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MTR series IIIReview | Micro Music, Oct/Nov 1989John Renwick gives in to the temptation of the MTR Series III mixer |
Tony BanksInterview | Sound On Sound, Sep 1989Keyboard player Tony Banks has been the foundation stone of Genesis' music for almost two decades now but has not experienced the same level of success in his work outside Genesis as past and present members of the band, Phil Collins, Mike Rutherford and Peter Gabriel. With two solo albums and numerous film scores behind him, Banks is set to bounce back into the limelight with a fresh, new solo project. Brian Jacobs poses the questions... |
Danse ElectroniqueInterview | Electronics & Music Maker, Jan 1984One of the foremost composers of electronic film music, here he talks about his celluloid career and his more recent excursion into the world of popular music producing, and his own Danse Electronique. |
ElectronicInterview | Sound On Sound, Oct 1991Feel Every BeatAre Electronic, mutant offspring of New Order, The Smiths and the Pet Shop Boys, the first electro-supergroup? Does it matter? Mark J. Prendergast ignores the hype, sidesteps trivial speculation, and talks technical to Bernard Sumner. |
The New Tangerine DreamInterview Audio | Electronics & Music Maker, Jan 1982An interview with Edgar Froese and Christoph Franke during their recent UK tourAn interview with Edgar Froese and Christoph Franke, concert report and music pull-out "Choronzon" from the 'Exit' LP. |
Groove MC-LiteReview | Music Technology, Aug 1991MIDI-controlled Stage LightsExtending MIDI control to cover stage lighting is a logical extension of a system which can already control most aspects of music. Vic Leonard strikes a lite. |
Pet SoundsInterview | Music Technology, Dec 1993A behind-the-scenes glimpse into who does what, and how, in the making of Neil Tennant and Chris Lowe's classic synth-pop records. |
Richard PinhasInterview | Electronics & Music Maker, Sep 1982The Man and his MusicWe feature one of France's most fascinating Electro-Musicians, and look at the man, his music and the philosophy behind his composition. |
In The MoodInterview | Electronics & Music Maker, Aug 1986A Canadian guitarist with a low profile but a high pedigree pays a visit to Britain. Tim Goodyer finds out about the infinite guitar and the infancy of FM synthesis. |
Lead OnFeature | Topic: Vintage Instruments | Electronic Soundmaker & Computer Music, Mar 1984Follow-up to issue 1 |
Adventures In Television RecordingFeature | Topic: Live, Recording, Video / Film / Picture | Home & Studio Recording, Feb 1986John Harris draws on personal experience to reveal some of the problems encountered when recording TV pop music programmes. |
Art & ScienceInterview | Music Technology, Apr 1988JJ JeczalikWith the title track from the film Dragnet currently on release, the Art of Noise are still newsworthy. Paul Tingen talks to JJ Jeczalik about sampling, Frankie Goes To Hollywood and court cases. |
The Music SystemInterview | Electronics & Music Maker, Mar 1986The quiet man of systems music tells Simon Trask why his work is so often misunderstood - and why tomorrow's 'serious music' won't be possible without computers. |
Jazz BabyInterview | Music Technology, Dec 1990The release of Jason Rebello's first LP shows him to be more than the tasteful performer the jazz circuit already recognises. Simon Trask talks to one of Britain's leading jazz keyboardsmen. |
Disciple Of The BeatInterview | Music Technology, Sep 1989Dance music should be about more than 'moaning samples and ecstasy' claims producer Arthur Baker. Simon Trask talks to the man behind 'Planet Rock'. |
Grid PatternsInterview | Music Technology, Nov 1992Floyd, Eno, Gabriel... Grid?New Grid on the block |
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