimes The Little Things CountWhen shopping for a synthesizer, most people know to look for major features like the amount of patch storage, whether split and layered keyboard configurations are possible, and so on. But paying attention to features that make it easier to programme sounds is very important if you want to attain your maximum level of creativity. Craig Anderton offers guidance. |
The Alan Parsons ProjectInterview | Sound On Sound, May 1986The man who took the credit for production on Pink Floyd's superlative 'Dark Side Of The Moon' album has since had ten years of album success with his own creation: The Alan Parsons Project. Richard Elen managed to track him down to London's Mayfair Studios, to discuss the appliance of music technology in his recordings. |
The Shape of Things to ComeNews | Sound On Sound, Aug 1988Three pages of forthcoming new products to tempt you to dig deeper into your pockets later on this year. |
Doepfer MAQ16/3 MIDI analogue sequencerReview | Music Technology, Jul 1993Ian Waugh unveils the secrets of a good old-fashioned analogue sequencer that generates MIDI data, courtesy of some good old-fashioned German R&D from manufacturers Doepfer, with a little help from their friends Kraftwerk. Vorsprung durch technik, as Ian says. |
Way Down Yonder...Show Report | Electronics & Music Maker, Aug 1985...in New Orleans, Paul Wiffen takes time out to visit the NAMM show, and returns bearing news of the Series III Fairlight, the Emulator SP12 and the OSC Advanced Sound Generator, and more. |
Hands On: Sony DTC1000ESFeature | Sound On Sound, Sep 1991Following his guide to using the B77, David Mellor offers some basic advice for newcomers to the Sony DTC1000ES. |
Mission control - Part 1Group: Control RoomYamaha ProMix 01Groundbreaking digital mixer |
Home is where the art isGroup: In SessionSomeday, all home studios will be built this way - an exclusive survey |
Bourbaki FractunesFeature | Music Technology, Mar 1992IBM PC SoftwareThe gap between audio and video technologies closes - a recent crossover is software that allows you to generate fractal images from your music. Ian Waugh's PC gets psychedelia. |